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CAIA Cosmetics Celebrates the Opening of its First Store in Denmark

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CAIA Cosmetics Celebrates the Opening of its First Store in Denmark CAIA Cosmetics is taking the next step in its Nordic expansion with the opening of its first physical store in Denmark. Launching on August 4 in the heart of Copenhagen, the new flagship marks an important milestone for the Swedish beauty brand and arrives at a fitting moment—as part of the official Copenhagen Fashion Week Spring/Summer 2027 programme. Positioned on Købmagergade, one of the city’s busiest shopping streets, the store reflects CAIA’s ambition to create immersive retail experiences that go beyond traditional beauty shopping.   Designed with the brand’s signature Scandinavian aesthetic, the two-floor, 230-square-metre space brings together CAIA’s complete beauty universe under one roof. From makeup and skincare to fragrance, haircare, body care, and accessories, visitors will be able to explore the full assortment while receiving personalized beauty guidance in a thoughtfully designed environment. The flagship reflects the brand’s customer-first philosophy, creating a destination where beauty, inspiration, and community intersect.   To celebrate the opening, CAIA has launched a dedicated campaign starring Danish fashion profile and longtime brand ambassador Emili Sindlev. Set against the backdrop of Copenhagen’s iconic streets and architecture, the campaign highlights the effortless style and creative spirit that have made the Danish capital a global fashion destination. It also underscores the close relationship the brand has built with its Danish community since its launch. Opening day promises a festive atmosphere with a series of in-store activations, complimentary treats for early visitors, and exclusive gifts for the first 300 customers who make a purchase. While these celebrations mark the beginning of CAIA’s physical presence in Denmark, the new flagship also signals the brand’s broader ambitions as it continues to strengthen its footprint across Europe and deepen its connection to the Scandinavian fashion and beauty scene. image courtesy CAIA

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Christelle Kocher Reimagines Levi’s Through the Lens of Haute Couture

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Christelle Kocher Reimagines Levi’s Through the Lens of Haute Couture During this July’s Haute Couture Week, American denim enters an entirely new conversation as Christelle Kocher unveils her debut capsule for Levi’s, presenting a visionary 10-look collection that dissolves the traditional boundaries between workwear and haute couture.   Known for her pioneering Couture-à-Porter philosophy and her role as Artistic Director of Maison Lemarié, Kocher brings together two seemingly opposing worlds—Levi’s enduring denim heritage and the extraordinary craftsmanship of the French Métiers d’Art. The result is a collection that transforms some of fashion’s most recognizable garments into sculptural couture pieces while remaining deeply connected to the authenticity of denim.   At the heart of the collection are Levi’s icons, including the legendary 501® jean and the Type II Jacket, reimagined through intricate handwork and experimental textile techniques. Feather embellishments, couture embroidery, resin-coated denim, leather embroideries, floral constructions, and dramatic plissé treatments elevate familiar silhouettes into works of wearable art. Draped black denim gowns, sculptural capes, and statement headpieces further blur the distinction between everyday dressing and the rarefied language of haute couture. Accessories continue this dialogue with the Levi’s Baby Brooklyn Bag transformed into a couture object, accompanied by dramatic feather headpieces that amplify movement and silhouette. Throughout the capsule, denim remains the central medium, stretched beyond its conventional identity through exceptional craftsmanship and material innovation.   “It was a privilege to bring these two teams together and see this collection come to life,” says Christelle Kocher. “This capsule reflects my life between the United States and France, two countries that fuel my creative energy.”   The collaboration also marks a significant cultural milestone for Levi’s. While the brand has long been synonymous with American style, its debut presentation during Paris Haute Couture Week signals a bold expansion into one of fashion’s most prestigious arenas.   “Bringing Levi’s to Paris Haute Couture for the first time is a major moment for us,” says Mathilde Vaucheret, Vice President Europe Marketing & Brand Experience. “Partnering with Christelle Kocher felt like a natural fit. She brings a distinctly Parisian perspective with a modern edge that complements our denim heritage. Her Couture-à-Porter vision is the perfect way to elevate the craftsmanship of denim.” Silhouettes throughout the collection move effortlessly between structure and fluidity. Layered denim plissé forms abstract floral bustiers, while degradé feather capes create sculptural movement. Couture embroidery transforms classic tanks, shirts, and denim separates into elevated eveningwear. One of the collection’s defining looks features a full feather gown paired with a matching cape, combining denim, lace, resin, and intricate textile manipulations into richly textured surfaces inspired by shimmering fish scales.   Captured by photographer Kayla Connors, the accompanying campaign reflects the collection’s tension between raw authenticity and refined craftsmanship. Cinematic yet intimate, the imagery focuses on the painstaking textile research developed specifically for the project, including experimental techniques explored at the Levi’s Eureka Lab. Close-up compositions reveal the complexity of feather constructions, hand embroidery, sculptural volumes, resin textures, and the meticulous denim manipulations that define the capsule.   More than a collaboration, the Christelle Kocher for Levi’s capsule proposes a new vision for denim—one that is equally at home on the couture runway, the red carpet, and within contemporary culture. Presented during Haute Couture Week, it demonstrates how one of fashion’s most democratic fabrics can be elevated through exceptional artisanal savoir-faire without losing the authenticity that has defined Levi’s for more than 150 years. For Kocher, whose work has consistently championed inclusivity, craftsmanship, and cultural dialogue, the collaboration represents a natural evolution of her practice. For Levi’s, it marks a landmark moment that repositions the possibilities of denim within the highest echelon of fashion craftsmanship.   The Christelle Kocher for Levi’s capsule is not simply about reimagining denim—it is about redefining what heritage, innovation, and couture can become when they meet on equal terms. image courtesy Levi’s

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Gracie Abrams Becomes the New Face of CHANEL Coco Mademoiselle ​

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Gracie Abrams Becomes the New Face of CHANEL Coco Mademoiselle CHANEL has unveiled Grammy-nominated singer-songwriter and House Ambassador Gracie Abrams as the new face of COCO MADEMOISELLE CRUSH ABSOLU, the latest chapter in the iconic fragrance line.   Described by the House as naturally embodying Gabrielle Chanel’s spirit of freedom, instinctive elegance, and modern femininity, Abrams fronts the campaign for the new scent launching in 2026. “It’s unreal to be the new face of Coco Mademoiselle,” Abrams shares. “I feel an immense sense of pride. I love that Coco is someone who leaves a mark everywhere she goes. Sometimes, I wish I could be more like her.”   Created by Olivier Polge, COCO MADEMOISELLE CRUSH ABSOLU reimagines the original fragrance with a richer, more intense ambery signature. Bright grapefruit and lychee open the composition before unfolding into a floral heart of rose and jasmine, grounded by sensual patchouli, vanilla, and vetiver. The result is a bold yet sophisticated fragrance designed to leave a lasting impression, balancing luminous freshness with enveloping warmth.   The campaign positions Abrams within the legacy of Gabrielle Chanel, celebrating women who forge their own path with confidence and authenticity. Mirroring the House’s enduring vision of effortless elegance, the singer’s understated style and emotionally charged songwriting bring a fresh perspective to one of beauty’s most recognizable fragrance franchises. As CHANEL describes it, COCO MADEMOISELLE CRUSH ABSOLU is more than a perfume—it is an emotional experience and a statement of individuality, inviting its wearer to embrace instinct, freedom, and self-expression. image courtesy Chanel Presented in a newly designed bottle featuring a contrasting label and faceted cap, Crush Absolu reflects CHANEL’s renowned craftsmanship while introducing a contemporary, magnetic interpretation of the Coco Mademoiselle identity. Continuing the legacy first imagined by Jacques Polge in 2001, this latest creation marks a bold new chapter for the House, offering an intense yet refined fragrance that is both timeless and unmistakably modern.

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Time and Speed, Reunited: Breitling and Aston Martin Present Top Time Tribute to Iconic DB5

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Time and Speed, Reunited: Breitling and Aston Martin Present Top Time Tribute to Iconic DB5 Introduced in 1963, one of the world’s most iconic on-screen cars, the Aston Martin DB5, became synonymous with British culture, design, and innovation, firmly establishing Aston Martin as one of Britain’s most desirable luxury brands. Today, Breitling and Aston Martin proudly bring that shared legacy to the wrist with the Top Time B01 Chronograph 41 Tribute to Aston Martin DB5, presented in three distinct limited editions. Some collaborations are driven by marketing. Others feel almost inevitable. Breitling’s latest Top Time Tribute to Aston Martin DB5 belongs firmly to the latter, revisiting one of the most enduring intersections of automotive and watch design—a story that began long before luxury collaborations became commonplace.   In 1965, Sean Connery’s James Bond wore a Breitling Top Time ref. 2002 in Thunderball, alongside the now legendary Aston Martin DB5. The pairing became more than a cinematic detail; it captured the optimism and modernity of the era, where engineering, elegance, and speed defined a new generation of design. It was also the first Q-modified watch to appear in the Bond franchise, quietly cementing the Top Time’s place in both horological and film history.   Nearly six decades later, Breitling returns to that cultural moment with a collection that looks beyond nostalgia. Rather than recreating the past, the new Top Time Tribute to Aston Martin DB5 interprets the spirit of the original through contemporary craftsmanship, translating the tactile language of the British grand tourer into the world of Swiss watchmaking.   The dialogue between the two design houses is evident throughout. A cushion-shaped case recalls the original 1960s Top Time, while the distinctive “squircle” chronograph registers reference the instrument cluster of the DB5. The most striking detail, however, is the wooden inner ring surrounding the dial—a subtle nod to the handcrafted wooden steering wheel found inside Aston Martin’s iconic grand tourer. Completing the composition are hand-coloured gradient leather straps inspired by the depth and richness of vintage automotive upholstery. “The Aston Martin DB5 is one of those rare designs that never fades. It still feels as relevant today as it did in the 1960s,” says Georges Kern, CEO of House of Brands, which oversees Breitling, Universal Genève and Gallet. “With this Top Time, we capture that sense of timeless style.”   For Aston Martin, the project represents more than a licensing exercise. It is a meeting of two disciplines where proportion, materiality and precision carry equal importance.   “These editions represent something truly distinct from anything we’ve created before,” says Marek Reichman, Executive Vice President and Chief Creative Officer at Aston Martin. “The collaboration with Breitling brought together two brands with a shared appreciation for timeless design, craftsmanship and innovation.”   That philosophy extends to the three distinct interpretations of the watch. The stainless-steel edition, limited to 1,022 pieces, offers the closest visual connection to the original Top Time with its silver dial and understated elegance. A second version combines steel with a platinum bezel and a black lacquer dial, creating a sharper, more architectural expression through material contrast. At the pinnacle of the collection sits an 18-karat red gold edition, limited to just 250 individually numbered examples, distinguished by Breitling’s first-ever dial crafted from natural onyx. The stone’s unique depth and organic pattern ensure that every piece is subtly different. Behind each model is the Breitling Manufacture Caliber 01, the brand’s flagship in-house chronograph movement. COSC-certified and equipped with a column-wheel mechanism, vertical clutch and a 70-hour power reserve, the movement balances technical performance with everyday reliability. Through the sapphire caseback, the calibre is visible beneath a specially engraved Aston Martin rotor—finished in either rhodium plating or matching 18-karat red gold depending on the edition.   What makes the Top Time Tribute to Aston Martin DB5 particularly compelling is its restraint. Instead of relying on overt branding, the collection expresses the partnership through thoughtful details and shared design values. The references to the DB5 are tactile rather than literal, allowing the watch to stand confidently on its own while rewarding those familiar with one of Britain’s most celebrated automobiles.   In an era where heritage is often repackaged as nostalgia, Breitling and Aston Martin instead remind us why certain objects achieve icon status in the first place. They are defined not simply by performance or aesthetics, but by the enduring quality of their design. The Top Time Tribute to Aston Martin DB5 is less a commemorative piece than a continuation of a conversation that began in the 1960s—one where precision, craftsmanship and timeless style remain perfectly in sync. image courtesy Breitling & Aston Martin 

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Eyes on: July

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Eyes on: July The beauty, fashion and culture moments I’m most excited about this month. text Maya Avram, London Features Editor image courtesy Mour Mour restaurant at The Leonard Hotel   One thing about me is that I believe there’s no better food than by the Med. The climate, the fresh ingredients and the lightness of it all hit the spot every time — and the newly opened Mour restaurant captures that mood perfectly.   Part of The Leonard Hotel, Mour combines Mayfair’s decadence with an uncomplicated menu that is both eclectic and precise. Mediterranean staples like olives and flatbread make for a traditional opening to the dining experience, but are still far from predictable because either of these starters will easily be the best of their kind you’ve ever tried. Other standouts include the brie tortelloni, which the waiter warned us might take a while “because it’s all made fresh” (easiest case of ‘don’t worry, I’ll wait’ I faced in a long time). My friend was particularly impressed by the Monkfish, while my sweet tooth was in awe of the tiramisu. To top everything off, the martini bar crafted bespoke cocktails for each of us based on our individual tastes, fueling what ended up being a five-hour yap sesh. From the rich foods to the delightful serving experience, you’ll struggle to leave there before closing time, too. Book your table Sports Shorts by, well, everyone   Remember the ‘Dudette’ trend from a few seasons back? Well, our sporty queen is back with a vengeance — or rather, a more elevated proposition. So while sports shorts are, and always have been, a summer staple, this year, It Girls are pairing them with dainty camisoles and crisp white shirts, as well as coquette ballerinas and block-heel pumps. I love the contrast between these ultra-feminine, or traditionally tailored pieces, and shorts that you can literally jog in. Personal favourites include the Nike Tempo’s and Adidas Firebird’s, but if you’re after a more sophisticated colour play, I also really like these stripey ones from Le Bop, which also make a convincing case for ruched loafers. photography David Suarez on Unsplash image courtesy Gucci Flora Flora Gorgeous Orchid Intense by Gucci   I am not typically a sweet scent person. Back in the day when everyone went for Britney Spears’ Fantasy (an OG but not for me), I went for Tommy Hilfiger’s Tommy Girl. Fresh, herbaceous, maybe a bit powdery is typically my profile of choice.    Well, that was until I smelt Gucci’s Flora Orchid Intense. Master Perfumer Marie Salamagne has done the impossible, making me fall for a gourmand. Of course, it’s not your typical gourmand, featuring luminous orchid and salty ozonic notes that lend it a richly layered, almost savoury aroma. It dries down beautifully, too, leaving a deep ambery haze that is perfectly suited to balmy summer nights. Delvaux’s summer 2026 collection   Any fashion fan knows the feeling of discovering a hidden gem: a designer or a brand that is a master of their craft, yet is still small enough that every creation feels like one of a kind. That was me when I went to Delvaux’s summer collection presentation, held on Harrods’ panoramic helideck.   Over cocktails and decadent hors d’oeuvres, we cast our eyes on the styles that make up the new season: leather floral appliqués, hand weaving techniques and playfully reimagined proportions offered a fresh take on the classic silhouettes loved by friends of the brand (many of whom were in attendance, Brilliant bag in hand). I particularly enjoyed the artisan table where a craftsman constructed a woven bag in front of our very eyes, showcasing the hides and walking us through the process of constructing an everyday carrier. And while the pieces are definitely on the luxurious end, this one carries the weight of an heirloom in the making, arguably justifying the investment. image courtesy Delvaux See-Through Jewellery   Carrying on the aspirational tone, have you been following this year’s haute joaillerie season? Aside from fantastical pieces and dazzling designs, such as the celestial Belle Dior necklace or Bucheron’s statement piece, one interesting trend to emerge this season was see-through jewellery. Whether we’re talking clear diamonds or transparent glass (depending on your tax bracket, really), I scoured the web for versatile pieces to add dimension and tactility to every look, with the potential to carry over from desk to dinner effortlessly.   From Bottage Veneta’s Prisma earrings to Alaïa’s Bubble hoops and Zimmermann’s Bloom ring, the rule of thumb is that your choice of jewel features a statement gem — or bead, or faux gem — and that you should be able to catch a glimpse of skin through it, making the final look entirely personal. It’s no coincidence that luxury is using the body as the ultimate accessory, because in the age of AI, what can be more elusive, more desirable and more subversive than the flesh? The name of Bucheron’s collection was Human Being, and for good reason — it celebrates the bare essentials. image courtesy Boucheron The Aesop Queer Library, Brighton and Hove A little way outside of London, but I promise this is worth the trip.  The Aesop Queer Library returns for a sixth year, this time celebrating the written word. Featuring a curation of 33 books penned by LGBTQIA+ authors, this year’s theme – Body of Work – explores the idea of the queer body as a driver for power, pleasure, resistance and renewal. Whether you prefer biographies or fiction, nuanced relationship sagas or fleeting, sultry fun, each one of these titles encourages you to rethink how you inhabit your body through a distinctly playful yet astute eye. 31 July – 2 August at Aesop Brighton. image courtesy Aesop

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Loewe Opens Submissions For The Tenth Edition Of The Loewe Foundation Craft Prize

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Loewe Opens Submissions For The Tenth Edition Of The Loewe Foundation Craft Prize LOEWE FOUNDATION is pleased to open submissions for the tenth edition of the LOEWE FOUNDATION Craft Prize, which will be awarded in Europe in spring 2027. Anyone working in a craft-based profession, and over 18 years old, is welcome to apply. Entries will be accepted from today until October 15, 2026. The LOEWE FOUNDATION Craft Prize was first established in 2016, with the first prize awarded the following year. Inspired by LOEWE’s own beginnings as an artisanal workshop, the prize celebrates excellence and innovation in craft in all its forms. Entries over the past decade include works in textiles, bookbinding, ceramics, jewelry, lacquer, and paper, and many other craft practices. Since its founding, the prize has raised craft to new levels of global and institutional recognition and helped to nurture techniques and traditions that have been at risk of disappearing. The LOEWE FOUNDATION Craft Prize recognizes both the rich heritage of craft practice, and the unique expression and hand of the individual maker. Each entry to the prize must be an original piece, partly or fully made by hand. All submissions to the prize are reviewed by an expert panel, who together select a shortlist of 30 works. This selection is based on key criteria including originality, artistic vision and merit, precise execution, material excellence, innovative value, and a distinct authorial mark. image courtesy LOEWE   Sheila Loewe, President of the LOEWE FOUNDATION, says: ‘‘It is with great pleasure and pride that we open submissions for the tenth edition of the LOEWE FOUNDATION Craft Prize. Over this past decade, the Craft Prize has become a platform for an ever-growing community of artists and artisans around the globe, showcasing work that inspires new ways of thinking about craft and its place in contemporary culture. Year on year, the prize has affirmed the infinite possibilities of craft and its capacity to evolve and surprise us. I greatly look forward to discovering the remarkable ideas, perspectives, and works this edition will bring.” The 2026 edition of the Prize received over 5,100 submissions from 133 countries and regions across the globe. Alongside Jongin Park’s winning entry in paper and coloured porcelain slip, Strata of Illusion, special mentions were awarded to Graziano Visintin for his work Collier, two necklaces composed of tiny cubes built from thin sheets of gold and decorated with the ancient metalworking technique of niello; and to Baba Tree Master Weavers (Mary Anaba, Charity Aveamah Atuah, Christiana Anaba Akolpoka, Asakiloro Aduko, Mary Ayinbogra, Teni Ayine, Subolo Ayine and Punka Joe) × Álvaro Catalán de Ocón for Frafra Tapestry, a piece crafted in natural and dyed elephant grass that draws on both aerial imagery and traditional basketry techniques.

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CELINE Infinite Possibilities

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CELINE Infinite Possibilities French luxury fashion house CELINE has officially unveiled its highly anticipated “Infinite Possibilities” campaign, a striking visual and creative endeavor that breathes new life into the brand’s historic relationship with silk. Lensed by acclaimed photographers Eijin Ota and Victor Brun, the new campaign introduces a meticulously curated collection of silk scarves alongside an expansion of the house’s contemporary charm series, marking a bold fusion of heritage craftsmanship and modern narrative. At the heart of the campaign is a profound reinterpretation of the traditional carré (square scarf). Long regarded as a staple of classic European elegance, CELINE has elevated the accessory from a wardrobe staple into an artistic medium of storytelling. Each piece in the collection serves as a wearable canvas, featuring intricate designs and narratives that bridge the house’s storied past with its forward-looking aesthetic.   To achieve the level of detail required for these complex visual narratives, CELINE’s artisans utilized a specially developed silk twill. Engineered specifically for this collection, the textile boasts a significantly denser weave than traditional silk. This technical innovation provides a substantive, lustrous drape that inherently alters how the fabric moves and hangs. More importantly, the specialized weave enhances the depth of color and the sharpness of every line, ensuring that the vivid imagery and sophisticated graphics printed onto the silk are rendered with pristine, gallery-like clarity. The visual language of the campaign is articulated through the distinct lenses of Ota and Brun. Their imagery captures the interplay of light, texture, and movement, highlighting the versatility of the silk scarves as they are styled in contemporary, unexpected ways. The photographs emphasize that while the carré is deeply rooted in luxury tradition, its applications in a modern wardrobe are truly infinite. Complementing the textile collection is the continuation of the “Infinite Possibilities” charm series. Initially launched at the end of last year, these highly collectible, tactile accessories have quickly become a cornerstone of the house’s identity. Designed to supplement both the women’s and men’s runway collections, the charms offer a customizable, playful element to CELINE’s signature tailoring and leather goods. Whether clipped onto an iconic handbag, worn as jewelry, or integrated into the styling of the new silk scarves, the charms embody the campaign’s ethos of personal expression and endless configuration. images courtesy CELINE photography Victor Brun The “Infinite Possibilities” collection arrives at a time when luxury consumers are increasingly seeking out pieces that offer both historical value and individual versatility. By focusing heavily on the tactile and visual mastery of silk, CELINE reclaims its authority in high-end textile craft while simultaneously engaging a younger, digitally native audience captivated by modular, narrative-driven fashion. Accompanying the announcement, CELINE has released a comprehensive suite of digital assets, including the official press release, the atmospheric campaign imagery by Ota and Brun, and high-definition product packshots. Reflecting the fast-paced nature of modern fashion media, the house has made all assets available for immediate editorial release and global distribution across print, digital, and social media platforms. With “Infinite Possibilities,” CELINE does not simply look back at its legacy; it reweaves it for the future, proving that the finest traditions of French luxury remain infinitely adaptable.

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Dior Haute Couture Fall Winter 2026-2027 Show

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Dior Haute Couture Fall Winter 2026-2027 Show “I’m very involved in my studio work. The studio is my lab, so to speak.”  Lynda Benglis   The collection is a response, in the language of couture, to the work of American sculptor Lynda Benglis.   Many of the artist’s works begin in two-dimensional materials that are transformed, through knotting, pleating or moulding, into three. The art of couture enacts a similar shift: fabric is given sculptural form, accentuated when worn. Jonathan Anderson takes this connection as a starting point, elaborating on the physical gestures of hand-plissé, knotting and draping. The surfaces of Benglis’s works also come into play: simulated by the ateliers in metallic, iridescent, encrusted or paper-like fabrics. The illusion of chicken wire is created in soft silver netting.   The artist’s longstanding relationship with Ahmedabad in Gujarat, India, informs specific pieces. Her Peacock series, begun in the late 1970s and inspired by the birds she saw whilst staying at the Sarabhai family estate in Ahmedabad, are interpreted in brightly-coloured floral and beaded embellishments. Anderson’s research into this body of work led him to focus on Indian craft itself: specifically, the 18th-century tradition of chintz. These finely-woven cottons, that were typically hand-painted or block-printed, had a profound and lasting impact on European decorative arts. Antique fragments of chintz and indiennes, sourced from a specialist dealer, adorn Petit Dîner and mini Lady Dior bags.   The Ahmedabad landscape prompts a new line of enquiry for Anderson’s lab-as-couture: interested in the idea of contrasting environments, he juxtaposes its relative abundance with the arid climate and crystalline air of Santa Fe, New Mexico, where Benglis keeps a home and studio. The floral aspects of the collection, as well as its chromatic articulation, evoke these two landscapes. image courtesy Dior

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COS Ballerina

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COS Ballerina Few silhouettes have captured the mood of the season quite like the ballerina flat. Blending nostalgia with modern minimalism, the style continues to evolve as a versatile wardrobe essential—and COS offers its own refined interpretation with a design that feels both contemporary and timeless.   True to the brand’s signature aesthetic, the new ballerina shoes combine clean architectural lines with soft, supple materials, creating a silhouette that is elegant without feeling overly delicate. The understated design allows the craftsmanship to take centre stage, making them an effortless companion to both sharp tailoring and relaxed, everyday dressing.   Designed with longevity rather than fleeting trends in mind, the shoes embody COS’s philosophy of thoughtful design and functional luxury. Whether paired with fluid dresses, wide-leg trousers, or crisp summer separates, they offer a quiet sophistication that seamlessly transitions between occasions. Now that the collection has officially launched, the ballerina flats stand out as one of the season’s most wearable investments—proof that simplicity, when executed well, never goes out of style. image courtesy COS

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Kelly Wearstler Brings Her Sculptural Vision to H&M HOME in a Landmark Collaboration

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Kelly Wearstler Brings Her Sculptural Vision to H&M HOME in a Landmark Collaboration American designer Kelly Wearstler joins forces with H&M HOME for the brand’s first ever designer furniture collaboration, unveiling a collection that brings her unmistakable aesthetic to a wider audience. Launching September 3, the collaboration spans 29 interior pieces alongside an eight piece ready to wear capsule, blurring the lines between fashion and interiors through a shared language of form, materiality and craftsmanship. Rooted in the idea of democratic design, the collection explores how thoughtfully designed objects can shape everyday rituals. Sculptural furniture, tactile materials and modular silhouettes define the interiors offering, where pieces are designed to adapt to different spaces while balancing functionality with artistic expression. Among the highlights are the POMA accent chair, which transforms into a loveseat when paired, the angular AVERN armchair, the cloud inspired SOLUNA lounge chair and the modular ORTRA sofa table. A series of lamps, candlesticks, vases and decorative objects complete the collection, crafted in wood, marble, ceramic, metal and textiles to create interiors that feel both timeless and expressive. The collaboration also marks Kelly Wearstler’s expansion into ready to wear with H&M. The eight piece fashion capsule reflects the same sculptural sensibility found throughout the interiors collection, pairing oversized tailoring with relaxed silhouettes, statement outerwear, sequins and elevated everyday essentials. Together, the collections create a cohesive design universe where fashion and interiors speak the same visual language.     images courtesy of H&M Home “The opportunity to challenge both my own skills and those of my studio, while creating something artisanal yet accessible, was incredibly exciting,” says Kelly Wearstler. “We began by questioning how objects can shape a space, creating sculptural pieces that feel expressive, tactile and designed to endure.” The Kelly Wearstler x H&M HOME collection will be available from September 3, 2026, in selected stores and online.

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