Author name: Ulrika Lindqvist

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Michael Kors Captures the Spirit of the Riviera with Christina Zimpel

Michael Kors Captures the Spirit of the Riviera with Christina Zimpel images courtesy of Michael Kors  For Summer 2026, Michael Kors invites artist Christina Zimpel to bring her vibrant visual language to a limited edition capsule that celebrates the carefree elegance of the French Riviera. Long admired by Michael Kors for her expressive illustrations, the Australian artist has created two exclusive artworks inspired by Saint Tropez. One captures a sun drenched beach scene in luminous shades of blue and yellow, while the other reimagines the town’s iconic bell tower through a bold palette of forest green, hot pink, orange and white. Together, the prints evoke the warmth, colour and effortless glamour of a Mediterranean summer. The capsule translates Zimpel’s artwork across a selection of lightweight cotton shirt dresses, coordinated shirt and shorts sets, flowing sarongs and an assortment of accessories including canvas totes, bucket hats and small leather goods. Designed with travel and warm weather dressing in mind, each piece balances relaxed sophistication with an unmistakably artistic spirit. “When I first came across Christina’s work years ago, I was drawn to the optimism and the joy in what she did,” says Michael Kors. “I also love that her work has such a strong sense of place. It instantly transports you. This summer felt like the right time for a wardrobe filled with that sunny, uplifting aesthetic.” For Zimpel, the collaboration was an opportunity to translate the feeling of an idyllic summer evening into wearable form. “For this project I tried to conjure up the pleasure of sitting at the perfect vantage spot on a perfect evening and feeling the joy that brings,” she says. Rooted in colour, craftsmanship and a shared appreciation for escapism, the Michael Kors x Christina Zimpel capsule offers a fresh interpretation of resort dressing through the meeting of fashion and art. Find the collection here 

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Running Into the New Season with Casall

Running Into the New Season with Casall The best running season has finally arrived. Longer, lighter days and crisp mornings make every run feel a little more inviting. With its SS26 collection, Casall introduces a fresh take on performance wear, where cool shades of blue meet technical fabrics, sculpting silhouettes and thoughtfully designed details. Created to offer comfort, support and complete freedom of movement, each piece is made to keep pace with every kind of run, from chasing a new personal best to an unplanned evening outing or a leisurely walk in the sunshine. Find the collection here image courtesy of Casall

Travel

Villa Dagmar, Five Years On

Villa Dagmar, Five Years On Text by Ulrika Lindqvist You know a hotel has truly become part of a city when you can no longer remember what stood there before. That is certainly the case with Villa Dagmar. Since opening in 2021, the boutique hotel in the heart of Stockholm’s Östermalm district has quietly become one of the capital’s most sought after addresses, attracting international visitors and Stockholmers in equal measure. Part of the family owned Diplomat Collection, which also includes the iconic Hotel Diplomat and the recently opened Villa Dahlia, Villa Dagmar offers a distinctly residential atmosphere. Rather than feeling like a traditional luxury hotel, it feels like a beautifully designed city home, where Scandinavian and Italian influences meet in warm, eclectic interiors. It is the kind of place that invites you to slow down. Hours disappear in the room, whether working by the window, soaking in the bath, reading with a glass of wine or simply enjoying the exceptionally comfortable bed that makes leaving the following morning surprisingly difficult. all images courtesy of Villa Dagmar At the heart of the hotel is Restaurant Dagmar. Centred around a leafy courtyard, the restaurant captures the atmosphere of Mediterranean outdoor dining, even on a rainy spring evening. Trädgårdsbaren has become a popular destination for after work drinks, with DJs setting the mood on weekends, while neighbouring Dagges Vinbar offers an intimate setting for a carefully chosen glass of wine. The menu reflects the same relaxed elegance as the surroundings. The Gambas Pil Pil with chilli, garlic, parsley, lemon and grilled sourdough is a standout, while the pizzas remain a reliable favourite throughout the year. During summer, the Club Sandwich and Chicken Salad are seasonal highlights, best accompanied by the restaurant’s well known seasoned fries. Breakfast deserves a mention of its own. Combining a generous buffet with à la carte dishes, it is among the finest hotel breakfasts in Stockholm. Fresh butter rolls, cinnamon buns and chia pudding are not to be missed. Behind the hotel lies the story of Dagmar Bergsten, the woman who inspired both its name and identity. A member of the owning family, she was known for her love of travel, art and lively gatherings. Throughout the early twentieth century, she travelled across Europe and Egypt, building an extensive art collection while drawing inspiration from pioneering women including Karin Larsson, Sonia Delaunay, Gertrude Stein, Hilma af Klint and Peggy Guggenheim. The hotel takes its name from Karl and Dagmar Bergsten’s private residence in Båstad, an elegant villa surrounded by a rose garden where family and friends gathered throughout the 1920s and 1930s. Filled with fresh flowers, European art and carefully collected antiques, it became a place where culture, conversation and hospitality naturally came together. That same spirit continues to shape Villa Dagmar today. “With Villa Dagmar, Hotel Diplomat gains a sister property rooted in the same distinguished tradition of hospitality. At the same time, it is a hotel with its own identity, shaped by new ideas and concepts. We created this space for discerning travellers with high expectations of both quality and hospitality. Having grown up in this hotel family, it feels especially meaningful to lay the foundation for what we hope will become a new Stockholm institution. A vibrant and exclusive meeting place for international visitors and Stockholmers alike, just as Dagmar would have wanted.” – Anna Cappelen, Co Owner and Head of Product and Design, Diplomat Collection Earlier this year, Villa Dagmar celebrated its fifth anniversary, marking five years of combining boutique hospitality with a strong commitment to gastronomy, design and culture. Over the past year, the hotel has also received international recognition, earning the title of Best Hotel in the Rest of Europe at the Condé Nast Traveler Readers’ Choice Awards 2025, alongside its first Michelin Key. “It has been an incredible five years, and we would like to extend our heartfelt thanks to both our guests and everyone who has contributed to Villa Dagmar. None of this would have been possible without our dedicated team. Villa Dagmar is our city villa, constantly evolving and finding new expressions and ways to bring people together. Our ambition is to remain at the forefront while continuing to create an open and welcoming place where people can meet, find inspiration and return again and again.” says Anna Cappelen. To mark the anniversary, Executive Chef Håkan Carlsson created Dagmar’s Garden, a seasonal dessert inspired by Dagmar Bergsten’s celebrated garden gatherings in Båstad, where sabayon was said to be a favourite. Combining almond cake, rhubarb, fresh strawberries, elderflower sabayon and roasted white chocolate, the dessert is both elegant and indulgent while remaining wonderfully fresh. Wellbeing is another important part of the experience. The hotel’s compact fitness studio is thoughtfully equipped and, despite being popular with guests, maintains a calm atmosphere. Through a partnership with Vigour Fitness, personal training sessions are also available. For those seeking a slower pace, Dagmar Spirit & Retreat offers skincare, beauty and holistic wellness treatments in collaboration with Mia Hjalmarsson. Individual consultations with dermatologists and therapists ensure that every treatment is tailored to the guest. Five years after opening, Villa Dagmar no longer feels like Stockholm’s newest boutique hotel. Instead, it feels like it has always belonged, a place where thoughtful design, exceptional dining and effortless hospitality come together in one of the city’s most vibrant neighbourhoods.

Fashion Articles

Celebrating Marimekko Day in Helsinki

Celebrating Marimekko Day in Helsinki text by Ulrika Lindqvist Marimekko is more than a Finnish fashion and lifestyle brand. It is a way of life. At the company’s headquarters and textile printing factory, porridge has been served to employees every morning since the company’s founding in 1951, a tradition that reflects the sense of community at the heart of the brand. We travelled to Helsinki to celebrate Marimekko Day on 22 May, and the city’s embrace of the occasion was unmistakable. The iconic Unikko flower appeared everywhere, adorning jeans, shirts and even tablecloths at cafés along the harbour, turning the city itself into a celebration of Marimekko’s unmistakable visual identity. photography Jere Viinikainen The annual Marimekko Day fashion shows took over Esplanade Park in the heart of Helsinki, where the Summer 2026 collection was unveiled across three runway presentations. Set to a live soundtrack by Ruusut, the event was hosted by Marimekko CEO Tiina Alahuhta-Kasko, Chief Marketing Officer Sanna-Kaisa Niikko and journalist Maria Veitola. Crowds gathered throughout the day, many dressed in Marimekko, dancing to the music and embracing the festive atmosphere. Even the rain during the second show became part of the experience, as colourful Marimekko umbrellas opened across the audience. The Summer 2026 collection brings together playful proportions, expressive prints and bold colour combinations. New and familiar floral motifs are paired with dynamic stripes, while Marimekko’s signature silhouettes are reimagined with a fresh perspective. Among the new floral prints are Kukasta kukkaan and Lemmitty, both designed by Erja Hirvi in 2024. The patterns extended beyond the runway as well. After the shows, guests enjoyed ice cream from the “Marimekko with Ape Gelato” carts, decorated in the vibrant Kukasta kukkaan print. “We have celebrated Marimekko Day since 1992, and it is an important tradition for us. For the Marimekko community, this day marks the beginning of summer, and it is a joy to celebrate it together with wonderful performers and our community. I hope everyone attending enjoys the atmosphere, on site, in our stores, and across our social media channels,” says Marimekko’s Chief Marketing Officer, Sanna-Kaisa Niikko. Marimekko Day is more than a fashion event. It is a reflection of the optimism, creativity and sense of togetherness that have defined the brand for decades. In Helsinki, that spirit extends far beyond the runway, becoming part of the city’s streets, its people and the beginning of summer itself. photography Ville Vappula

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Henrik’s Hotel Opens in Copenhagen, Celebrating Over 50 Years of Family Heritage

Henrik’s Hotel Opens in Copenhagen, Celebrating Over 50 Years of Family Heritage images courtesy of Henrik’s Hotel Having opened its doors on May 1, Henrik’s Hotel is the latest addition to Hildebrandt Hammer Hotels, the family owned collection that has been part of Copenhagen’s hospitality scene since 1971. Named after founder Jørgen Henrik Hildebrandt, the 44 room boutique hotel occupies the very building where the family’s story first began, long before they opened their first hotel. Henrik’s entrepreneurial spirit, together with the steady partnership of his wife, Aase Hildebrandt, laid the foundation for a legacy built on curiosity, craftsmanship, and genuine hospitality. Today, third generation siblings Frederik Hammer and Julie Hildebrandt Hammer continue that story, reimagining their family’s heritage through contemporary design. Original architectural details are paired with layered interiors and an international perspective that moves beyond traditional Scandinavian minimalism, creating a warm and characterful atmosphere. With individually designed rooms and a highly personal approach to hospitality, Henrik’s Hotel offers a contemporary interpretation of a family legacy more than fifty years in the making, bringing together history, design, and thoughtful service in the heart of Copenhagen. Read more here 

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The World of Albalo

The World of Albalo Founded in Stockholm by sisters Maryam and Elica Ghavidel, Albalo is a concept house that views childrenswear as part of a larger story about identity, belonging and self expression. Built on the belief that every child deserves the freedom to be exactly who they are, the brand creates clothing that celebrates individuality rather than conformity. Working exclusively with leftover fabrics, Albalo produces elevated tracksuits through small, intentional drops, embracing a slower and more considered approach to fashion. Designed to move through every part of childhood, from play and imagination to everyday adventure, each piece combines lasting quality with a bold visual language that stands apart from traditional childrenswear. Creative director Maryam Ghavidel draws on a multidisciplinary career spanning fashion, music and visual storytelling. Inspired by years in the industry and encouraged by her mentor Virgil Abloh to build something that reflected her own perspective, she created Albalo as a world where difference is celebrated and belonging comes naturally. More than a childrenswear label, Albalo is a modern concept house for families who value thoughtful design, sustainability and authentic self expression. In a landscape often defined by restraint, Albalo offers a confident alternative, proving that childhood is at its most beautiful when it is lived freely. Read more here  image courtesy of Albalo 

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Get the Gallop’s Hay Bag

Get the Gallop’s Hay Bag Inspired by the rhythm of life with horses and designed to move effortlessly between the countryside and the city, Get the Gallop creates timeless accessories where function meets refined craftsmanship. Founded in Stockholm by Caroline Kanekrans, Louise Hamilton and Lisen Bratt Fredricson, the brand is driven by a commitment to thoughtful design, responsibly sourced materials and products made to stand the test of time. The Hay Bag embodies that philosophy with its generous, beautifully understated silhouette. Crafted from durable mustard brown waxed cotton canvas, it is designed to carry everything from weekend essentials to everyday necessities with ease. A dark brown cotton lining, interior zip pocket, sturdy cotton handles and leather details complete the design, creating a versatile carry all that feels equally at home on a weekend escape, at the stables or navigating city life. Read more here  image courtesy of Get The Gallop

Fashion Articles

Karolin Lysén Wins NK Young Talent by Beckmans with a Celebration of Modern Femininity

Karolin Lysén Wins NK Young Talent by Beckmans with a Celebration of Modern Femininity When Karolin Lysén was named this year’s NK Young Talent, it marked the culmination of a lifelong passion for fashion, craftsmanship and femininity. Drawing inspiration from childhood fantasies of bows, glitter and ruffles, the Beckmans graduate transformed nostalgic symbols into a confident celebration of womanhood, earning recognition for a collection that combines couture-inspired construction with a deeply personal story. Ulrika Lindqvist: Congratulations on winning the NK Young Talent award, what are your initial feelings? Karolin Lysén: I was completely shocked. This was something I really wanted to win, but I didn’t dare let myself hope for it – I didn’t want to think too highly of myself. So when it happened it just felt incredibly meaningful. Getting recognition for all the hard work, and knowing that something I created and truly stand behind resonated with someone else – that feeling was just extraordinary. UL: Please tell me a bit of your backstory, what did you study or work with before getting accepted to Beckmans? KL: I’ve wanted to be a designer ever since I was a child. As a child I was always drawing, and my grandmother taught me to sew – we made clothes for my Barbies together, and that’s really where it all started. But over the years I lost sight of that dream and tried to follow a more academic path. It wasn’t until I started making disco dance costumes that the feeling came back, and I understood that this was what I really wanted to do. At 23 I made the decision to go all in – I moved from Östersund to Stockholm, started at Tillskärarakademin and then continued at Beckmans. UL: What initially drew you to the fashion industry? KL: It was never really a conscious choice – it was more like something I kept coming back to no matter what. The joy of creating clothes, the craft behind a well-constructed garment, the way what you wear can make you feel. I’ve always been drawn to couture and the kind of detailed, considered construction that makes something truly extraordinary. That’s what pulls me in. UL: What is your inspiration behind your designs and this collection in particular? KL: This collection starts in my childhood. I used to draw myself in big princess dresses filled with bows, glitter and ruffles – a fantasy world where everything could be beautiful, playful and free. As a child my dream was to be a princess. Today my dream is to be a confident woman, and it’s in that shift that the whole collection lives. I took those childhood elements – the bow, the glitter, the ruffle – and gave them a new role. They’re no longer decorations from a girlhood dream, but design elements that highlight the feminine silhouette and put the woman’s body at the centre. UL: Can you share some insights into your creative process? KL: This is honestly the hardest question for me to answer, because for me it’s almost entirely instinct. The process always starts with finding a concept – and I can’t tell you when it comes or how it comes. What I can say is that my inspiration tends to come from things that bring me joy. A film I love, a song, an experience – or in this case, my childhood. But wherever it comes from, I need to feel genuinely excited by it. When I find a concept I really connect with, images start forming in my head almost immediately. Then I sketch. A lot. The goal is to find that first silhouette that feels right for the concept – and when I find it, I pin it to the wall. That sketch becomes my anchor, and I keep sketching from there. I can generate an enormous amount of drawings at that stage, and most of them get thrown away. I repeat that process until I know what I actually want to create. After that comes the material – and a lot of that evolves throughout the process. Things keep happening and changing all the way through the toile stage. It’s never fully resolved until it’s done. UL: What are your core values as a designer? KL: Craft, femininity and confidence. I want to create clothes that feel considered and well-made, that celebrate the female silhouette, and that give the woman wearing them a sense of ownership – over how she looks and how she feels. Clothes that let her take up space. UL: What was the biggest challenge creating this collection? KL: Time, without a doubt. I felt like I was fighting the clock the entire way through. And then there was the moment I ran out of fabric – I’d bought deadstock silk taffeta and it simply ran out before I was finished. I went back to the supplier and they had a tiny piece left, and it was exactly – exactly – enough to complete the collection.  UL: What can we expect from you in the near future? KL: I live very much in the present, and right now I’m exactly where I want to be – working as a junior designer at H&M, being part of a team and learning every day. I love the collaborative side of fashion and that’s what I’m focused on right now. As for what comes next, I’m keeping an open mind. But I’m not in a rush – I’m happy to be here. photography Mathias Nordgren

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A Legacy in Steel: Börje Salming’s Final Vision Lives On

A Legacy in Steel: Börje Salming’s Final Vision Lives On Few athletes leave a legacy that extends far beyond their sport. Börje Salming was one of them. Revered for his courage, resilience, and pioneering impact on hockey, he was also deeply passionate about craftsmanship and design. That passion now lives on through the first timepiece from Salming Watches: a project Börje helped shape from the ground up. The idea was born in 2018 when Salming and longtime friend Mats Kullenberg set out to create a watch that met Börje’s exacting standards. Swiss-made mechanics, Swedish production, and uncompromising quality were non-negotiable. Working closely with design studio Superlab, he remained involved in every detail. The result is a watch infused with personal references: the number 21, his iconic jersey number, is the only numeral on the dial; the crown is inspired by a hockey puck; and the seconds hand features the silhouette of Toronto’s CN Tower, a tribute to the city where he became a legend. When Börje passed away in 2022, his family chose to continue the project, convinced it was something he would have wanted to see completed. More than a watch, it is a tribute to a remarkable life, one that captures the precision, determination, and authenticity that defined Börje Salming, and ensures his legacy continues to move forward with time. Find the watch here  Image courtesy of Salming Watches

Design

The Logic of the Loom: Massproductions on Designing Their First Rug Collection

The Logic of the Loom: Massproductions on Designing Their First Rug Collection All images courtesy of Layered and Massproductions text Ulrika Linqvist When Massproductions was invited to design a rug collection for swedish brand Layered, the Stockholm-based studio approached the task much as they do their furniture: by looking closely at how things are made. The result is Cord, a series of handwoven wool rugs in which the stripe is embedded within the structure itself. In conversation with Odalisque, founders Chris Martin and Magnus Elebäck discuss the value of industrial thinking, the challenge of designing in two dimensions, and the enduring appeal of a well-made stripe. Ulrika Lindqvist: Could you start by telling us a bit about your company, Massproductions? What was the original idea behind founding the company? Chris Martin: We wanted to take control of our ideas and to present them in our own way and at our own pace. It was a bit of a high-risk strategy, but we felt like we had some good products to get started with and 17 years later it seems to have paid off! Besides all of the challenges involved, there is a great sense of freedom and ownership of our ideas. Magnus Elebäck: After working together for nine years as a design studio we came to the conclusion that something had to be done. We felt the need to create the perfect environment in which great furniture could be developed. The standard set up with freelance designers and producers didn’t seem like the perfect way forward. Instead, we wanted to control the complete process; from idea to the produced item. UL: What would you say are the core ideas and values that define the brand today? CM: I have quite a lot of ideas every year, most of them are unpresentable but me and Magnus pick out the good ones, the ones we find exciting and develop them into products that we hope will be strong enough to last a long time on the market. We believe that the efficiency factory production is the best way to make furniture, industrial processes are inspiring but also give better quality, better priced and more durable products. ME: Not much has changed really. We believe in adding long-lasting cultural values to the world of furniture. If an idea does not live up to certain criteria, we do not pursue that idea. We do this because of our love for this industry and our belief that furniture can/should be a cultural expression (as well as serving its function). But we also believe that this approach is a viable business model. Surely selling the same product year after year must be a sustainable way to do business.  UL: Have you designed rugs before? How does designing rugs differ from designing furniture such as seating, storage, or tables? CM: This was the first time designing a rug for us. Its a different medium for us and requires a different way of thinking to designing a three dimensional object. Even though the rugs are handmade, we thought of them as an industrial weave and tried to work with the structure of the rug itself, the way the war and weft interact together.  ME: This is the first time entering the world of rugs (even if I personally can’t see myself living in a house without them). The (close to) two-dimensional nature of a rug makes it quite different from the 3D world that furniture is.  UL: How did this collaboration first come about? CM: We are neighbors here in Stockholm and had gotten to know each other over the years. Layered asked us if we would be up for a collaboration and we said yes since rugs weren’t in our plans for Massproductions.  ME: Being two progressive Stockholm based companies, our paths have crossed many times. Finally, it seemed like the right move to do a collab. UL: What was your approach to designing the rugs? Where did the process begin? CM: Initially, I was thinking of the rug as almost a canvas, and working with repeated shapes. It gave some success but I think mainly it inspired Magnus to think of a new direction and work with the design of the weave being the focus. It seemed to be clearly the right direction so we ran with that, refining the cord weight and spacing, colours details, etc. ME: Stripes… People can spend their entire life dedicated to stripes. It’s such a basic pattern that still offers endless possibilities. It’s also the easiest pattern to incorporate in a woven textile. We just wanted to make the stripe in an slightly unorthodox way by letting it run lengthwise instead of across the carpet.  UL: Were there any particular challenges or unexpected discoveries during the design or production process? CM: The main challenge was finding the right concept to start with. There’s quite a lot of freedom with a rug, but finding something that’s original but still has the right qualities is a challenge. ME: We didn’t know of this extremely thick and rich wool yarn until later in the process. I think the way this yarn is made adds a lot of tactility to the carpet. UL: Could you tell us a bit about the color palette and how you developed it? CM: Colour combinations should delight. They should surprise. And they should still feel right even after many years. We chose our colour palette for Cord with these thoughts in mind.  ME: Something happens when you mix the very natural hues from the wool with a more vivid (almost artificial) colour. Initially we wanted the effect of a nylon strap wrapped around a hay bale but decided to tone it down slightly to be more pleasing to the eye.UL: Looking back on your careers, are there any projects or moments that stand out as especially memorable or formative? CM: Our first product was a chair in metal wires named “Tio”. I designed it for a German company who later dropped out. I put a lot of thought into it and came up with a solution where every

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