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Flabelus Brings a Touch of Spain to the Nordic Midsummer

Flabelus Brings a Touch of Spain to the Nordic Midsummer On a golden summer evening last week, Spanish footwear brand Flabelus gathered friends of the house for an intimate dinner celebrating its arrival in the Nordic region. Inspired by the traditions of Scandinavian midsummer and infused with the warmth and charm of Spanish heritage, the evening unfolded as a poetic meeting of two cultures.   Co-hosted by Verona Farrell, better known as Secondhand Huns, the guest list brought together a carefully curated mix of creatives, tastemakers, and long-time friends of the brand. Around a beautifully dressed table, conversations flowed late into the evening, accompanied by seasonal details and thoughtful touches that reflected the spirit of both Spain and the North.   The setting itself felt almost dreamlike. Set designer Frida Thofelt created an enchanting tablescape where artistry met nature, while paper artist Ida Stark transformed the space with her extraordinary handcrafted flowers. Delicate and whimsical, the blooms added a sense of magic to the evening, blurring the line between craftsmanship and fantasy.   More than a dinner, the gathering marked Flabelus’ first event in the Nordic region, a warm introduction to the brand’s colourful universe, where tradition, creativity and a love of beautiful objects come together with effortless elegance. image courtesy Flabelus / Birgit Walsh  

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Maya Jama Scales Up Mentorship Programme for the Next Generation of Female Creatives

Maya Jama Scales Up Mentorship Programme for the Next Generation of Female Creatives image courtesy MIJ Maya Jama is today announcing the return and expansion of her mentorship programme, created to help women from under-represented backgrounds break into the creative industries through direct access to some of the UK’s leading female talent and business leaders.   Following the success of its inaugural year, the six-month initiative will once again connect emerging creatives with accomplished mentors from Maya’s professional network, providing career guidance, industry insight and invaluable access to opportunities across nine creative sectors. Developed by Maya in partnership with Creative Access, the programme reflects her ongoing commitment to opening doors for the next generation of creative talent. Running from September 2026 to March 2027, the programme will support eleven women pursuing careers across talent management, branding and communications, PR, photography, entrepreneurship, broadcasting and comedy, television production, theatre production and music. Maya has brought together an exceptional group of mentors spanning entertainment, media, culture, business and global brands, including senior leaders from Nike, Diageo, Coty and more. Applications open on 1st July 2026 and close on 14 July 2026 at 11.59pm. For more information and to apply, visit HERE.

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Adidas Expands Hybrid Training Offer with the Adizero Dropset Pro

Adidas Expands Hybrid Training Offer with the Adizero Dropset Pro Adidas is leaning further into the rise of hybrid fitness with the launch of the Adizero Dropset Pro, a shoe designed for athletes whose training moves between running, lifting and functional work in the same session.   As hybrid training becomes more mainstream, more athletes are looking for footwear that can handle everything from intervals and sled pushes to lunges and explosive movements without compromise. That has exposed a weakness in traditional training design, where most shoes are still built to prioritize either speed or stability.   adidas believes the Adizero Dropset Pro can answer that need. The shoe combines the responsive DNA of the brand’s Adizero running range with the more planted feel of its Dropset training line, aiming to support both movement and control.   Key features include Lightstrike Pro foam for lightweight cushioning and energy return, Energyrods for smoother transitions and propulsion, and a grip-focused outsole pairing Lighttraxion with Continental rubber. A low-profile shape and thin sockliner are also intended to improve stability during lifting while keeping the shoe agile enough for short runs and dynamic drills. image courtesy Adidas

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Hermès Opens a New Maison in London

Hermès Opens a New Maison in London Maison Bond Street opens at 166 New Bond Street in London and becomes Hermès’ sixth Maison worldwide, marking a milestone for the house. This store, made up of six buildings comprising nearly 2,000 square metres and featuring more than five hundred specially s elected artworks, celebrates Hermès’ memorable journey in the United Kingdom by showcasing the house’s creativity and know-how through its sixteen métiers across multiple bespoke rooms.   The site’s construction began in 1769, developing into six buildings spreading over five floors. Today, with craftsmanship accentuated throughout its fifty-five rooms, four staircases, three elevators and roof terraces, the house’s fourth address in the city is a Maison that feels like home.   Each room combines unique historic and contemporary elements, offering the possibility to wander through centuries of history within the fabric of the buildings. Visitors can catch glimpses of the original detailing as well as the new ornamentation, colour and décor designed by the Parisian architecture agency RDAI, under the supervision of artistic director Denis Montel. Upon entering the store via the seven-metre-high façade, visitors are greeted with the signature ex-libris embedded within the Faubourg pattern of the flooring, inviting them into a spacious, welcoming atmosphere. A vaulted ceiling, built to echo the six arches of the store’s windows, takes visitors on a voyage via optical illusion achieved through a game of proportions. The path through the silk universe leads to the atrium, originally an outdoor space, designed by architects Foster + Partners, who added a new steel and glass roof, now raised by one floor, and installed a spiral staircase below. The limestone and glass staircase, whose handmade handrail is finished in calfskin, has also been extended upwards two floors. The once mirrored south wall is now lined in classic Manchester bricks cast in mirrored glass.   The care and attention devoted to the store’s décor is felt in its unique artworks, carefully selected for this address under the supervision of Pierre-Alexis Dumas, Artistic Director of Hermès. Every angle is envisioned as a showcase for the collections, an immersive gateway into the spirit of the décor that is a dialogue between treasured heritage, photographs, illustrations and contemporary designs. This includes a specially commissioned horse sculpture by British artist Jessica Wetherly found within the store’s atrium. Through the second entrance, the beauty, perfumes and fashion jewellery areas, nested in an imaginary orangerie, feature walls commissioned from London-based illustrator Katie Scott. Leading up to the first floor is a series of twenty intercommunicating rooms, beginning with those in red hues, which are dedicated to the leather goods collections. Panels of patinated copper lead to two private lounges, and then onto the home collections, displayed over five spaces with a hexagonal patterned parquet in oak, reflecting the décors lifted from the listed plaster ceilings above. A full equestrian collection is presented at the centre of this floor in a space finished with boiserie shaped in straw and horsehair marquetry overlooking the atrium. Running the length of the façade are six intimate rooms for watches and jewellery. A bespoke cloth wallcovering evokes sunlight streaming through trees, enhanced by yellow Sienna marble skirting and ceramic-topped tables.   Visitors continue the journey to the second floor, where the women’s shoe area features hand-finished walls and ceilings in powder pink mineral mortar, traditional wood panelling as well as a carpet patterned with a large English floral motif. Original nineteenth-century mosaic floors lead from two private salons to the women’s ready-to-wear area, with walls painted in a progression of pinks and with a series of hand- tufted rugs, all creating a sense of movement. Along the length of the New Bond Street-facing side, the space dedicated to the men’s universe features reclaimed oak floors and geometrical carpeting created to reflect the cherrywood-panelled ceiling, while adorning the walls are Lancashire-made, textured coverings in deep blue, first developed in Victorian times. Further along is a cosy space to pause for tea or coffee and appreciate the view onto the atrium. On the third floor, Hermès leather artisans are present to uphold the artisanal model of the house, working on objects that are designed to last, to become more beautiful with time, to be repaired and passed on.   Finally, the private fourth floor is entirely dedicated to the Émile Hermès Collection, a space imagined as an evocation of the private collection housed at 24, faubourg Saint-Honoré. On this top level, rooftop lounges lead to two contiguous gardens, along with the Artificier, Hermès’ flag-bearing horseman.   To celebrate the store’s opening, special objects have been designed, including a colourful selection of leather goods and carrés, as well as creations from Ateliers Horizons, jewellery, watches, perfume and the equestrian métier: a set of leather-handled stainless steel gardening tools with a red denim and leather apron, a remarkable A Walk in the Garden tea trunk, a special Hac à Dos backpack with guitar-patterned appliqué, amongst others.   As part of the opening, the windows of 166 New Bond Street will showcase The Rocabarn, an imaginary horse grooming parlour created in crochet, knit and embroidery by English artist Kate Jenkins. Here, whimsical equestrian friends of the house have their hoofs polished and buffed and their manes washed and glossed before being braided and plaited, all whilst grazing on the carrots dangling from the chandelier.   With this opening, the house pursues its long-term development strategy based on its creative, artisanal and sustainable model, as well as its multilocal spirit. Hermès Maison Bond Street is delighted to welcomeloyal customers and new visitors alike to explore this space of boundless creativity and to discover Hermès’ know-how within a joyful atmosphere that resonates with its surroundings.

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Jeanerica AW26

Jeanerica AW26 Jeanerica AW26 Explores Friendship Through Denim For Autumn/Winter 2026, JEANERICA unveils Don’t Walk Behind Me, a collection inspired by Albert Camus’ well-known words on friendship and belonging. Developed under the brand’s ongoing Year of Love theme, the season explores ideas of intimacy, acceptance, and human connection, inviting wearers into a community built on individuality rather than conformity.   At the heart of the collection is JEANERICA’s longstanding belief that clothing should adapt to the person wearing it. Simplicity, versatility, and timeless design remain central, with silhouettes created to complement personal style rather than dictate it.   Denim continues to form the foundation of the collection, with JEANERICA further expanding its menswear offering through a focus on relaxed, straight-leg fits inspired by 1990s denim culture. New for the season is Arrow, a mid-rise jean featuring a semi-loose straight silhouette that captures the effortless attitude of the era. Alongside denim, the brand develops its chino and trouser programme with an expanded range of workwear and military-inspired styles crafted from Egyptian cotton twills, garment-dyed canvases, ripstops, and textured herringbones. AW26 also introduces new fabrications and finishes, including updated corduroys, flock velvet, and specially developed denim constructions exclusive to the brand. Fresh washes such as Honey Blue, Honey Mid Blue, Blue Black, Black Righe, and Azzurro Grigio bring added depth to the collection, while chalky surfaces, slub textures, and nuanced dye treatments highlight JEANERICA’s commitment to craftsmanship. A palette of washed blacks, anthracite greys, warm browns, beiges, and muted grey-lilacs reinforces the collection’s understated, lived-in appeal.   Moving beyond the classic pairing of jeans and a T-shirt, AW26 embraces a more elevated approach to dressing. Tailored shirts, blazers, skirts, and classic wool outerwear sit alongside the brand’s denim staples, creating a wardrobe that feels considered yet effortless.   Like the friendship that inspired it, Don’t Walk Behind Me is ultimately about presence, support, and authenticity—offering clothes designed to accompany everyday life with quiet confidence.

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Björk Opens a Major New Exhibition at the National Gallery of Iceland

Björk Opens a Major New Exhibition at the National Gallery of Iceland BJÖRK OPENS  A MAJOR NEW EXHIBITION AT THE NATIONAL GALLERY OF ICELAND OPENING 30 MAY 2026, REYKJAVÍK, ICELANDPUBLIC OPENING: 30 MAY, 6PM – 8PMEXHIBITION RUNS: 31 MAY – 20 SEPTEMBER 2026TICKETS:HERE The National Gallery of Iceland today announces a major new exhibition by Björk, the internationally acclaimed musician, artist and innovator whose work continues to redefine the intersections of sound, nature, technology, fashion and contemporary art.   Opening in Reykjavík on 30 May 2026, the exhibition brings together three large-scale audiovisual installations, including two deeply personal works written in memory of Björk’s mother, alongside a newly commissioned film and sound installation developed from material connected to her forthcoming musical work.   The exhibition premieres with Björk appearing in a look by Bottega Veneta, who joined the project as patron of Nerve Bloom and partner of the exhibition, helping the realisation of the work as part of an ongoing dialogue between fashion, moving image and experimental performance. At the centre of the exhibition are Ancestress and Sorrowful Soil, originally released during Björk’s acclaimed Fossora era and now reimagined on a theatrical scale within a museum context for the first time.   Set within a remote Icelandic valley, Ancestress unfolds as a ritualistic meditation on ancestry, grief and renewal, merging cinematic landscape with choral procession and movement. Sorrowful Soil is presented as an immersive nine-part choral sound installation, featuring thirty individual speaker channels transmitting voices from the Hamrahlíð Choir under the direction of Þorgerður Ingólfsdóttir. Developed in partnership with Genelec, the work transforms the gallery into a spatial listening environment where voice, resonance and architecture become inseparable. Genelec supports the exhibition by providing the sound system that enables the works to be experienced as spatial compositions. The collaboration focuses on how accurate and neutral sound reproduction can support the artistic vision, allowing each piece to unfold naturally within the space and connect with the audience.   Alongside these works, visitors will encounter a newly created installation drawn from Björk’s forthcoming body of work, offering an early glimpse into her next creative chapter through sound, film and immersive technology.   The exhibition is further supported through creative and technical collaborations with Apple, who join as VR partner, and AIAIAI, who provide headphone technology throughout the exhibition experience. Additional partnerships will be announced in due course.   Presented concurrently in Gallery 4 is Metamorphlings, a companion exhibition by James Merry, Björk’s longtime visual collaborator and co-creative director,  exploring sculpture, transformation and hand-crafted organic forms.   Alongside the exhibition, Björk will also present Echolalia,  a one-day solar eclipse rave taking place on Wednesday 12 August 2026 at Víðistaðatún in Hafnarfjörður, Iceland.   Coinciding with a rare solar eclipse, the event will culminate in one minute and four seconds of totality, during which the moon completely obscures the sun and Iceland is briefly submerged in darkness. The gathering will feature a DJ set from Björk alongside performances from Arca, Sideproject and Ronja, while also celebrating the 40th anniversary of the influential Icelandic collective and label Smekkleysa.   Festival passes will include access to the Echolalia exhibition at the National Gallery of Iceland, alongside limited collector’s edition merchandise and publication packages.   Further information surrounding Echolalia, the eclipse event and Björk’s forthcoming new work will be announced soon. Speaking about Nerve Bloom, Björk described the work as a seven-month collaboration with painter Natalia Kleszczewska and CGI director Natalie Liu, combining hand-painted imagery, animation and digital technology. Acting as creative director, Björk guided the visual language, dramaturgy and emotional structure of the piece, which explores what she calls “sonic symbolism” — the translation of sound into visual form. She said the project continues her longstanding interest in blending analogue craft with new technologies, while the use of animated avatars and archetypal figures reflects her desire to connect music with more universal forms of storytelling. VENUE INFORMATION   The National Gallery of IcelandFríkirkjuvegur 7 101 Reykjavík, Iceland   Public Opening30 May 20266PM – 8PM   General Opening HoursFrom 31 May 202610AM – 5PM Daily

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Eyes on: June

Eyes On: June The best things in London to see, smell and shop in June. text Maya Avram, London Features Editor Marilyn Monroe: A Portrait at the National Portrait Gallery.   This June marks the centennial birthday of the ultimate bombshell, Marilyn Monroe. As one might expect, my feed abounds with launches and events celebrating the legend, from limited-edition make-up collections to once-in-a-lifetime auctions and, of course, the mandatory lookalike competition. On the cultural front, the National Portrait Gallery has curated an exhibition chronicling the late star’s metamorphosis from humble Norma Jeane origins to global phenomenon. Featuring artwork and portraiture by some of the most revered creators of the 20th century, including Andy Warhol and Richard Avedon, the show reflects on Monroe’s turbulent relationship with fame and image — one that consumed her throughout her life. The thoughtful collection echoes our enduring fascination with the icon, posing the question of who was Marilyn, exactly? Plan your visit to answer it for yourself. Reformation’s Inez Pumps   A standout trend to emerge from the Autumn/Winter 2027 season is the fugly office shoe (complimentary). You know the ones: clunky yet elegant, pragmatic enough for everyday wear yet elevated all the same, feeling fresh and current. If I had to point to one brand that strikes that balance particularly well, it would be Reformation and its Inez leather pumps. The silhouette? Elongating. The heel? Considered. The finish? Lustrous. A staple in the making, equally suited to the office and after-dark adventures, they’re all the rage among editors and it-girls alike. My advice? Go for Espresso Eel, a versatile deep brown with a delicately crinkled finish that lends the shoes a beautiful love-worn effect. Thermage at Montrose   While the world beauty treatments is constantly evolving, certain protocols maintain their hero status. Thermage, a non-invasive sculpting treatment, seems to be on everyone’s lips these days, and for good reason — it promises to smooth and tighten the skin in a single session, with zero downtime. So when I was invited to try it at Montrose clinic, I was actually beaming, pun fully intended.   Nestled in a picturesque mews in London’s Belgravia, the clinic itself is enough to instil a deep sense of calm. My appointment started with a brief conversation about my skin and goals for the session. In the treatment room, my therapist, India, broke down the technology: Thermage is a radiofrequency device, designed to penetrate deep into the dermis, heating collagen fibres and remodelling them to reveal a more contoured complexion. Because of the nature of the technology, continue to improve over time as new collagen forms. There is some discomfort involved, but hand on my heart, it was barely noticeable and passed as quickly as it arrived. What is noticeable, however, is the treatment’s cumulative effect. A month on from my appointment, my face looks plumper, tighter and more sculpted. And the best is still to come. Fashionably Late by Fine Scents   My favourite part about meeting brand founders is learning about their view of the world. I recently sat down with Katerina Knight, founder of fragrance brand Fine Scents, for a conversation about inspiration and curation. Those principles are the drivers behind the brand’s collection: a purposefully limited selection that feels intentional rather than trend-led, featuring creations by some of the world’s most respected perfumers, like Céline Ellena and Frank Voelkl (IYKYK).   I can confirm, there is a Fine Scents woman; she’s creative yet restrained, intellectual yet curious, and each one of the brand’s fragrances speaks to a moment in her life. My favourite is Fashionably Late, a white floral blend created by master perfumer Dominique Ropion. Radiant and sensual, it aims to capture the confidence of a woman who knows she can command a room long past call time. It was a hit among my friends, too — my tester changed hands so many times over dinner that it had practically run out by dessert.  Feel Lab Experience by Initio Parums Privés Another standout fragrance adventure has captured my attention. I’ve been a long-standing stan of Initio Parums Privés, for both its beautifully composed scents and the science behind each formulation. My interest was piqued when they opened their new store in Covent Garden, where they offer neuroscience-led curation using proprietary EEG technology co-developed with Feel Tech, BrainCo and the Harvard Innovation Lab. Essentially, it’s a lightweight headset that analyses your brain activity to match you with your most suitable signature scent. At the start of the consultation, you describe the fragrance families and notes you resonate with most — mine were powdery scents, musks and ambers. Then the experiment begins: your sales assistant-slash-chic scientist selects a range of scents for blind testing based on your preferences, while monitoring your neural responses to each one. The programme then recommends the fragrances that best align with your mood and responses. Quick, calculated and effortless, discovery doesn’t get more tailored than this. Reform: Sculpt at Volonté Energy   If you recall, one of my promises to myself from our April send was to go back to Pilates. Proving that manifestation is real, I came across Volonté Energy, a vibrant wellness studio situated in trendy Fitzrovia. Founded by Vidushi Binani, a Cordon Bleu–trained chef and nutritionist, it offers strenuous reformer classes alongside a canteen of genuinely delicious yet healthy treats (the dream). So while my few-month hiatus meant that I was promptly humbled in class, my reward made it all worth it: peanut butter and chocolate Pro Pop, catering perfectly to both my protein goals and my sweet tooth.

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Monogram Launches Social Platform to Modernize Art Collecting and Peer-to-Peer Sales

Monogram Launches Social Platform to Modernize Art Collecting and Peer-to-Peer Sales Swedish startup Monogram has launched a new digital platform aimed at bringing art collecting into a more connected and data-driven era. Founded by entrepreneurs Karolina Bertorp and Jonas Kleerup, the Stockholm-based company is introducing a centralized service where collectors can manage, analyze, and share their collections while preparing for a peer-to-peer marketplace set to launch later this year. Currently available in open beta through September 1, Monogram combines collection management tools with social networking features, allowing users to store artwork images, certificates, valuations, invoices, and market data in a single digital environment. The platform addresses a longstanding challenge for collectors: fragmented documentation spread across emails, photo libraries, paper records, and cloud storage services. “Collectors were digging through emails, phone albums, and binders just to find details about the works they own,” said co-founder Karolina Bertorp. “Monogram brings those assets into one interface while letting users selectively share pieces with family, advisors, and other collectors.” Beyond organization, Monogram is positioning itself at the center of a broader shift in how art changes hands. While many high-value transactions continue to rely on galleries, dealers, and auction houses, the company is developing a marketplace designed to facilitate direct sales between collectors. The planned service aims to offer greater privacy and lower transaction costs than traditional channels. According to a survey conducted by Monogram, a majority of collectors indicated they would consider selling portions of their collections if the process were simpler, more discreet, and more cost-effective. “We’ve seen other industries rewire through platforms where users meet directly,” said co-founder Jonas Kleerup. “In art, that change has been slower until now.” The company is also emphasizing the social aspects of collecting. Users can browse collections shared by other members, showcase recent acquisitions, and explore visualization tools designed to help collectors understand how artworks might appear in different settings, including wall color and scale simulations. Monogram has attracted early backing from investors and collectors Ricard Constantinou, known for his involvement with Panini and K-märkt, and Viktor Sandberg of Svalner Atlas. The funding will support ongoing product development and security enhancements. “This is the first time a digital service really mirrors how collectors think,” said Constantinou. “It provides better portfolio oversight, value tracking, and easier information-sharing with networks and insurers.” Founded in 2025, Monogram is available as a web application as well as on iOS and Android devices. The company is currently operating in open beta as it refines its core collection management tools ahead of a broader rollout. Monogram will offer subscription-based memberships, with additional revenue expected from transaction fees once its peer-to-peer marketplace launches later in 2026. The dual-model approach reflects its ambition to serve both as an ongoing utility for collectors and as an infrastructure layer for future art transactions.

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A Joyful Midsummer with Moomin Arabia

A Joyful Midsummer with Moomin Arabia If you are not rooted in Scandinavian culture, and Swedish culture in particular, Midsummer is probably still a tradition you have heard of. Thanks to popular culture, it is sometimes misunderstood abroad as a strange or even eerie event. In reality, Midsummer is one of Sweden’s most cherished celebrations, centered on nature, community, dancing, and spending time with family and friends. That spirit is exactly what Moomin Arabia aims to capture with its new Summer Dance collection, inspired by the joy and color of a Swedish Midsummer gathering. This week, I got a preview of the collection together with Moomin Arabia and artist Clara Hallencreutz, who invited guests to a Midsummer inspired event on Lidingö, an island in Stockholm’s inner archipelago. The sun was shining as guests arrived in summery outfits that perfectly suited the occasion. Flower crowns were woven, seasonal dishes were served, and the atmosphere reflected everything that makes a Swedish summer so memorable. The event marked the launch of Moomin Arabia’s Summer Dance collection, an exclusive limited edition available only in Sweden. Inspired by Swedish summer traditions and classic Moomin illustrations by Tove and Lars Jansson, the collection features beloved characters dancing among wildflowers and dressed for festive seasonal gatherings. Clara Hallencreutz added her own creative touch, designing a colorful and playful setting that reflected both the spirit of the collection and the magic of the Swedish summer. If the event was any indication, Moomin Arabia’s Summer Dance collection succeeds in capturing the warmth, joy, and sense of togetherness that make Midsummer such a beloved Swedish tradition. Photography: Rasmus Lindahl

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Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea

Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea Stockholm knows how to stretch a summer evening, and Tommy Hilfiger knows how to dress for it. On a bright May night at Ångbåtsbryggan, the brand brought its world to the water and welcomed the city’s creative crowd for a celebration of Classic American Cool in Baltic light. The brief was simple: Prep Made Current. In real life, it felt like summer was brought to life. Signature stripes framed a crisp, coastal set that nodded to Hilfiger’s nautical heritage. Sailboat cues, blues and whites, and the familiar flag motif moved with the breeze across the harbor. The menu leaned Americana with a Stockholm twist: oysters on ice, lobster rolls, fries for sharing, and cocktails mixed in sea toned hues. Adrian Lux set the pace, with a special live performance from Lune, and later DJ L Roy took it into house and electronica as the sky faded into that endless Nordic gradient. Familiar faces threaded the crowd, including actor Edvin Ryding and tastemakers Martin Hansson, Florian Alexander, Erik Forsgren, and Victoria Törnegren. They wore looks from the new collection and showed that prep, when tailored and worn with ease, suits an effortless Stockholm summer night. At the heart of Summer 2026 is one icon: the 1985 Polo Shirt. Ivy by heritage, modern by cut. The silhouette is cleaner, the collar sharper, and the fit more refined. The color story moves between collegiate primaries, seaside pastels, and deeper tones that bring energy to the range. Around it, the collection builds a tight summer wardrobe with lightweight twills, airy knits, warm weather fabrics that keep their shape, and tailoring that moves from dock to dinner without fuss. Tommy Hilfiger knows how to balance heritage with now, and make it feel right for Stockholm. The sophistication is in the details: a polo that sits clean on the shoulder, shorts cut to the right length, and a blazer that stays comfortable long after the sun should have set. Summer is short here. Dress like you plan to enjoy every minute.

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