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ARKET and Laila Gohar launch debut ready to wear collection for Spring Summer 2026

ARKET and Laila Gohar launch debut ready to wear collection for Spring Summer 2026 Nordic lifestyle brand ARKET collaborates with New York based artist Laila Gohar on a 27 piece collection that translates her distinctive aesthetic into a wardrobe designed for both everyday life and special moments. ARKET has teamed up with artist Laila Gohar to present her first ready to wear collection, launching for Spring Summer 2026. Spanning 27 pieces, the collection reflects Gohar’s singular visual language, balancing the everyday with the exceptional through a layered and versatile approach to dressing. Born in Cairo and now based in New York, Gohar is known for her multidisciplinary practice, merging food, installation art and object design into a softly surreal universe. Her portfolio includes edible sculptures created for Prada, Hermès, Comme des Garçons and Simone Rocha, alongside her home décor label Gohar World, founded with her sister Nadia Gohar in 2020. The collaboration merges Gohar’s intuitive and idiosyncratic perspective on beauty with ARKET’s focus on functionality. The collection explores contrasts such as masculine and feminine, soft and structured, sheer and opaque, shaped through a personal and instinctive approach. According to ARKET Head of Design and Creative Ella Soccorsi, the brand has long been inspired by Gohar’s combination of craft, tradition and humour, resulting in a collection that moves beyond traditional categories of occasion and everyday wear while remaining grounded and wearable. The collection includes workwear inspired pieces such as an all white embroidered canvas set, a classic henley jersey top and a smock blouse influenced by women’s uniforms. These are complemented by more delicate designs including an apron based tie blouse and a matching skirt and bra top in silk organza. Accessories in crochet and beadwork complete the offering, alongside a modular dress in crisp cotton with silk inserts and a detachable skirt. Handcraft plays a central role throughout, with individually hand beaded elements and embroidered monograms highlighting a shared interest in textile traditions and natural materials. Gohar describes the collection as an extension of her personal philosophy of dressing, where everyday clothing and special occasion pieces are not separated, but instead worn freely across all aspects of life. To mark the launch, ARKET and Gohar will present a public installation during Salone del Mobile in Milan. The work reimagines a historic carousel with oversized fruits and vegetables, reflecting themes of food, playfulness and everyday beauty. The collection launches on 21 April 2026 and will be available in selected ARKET stores and online. Images courtesy of ARKET

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Desenio establishes Desenio Art Awards

images courtesy Desenio Desenio establishes Desenio Art Awards Desenio is taking another step in its commitment to contemporary art by launching the Desenio Art Awards, a global initiative with the ambition to identify, elevate and support the next generation of artists, photographers and creators in the long term. With a growing international presence and an established position in accessible art, Desenio continues to develop its role as a platform for artistic expression. The Desenio Art Awards are part of this work, where new voices are given space to reach a wide audience and become part of a global context. Artists are invited to apply with their works through six categories. New Talent, Illustrator, Photographer, Graphic Artist, Mixed Media Artist and Street/Urban Artist. Selected entries will be exposed internationally, and the final winners will be integrated into Desenio’s creative universe as part of the brand’s continued artistic development. An internal jury with expertise in art and visual culture nominates six artists per category. The process is then opened to public voting, allowing for both industry and public perspectives in the selection. The application period for the Desenio Art Awards is now open and will end on April 19, 2026. Entries are submitted via Desenio.com/art-awards. 

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Jeremy Allen White for the Louis Vuitton Speedy P9

Jeremy Allen White for the Louis Vuitton Speedy P9 Louis Vuitton unveils its “In My Bag” campaign with a series of portraits centered on the Speedy P9, reimagined by Men’s Creative Director Pharrell Williams. Among the featured talents, Jeremy Allen White offers one of the most intimate glimpses into the bag’s spirit and purpose. Photographed by Thomas Lagrange, White appears with a green Speedy P9 crafted from double‑tanned, drum‑milled calfskin that gives the bag its soft, waxed texture. The portrait opens the bag to reveal the objects he carries through his day: a newspaper, a spiral notebook, a brimmed cap, a comb, a watch, a set of dice, extra socks and a charging cord. Together, they form a quiet study of routine, movement and the small rituals that shape a life. The Speedy P9 itself draws on the legacy of the original Speedy from the 1930s, reinterpreted through Williams’ lens. Named after Paris’s Pont‑Neuf, the site of his debut runway, the P9 blends heritage with a forward‑looking sensibility, turning a classic travel icon into a modern companion. In White’s portrait, the bag becomes more than an accessory. It becomes a container of habits, ideas and the understated details that define his everyday world.   image courtesy Louis Vuitton

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Eyes on: April

Eyes on: April A running list of the best things to come across my desk in April. text Maya Avram, London Features Editor image courtesy Schiaparelli Schiaparelli: Fashion Becomes Art, Victoria & Albert Museum Curating this month’s list — the first-ever instalment of Eyes On — there was no doubt in my mind that this exhibition would take the top spot. An épopée of Elsa Schiaparelli’s extraordinary life, groundbreaking body of work and enduring legacy, the rare collection draws a scarlet thread between the legendary couturier and the house’s current creative director, Daniel Roseberry. While Schiaparelli’s designs were always known for their bold colours, innovative use of material and humorous approach, Roseberry’s reimagining of the house charts these same themes through a theatrical, almost fantastical lens. Yet, both envision the same woman in mind: daring, avant-garde and one who considers fashion her playing field. From the power suits of the 1940s to seminal pieces like the floral embroidered coat co-created with Jean Cocteau, walking through the space crystallises the role Schiaparelli played in shaping fashion as we know it today. “Above all, in this exhibition, we encounter Elsa Schiaparelli as a companion of futurism and a protagonist of surrealism,” said Sir Tristram Hunt, director of the V&A, at a press preview. “She revealed how fashion became a theatre for the unconscious, irrational, the marvellous.” image courtesy Schiaparelli The Palm House by Gwendoline Riley Despite my self-inflicted ban on buying new books before I’ve made my way through the towering pile in the far corner of my desk, this one is an exception to the rule. From the Women’s Prize-shortlisted author Gwendoline Riley, The Palm House chronicles adult friendships and small mercies. Following two long-time friends working in publishing, its subject matter — the precarity of modern life in today’s London — hits close to home (too much to ignore). Combined with the slew of praise the new book got, from The Times to the Evening Standard and The Guardian, I look forward to immersing myself in it. Teresa Tarmey’s Super Hydrating SPF 50 PA++++ Teresa Tarmey is one of London’s legendary facialists, famous amongst the in crowd. Her minimalistically decorated clinic in Notting Hill beautifully reflects her approach to skincare: Pared back but never simple. Rather, intentional and curated. And so, as I searched for a new SPF to see me through the warm season, her line was the first place I looked for. I wanted a product to shield and protect, yes — but also, one that has that je ne sais quois quality to it that elevates application beyond a daily chore and onto a ritual. I’m happy to say that the Super Hydrating SPF 50 PA++++ goes that extra bit further. First, it has a fresh citrusy scent that offers a lively wake-up call in the morning. Thanks to a cocktail of vitamin E, squalane and sodium hyaluronate, it also balances the complexion, leaving it bright and luminous. Whether on your shelf or your travel make-up bag, it’s a hot weather must-have. Mattieu Blazy’s Chanel From fashion editors fighting over the new slingbacks during Paris Fashion Week to urbanite shoppers queuing along the streets of Manhattan for a chance to purchase the new collection, it’s safe to say Mattieu Blazy’s tenure at the storied Maison is off to a strong start. Word among industry insiders, usually quick to critique (read: shade) as a way to engage, is that his joyous, exuberant debut marks a welcome new chapter for the brand. The most covetable pieces from the Spring/Summer 2026 collection (Blazy’s first at the helm) were the shoes: particularly the square-toe, two-tone pumps and the ones with the contrasting piping at the centre. My personal favourite, however, are the monochrome ones with the toe flap, sealed with the iconic CC emblem. Timeless. 39BC’s Fig Milk Oil Body Cleanser I love me a bath. The intentional pause, combined with self-care rituals like meditation and breathwork that bring me back into my body, is a true indulgence. Fittingly, my extensive collection of bath salts, oils, and pre- and post-soak body treatments has become a running joke amongst my friends (jealous much?) The latest addition to the lineup, this oil body cleanser brings a deep sense of luxury to sacred bath time. Its smooth, rich texture hydrates the skin, leaving it plump and supple, while its very gentle lather gives off that covetable spa-like feel. My chosen scent, Fig, combines notes of violet leaves and cedarwood, both of which offer a relaxing payoff that primes you for what the day (or night) has in store. images courtesy 39BC images courtesy 39BC Vladimir on Netflix As our attention was primarily fixed on Love Story (and the myriad ways one might recreate Carolyn Bessette’s quintessential ’90s uniform), this masterful show has, unfortunately, slipped off the collective radar. An adaptation of Julia May Jonas’ novel of the same name, Vladimir playfully captures the ironic, absurd, and at times shocking turns an open marriage can take if left unchecked. The series opens in a moment of crisis: John, husband to our nameless heroine — played by Rachel Weisz — and a tenured lecturer at the college where she also teaches, is under investigation for multiple consensual affairs with students. Without giving too much away, what follows offers astute commentary on modern romance, examining questions of gender and status through the lens of a flawed yet compelling protagonist. It’s an addictive watch for those who subscribe to women’s rights and wrongs, or anyone who finds excitement at the sight of a shirtless Leo Woodall. images courtesy Netflix Skinstorm Facial at The Clinic As a skin-obsessed girlie (and as someone whose job offers them unbelievable access to the best treatments and products out there), I am incredibly discerning about what I choose to try for myself. One of my recent fascinations is the concept of treatment layering — i.e., the practice of combining multiple therapies in a single session to achieve better, more immediate and longer-lasting results.

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COS Unveils SS26 in Seoul, Balancing Structure and Fluidity

COS Unveils SS26 in Seoul, Balancing Structure and Fluidity Presented on March 25,  COS’ Spring Summer 2026 show marks the brand’s first runway presentation in South Korea. Staged in Seoul after several seasons across Europe and consecutive appearances at New York Fashion Week, the show signals a continued expansion of COS’s global presence while refining its evolving design language. Set within a brutalist space on the outskirts of the city, the scenography established a stark and geometric atmosphere. Empty swimming pools formed a surreal architectural landscape, while a soundscape inspired by the Seoul subway system grounded the show in the city’s rhythm. The result was an environment where structure and movement coexisted, mirroring the collection itself. Across forty looks, the palette remained controlled and cohesive. Slate grey, warm browns, cream and white created a sense of tonal harmony, punctuated by accents of blue and deep oxblood to introduce depth. The effect was one of quiet uniformity, where variation emerged through nuance rather than contrast.  Materiality played a central role. Leather and technical fabrics were combined with precision to shape sculptural silhouettes and deliberate draping. Linen introduced texture, while sheer and transparent layers revealed the body in motion. Light, airy fabrics moved freely, softening the collection’s architectural foundation with a sense of ease. In this balance between rigidity and fluidity, COS continues to explore a space where minimalism becomes expressive. The Seoul show does not disrupt the brand’s identity, but rather sharpens it, suggesting that its future lies in the careful negotiation between structure, sensation and movement. A selection of the garments are available in COS stories and at their website.  Images courtesy of COS

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New Balance Ellipse Launch Run in Stockholm

New Balance Ellipse Launch Run in Stockholm photography Axel Mazetti Lacing up for the future  – the New Balance Ellipse has arrived! Movement, connection, and the joy of the run. To celebrate the release of the New Balance Ellipse, a community of runners took to the streets of Stockholm for a morning session led by Vanessa Wekelin. The energy of the run was followed by a quiet meditation session and a breakfast by Studio Marion, the kind of morning that makes you wish every day could start this way. Between the new gear and the community that showed up, it wasn’t just a workout; it was the perfect start to the day.

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Rörstrand x Zoégas – Timeless Craft, Inspired by Women

Rörstrand x Zoégas – Timeless Craft, Inspired by Women Rörstrand, one of Europe’s oldest porcelain manufacturers, is celebrating an extraordinary 300-year anniversary. Throughout the year, the brand is reviving some of its most beloved classics, reimagining them in new forms and, in some cases, through collaborations with equally iconic partners. One of the most talked-about collaborations right now is Rörstrand x Zoégas. This partnership unites not only two historic Swedish brands but also the enduring legacies of two pioneering and inspiring women whose influence continues to resonate across generations. As Zoégas celebrates its 140th anniversary this year, the collaboration thus embodies a remarkable 440 years of combined heritage. In an exclusive collaboration celebrating Rörstrand’s 300th and Zoégas’ 140th anniversaries, two historic Swedish brands unite, with taste, craftsmanship, design, and female entrepreneurship taking center stage. A limited-edition coffee, visually defined by Rörstrand’s iconic Mon Amie pattern, has been launched. This 2026 anniversary edition is the result of a close collaboration between the two brands – a meeting of Swedish cultural heritage rooted in a shared passion for craftsmanship, quality, and innovation. At the heart of the collaboration are Marianne Westman and Maria Zoéga, two pioneering women of their time. In different industries but with a shared determination, they challenged conventions, shaped their respective fields, and built legacies that continue to define the brands today. Porcelain and coffee naturally converge around the table, a space for gathering, sharing moments, and elevating everyday experiences through taste and design. This collaboration harmonizes aesthetics and flavor, enriching the ritual of coffee. Mon Amie – Timeless Design for Meaningful Moments Mon Amie, one of Rörstrand’s most beloved collections, is a symbol of friendship, warmth, and togetherness. Designed by Marianne Westman during a rainy Midsummer’s Eve, when she was in her early twenties, and launched in 1952, the name, which means “my friend” in French, captures its essence perfectly. Mon Amie is a tribute to relationships and everyday rituals. It imbues every moment, from intimate gatherings to celebratory occasions, with beauty and lasting memories. In the shared pioneering spirit of Marianne Westman and Maria Zoéga, Rörstrand and Zoégas are also supporting female entrepreneurship in Colombia. Today, women remain underrepresented in coffee farming. This initiative aims to increase their participation by introducing flower corridors for pollinators, which not only improve crop yields but also create new opportunities for women farmers to diversify their income. Since the launch of the coffee tin featuring Rörstrand’s classic Mon Amie pattern, the response has been overwhelming. Originally created to celebrate Rörstrand’s 300-year anniversary, the tin has captured hearts and sparked renewed interest in the iconic design. While Rörstrand and Zoégas are yet to announce when or where additional editions will be available, the enthusiasm has inspired the brands to explore the possibility of creating a version that could become a lasting part of their collection. It’s a reminder that timeless design, thoughtful collaboration, and shared heritage continue to resonate and that even small moments, like enjoying a cup of coffee, can carry a piece of history with them.www.zoegas.se

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Kate Moss for the Gucci Borsetto

images courtesy Gucci Kate Moss for the Gucci Borsetto Gucci introduces a new campaign that turns its attention to the instinctive pull between a person and the bag they carry. At the center is Kate Moss with the Borsetto, photographed by Mert and Marcus in a series of portraits that focus on presence, texture and the quiet authority of a classic silhouette. The Borsetto appears in GG Canvas, brown suede and black leather, each version styled to echo the bag’s character through pared‑back Gucci looks. The images strip away distraction, leaving Moss and the Borsetto in a direct, almost intimate frame that highlights the bag’s structure, surface and unmistakable identity. The campaign extends into film directed by Bardia Zeinali, where the Borsetto multiplies and accumulates around Moss, reinforcing the idea that a bag can occupy the mind as much as the wardrobe. Across stills and motion, the Borsetto remains the focal point. Materials, shapes and signatures repeat, returning again and again to the bag that defines the scene.

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HUGO SS26: Red Means Go

images courtesy HUGO HUGO SS26: Red Means Go HUGO introduces Red Means Go, a new campaign shaped around a generation choosing ambition on their own terms. Instead of following traditional expectations, the campaign focuses on the moment when doubt becomes momentum and when leaving is the first step toward building something self‑made.   The campaign’s statements and visuals reflect that tension directly. Familiar questions and criticisms appear across billboards and digital platforms, acting as both a mirror of societal pressure and a marker of defiance for those who push past it.   A cast of seven international creatives brings this idea into focus: actors Aaron and Leo Altaras, photographer and director Tereza Mundilová, multidisciplinary artist Cato, music curator Margeaux Labat, curator Temitayo Famakinwa, and DJ Nick Cheo. Each appears in candid films and imagery shot in the spaces where their work takes shape, sharing the moments of doubt that pushed them forward.   The result is a campaign that feels raw and immediate, centered on the realities of early ambition rather than the polished outcome. Red Means Go positions HUGO’s Spring/Summer 2026 collection within that energy, connecting the brand to a generation redefining what ambition looks like today.   The collection is available worldwide in stores, through wholesale partners, and at hugo.com.

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 Rotari x Ahlvar Gallery

Rotari x Ahlvar Gallery: Italian Heritage Meets Scandinavian Silk photography Rotari x Ahlvar Gallery  When Italian winemaking meets Swedish design, the result is more than a collaboration — it becomes a dialogue between two distinct craft traditions.   On March 26, 2026, Rotari and Ahlvar Gallery unveil an exclusive limited edition silk scarf, produced in just 100 pieces. Designed by Frida Ahlvarsson, the piece weaves together Rotari’s signature bubbles, the silhouette of the Italian Dolomites, and a historical reference to King Rotari. All elements are interpreted through Ahlvar Gallery’s poetic and timeless design language. Crafted from 100 percent silk, the scarf measures 65 x 65 cm and features a refined twill structure with hand rolled edges. Designed as a unisex accessory, it transitions effortlessly across seasons and is equally suited for everyday wear and evening occasions. The piece is priced at 995 SEK and will be available exclusively via ahlvar.com.   The collaboration highlights a shared dedication to craftsmanship. Rotari’s sparkling wines from TrentoDOC are produced using the traditional method with extended lees aging, while Ahlvar Gallery has made silk its signature since 2013, defined by uncompromising quality and modern Scandinavian elegance. To celebrate the launch, Odalisque Magazine invites you to take part in an exclusive competition to win one of the coveted silk scarves, valued at 995 SEK. A rare piece where Italian heritage meets Nordic design in perfect harmony.  

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