Author name: Saskia Clarke

Opiates, Uncategorized

Never Fully Dressed unveils Autumn 2026 and ready-to-wear Spring / Summer 2027

Never Fully Dressed unveils Autumn 2026 and ready-to-wear Spring / Summer 2027 Never Fully Dressed introduces its Autumn 2026 collection alongside an exclusive preview of Ready-to-Wear Spring / Summer 2027, clearing the brand’s mission to create clothes that inspire and bring joy through inclusive, feel-good styles. Signature prints and the creative foundations Designed in-house, in London, the collections build on the creative foundations that have become synonymous with Never Fully Dressed. Signature hand-painted prints pair with conversational motifs and reimagined silhouettes, bringing together a collection full of joy. Autumn 2026: a celebration of colour, prints and craftsmanship Autumn 2026 explores a NFD’s signature design handwriting, inspired by vintage scarfs, blurred interpretations of prints alongside warmth of the changing season. The collection layers bold colours, elevated fabrications, and intricate construction. Familiar icons through bold print stories tie together the brands premium finishing creating pieces that feel both timeless and unmistakably NFD. A first look at ready-to-wear Spring/Summer 2027 Looking ahead to 2027 Ready-to-Wear styles, the collection offers lightweight textures, relaxed tailoring and versatile separates designed for multi-way styling. Championing colour in feel-good designs marking the next evolution of NFD’s creative vision. Never Fully Dressed at Copenhagen Fashion Week To celebrate the collections, Never Fully Dressed will take over Soho House, Copenhagen across 4th & 5th August inviting editors, stylists, creators and friends to discover the styles before launch.

Fashion Articles

Marimekko SS27: An Interview with Creative Director Rebekka Bay

Marimekko SS27: An Interview with Creative Director Rebekka Bay Rebekka Bay, Creative Director, Copenhagen Fashion Week, 6 August Marimekko presented its Spring/Summer 2027 collection at Copenhagen Fashion Week on 6 August, staging the show atop Langelinieskuret with the Øresund as backdrop. Building on the house’s 2027 theme – the art, the artist, and the landscape – the collection turns to the desert paintings of Georgia O’Keeffe, translating her colour and form into peplum cuts, ruffles, and a mix of archive and new prints, including Vibeke Rohland’s Akkorder stripe. Creative Director Rebekka Bay spoke to us about the inspiration behind the collection. images courtesy Marimekko photography Rasmus Weng Karlsen Sandra Myhrberg: Marimekko’s theme for 2027 is the art, the artist, and the landscape, and this collection looks to the desert. Where did that idea start for you? Rebekka Bay: Our overarching theme for 2027 is the art, the artist, and the landscape. We found inspiration in the work of Georgia O’Keeffe, whose mesmerising depictions of nature captivated us through their rich colours, organic forms, and distinctive sense of place. Equally inspiring was O’Keeffe’s personal style and wardrobe, which, fittingly, is known to include a remarkable collection of Marimekko dresses. For Spring/Summer 2027, we explore the intersection of softness and richness, nature, and abstraction. The collection offers a poetic interpretation of summer, the light and the shadows, infused with the vibrant hues and sculptural forms of desert landscapes and interpreted by Georgia O’Keeffe. SM: Could you tell us a little about the key looks of this collection? RB: This season, we will introduce more feminine details and silhouettes. Peplum cuts, expressive ruffles, and airy flounces bring a playful yet sophisticated dimension to summer dressing. These sculptural shapes are enlivened by a combination of beloved archive prints and mostly new print designs, creating a dynamic dialogue between something new and something familiar. SM: Vibeke Rohland’s new stripe, Akkorder, leaves a space uncoloured between each colour, where Marimekko has traditionally let colours overlap. What drew you to that idea? RB: Distinctive design details have always been integral to the character of a Marimekko print. During her artist-in-residence period in Helsinki, Vibeke immersed herself in the unique process through which Marimekko prints are conceived and brought to life. We continued the collaboration past the artist-in-residence period, which allowed Vibeke to explore further. As part of this exploration, she created two interconnected prints. One of them, Akkorder, intentionally leaves a fine uncoloured space between each field of colour. Inspired by this negative space, she developed a second sibling print that transforms those uncoloured areas into the central visual element, giving presence to what would otherwise remain unseen. SM: The palette runs from pear sorbet and vanilla ice all the way to fiery reds. Do you start with colour, or does it come after the silhouette? RB: At Marimekko, everything begins with the print. Each season starts with the selection of prints, from which we build the collection’s colour harmonies and deliberate colour contrasts. For Spring/Summer 2027, the colours and forms found in Georgia O’Keeffe’s landscape paintings served as a guiding influence, shaping both our print selection and the collection’s distinctive palette. SM: You’ve turned a rooftop dining table at Langelinieskuret into a runway, with the Øresund behind it. How much does the setting shape how a collection reads? RB: To me, presenting a collection is about bringing together multiple creative elements, from styling and sound to the setting itself. We strive to create a world that is both immediately accessible and conceptually engaging, allowing the collection to be experienced on several levels. This season, a soundscape and spoken word by Ringa Manner performed in Finnish, combined with the backdrop of Copenhagen’s waterfront, captures the essence of the collection. Together, these elements reflect its central themes: the art, the artist and the landscape, as well as the poetry of dressing. SM: Marimekko is so associated with optimism. What do you hope people carry with them when they leave the show? RB: My hope is always that Marimekko inspires people to embrace print and color in their everyday lives. Through our collections, we want to encourage individuals to experiment, express themselves freely, and discover new ways of styling prints that reflect their own unique sense of personal style.

Contributors, Uncategorized

Magnus Svärd

PHOTOGRAPHER
Magnus Swärd is a Stockholm-based photographer with a strong editorial eye, blending fashion, street culture, and contemporary portraiture. His photographic style is characterized by cinematic compositions, natural light, creating images that feel both modern and timeless.

Fashion Articles

Fabienne Chapot X LEVENS

Fabienne Chapot X LEVENS text Abby Driesbach As Fabienne Chapot approaches its 20th anniversary, the Amsterdam-based label enters a new chapter. One shaped by reflection, individuality, and a renewed sense of purpose. Marking the occasion is its first-ever jewellery collection, created in collaboration with Barcelona-based glass jewellery studio LEVENS. Rooted in craftsmanship and united by a shared appreciation for colour, creativity, and imperfection, the limited-edition collection celebrates self-love through four hand-blown pieces designed to be cherished rather than consumed.   Launching during Copenhagen Fashion Week, the collaboration arrives as fashion increasingly embraces emotional storytelling alongside aesthetics. We spoke with Fabienne Chapot about finding the right creative partner, why now felt like the moment to champion self-love, and how meaningful design can create lasting connections beyond the seasonal cycle. Abby Driesbach: Fabienne Chapot has always embraced bold colors and expressive design, while LEVENS works with hand-blown glass and imperfection as craft. What made LEVENS the right creative partner, and how does this collaboration complement the Fabienne Chapot universe?   Elias De Hulsters: LEVENS embodies so many of the values that are central to Fabienne Chapot: creativity, craftsmanship and female entrepreneurship. As we were shaping the new direction of our brand, we realised there was already a natural dialogue between our two worlds.   What particularly drew me to LEVENS is their celebration of imperfection through hand-blown glass. In a time when so much is becoming automated and AI-generated, there is something incredibly valuable about objects that are made entirely by hand. Every piece carries its own unique character.   While our focus has always been on clothing, shoes and bags, we had been looking for the right opportunity to expand into jewellery. LEVENS felt like the perfect partner to take that first step. With our AW26 collection centred around self-love and embracing what makes us unique, the collaboration felt completely authentic. Both brands celebrate individuality, bold expression and finding beauty in what makes us different.  AD: The collection centers on self-love, right down to the “I LOVE ME” message. What made now the moment to build a collection around that idea?   EH: The theme of self-love started as something very personal. Around my 30th birthday, I found myself reflecting on what it really means to grow up. Becoming an adult isn’t about becoming someone new, it’s about letting go of the things that no longer serve you while holding on to the parts of yourself that truly define you.   At the same time, Fabienne Chapot was going through its own transformation. During a rebrand, you’re asking very similar questions: what do we leave behind, what do we protect, and what is our true identity? Those two journeys felt deeply connected, making self-love a natural theme to explore.   As we approach our 20-year anniversary, it also felt like the right moment to reflect on our journey, celebrate how far we’ve come, and encourage women to celebrate themselves a little more too. The “I LOVE ME” message is simple, but it’s a reminder we could all use. AD: Both brands celebrate craftsmanship and individuality. How did you ensure that each brand’s identity remained authentic throughout the collaboration?   EH: The collaboration felt very natural because both brands already shared so much creatively. Rather than trying to merge two completely different identities, we built on values we already had in common.   LEVENS brought their beautiful hand-blown glass techniques, while we introduced colour combinations inspired by our AW26 collection and incorporated the “I LOVE ME” message into the designs. The collection also features motifs like the rose, alongside the bold use of colour and expressive craftsmanship that both brands are known for.   It never felt like either brand had to compromise. Instead, it felt like creating something together that genuinely belongs to both of us.   AD: The collection is intentionally small, with just four handcrafted pieces. Was exclusivity always part of the vision?   EH: Absolutely. As this is our very first jewellery collection, we wanted to begin with something small, thoughtful and exclusive. We also wanted to avoid overproduction and focus on creating something truly special.   We’ve always believed you don’t need a large collection to tell a meaningful story. Every piece was designed with intention, from the colours and shapes to the craftsmanship behind it. Rather than creating more, we wanted to create timeless pieces that become part of someone’s personal collection for years to come. Quality, emotion and longevity have always been more important to us than quantity. AD: The collection debuts during Copenhagen Fashion Week. Why was that the right stage for this launch?   EH: Copenhagen Fashion Week has become a place where creativity, individuality and craftsmanship are genuinely celebrated. It attracts a community that appreciates thoughtful design and brands with a strong point of view.   After introducing our new brand direction there last year, returning feels like coming back to a community that already understands who we are becoming. It felt like the perfect moment, and the perfect audience, to introduce this collaboration.   AD: Fashion is increasingly expected to tell stories with emotional value, not just sell products. What story do you hope people take away from this collaboration, and how does that emotional value stack up against aesthetics for you?   EH: I’ve always believed that emotion creates the strongest connection. Beautiful products might catch your attention, but stories are what people remember.   This collection is an invitation to celebrate yourself. Whether someone buys a piece as a reminder to embrace who they are, to mark a personal milestone, or simply because it makes them smile, we hope it carries personal meaning. It’s also something you can gift to a friend as a celebration of them.   Jewellery is such an intimate form of self-expression, and if these pieces encourage women to embrace their individuality and treat themselves with a little more kindness, then we’ve achieved exactly what we hoped for. AD: Consumers today are looking for pieces

Fashion Editorial

Indigo Gravity

top PH5 skirt Wrangler/ DIY heels Pleiades dress Luroq London trousers Levi’s skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Vintage total look Luroq London coat Wrangler dress Jennifer Milleder heels Balenciaga  dress Jennifer Millede dress Luroq London trousers Levi’s coat Wrangler dress Jennifer Milleder short trench, top, trousers Luroq London trainers Balenciaga skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Vintage dress Jennifer Millede boots Stylist’s Own dress Luroq London trousers Levi’s skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Byredo, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Diesel dress Jennifer Millede shirt Balenciaga jumpsuit Lee Jeans

News

CAIA Cosmetics Celebrates the Opening of its First Store in Denmark

CAIA Cosmetics Celebrates the Opening of its First Store in Denmark CAIA Cosmetics is taking the next step in its Nordic expansion with the opening of its first physical store in Denmark. Launching on August 4 in the heart of Copenhagen, the new flagship marks an important milestone for the Swedish beauty brand and arrives at a fitting moment—as part of the official Copenhagen Fashion Week Spring/Summer 2027 programme. Positioned on Købmagergade, one of the city’s busiest shopping streets, the store reflects CAIA’s ambition to create immersive retail experiences that go beyond traditional beauty shopping.   Designed with the brand’s signature Scandinavian aesthetic, the two-floor, 230-square-metre space brings together CAIA’s complete beauty universe under one roof. From makeup and skincare to fragrance, haircare, body care, and accessories, visitors will be able to explore the full assortment while receiving personalized beauty guidance in a thoughtfully designed environment. The flagship reflects the brand’s customer-first philosophy, creating a destination where beauty, inspiration, and community intersect.   To celebrate the opening, CAIA has launched a dedicated campaign starring Danish fashion profile and longtime brand ambassador Emili Sindlev. Set against the backdrop of Copenhagen’s iconic streets and architecture, the campaign highlights the effortless style and creative spirit that have made the Danish capital a global fashion destination. It also underscores the close relationship the brand has built with its Danish community since its launch. Opening day promises a festive atmosphere with a series of in-store activations, complimentary treats for early visitors, and exclusive gifts for the first 300 customers who make a purchase. While these celebrations mark the beginning of CAIA’s physical presence in Denmark, the new flagship also signals the brand’s broader ambitions as it continues to strengthen its footprint across Europe and deepen its connection to the Scandinavian fashion and beauty scene. image courtesy CAIA

News

Christelle Kocher Reimagines Levi’s Through the Lens of Haute Couture

Christelle Kocher Reimagines Levi’s Through the Lens of Haute Couture During this July’s Haute Couture Week, American denim enters an entirely new conversation as Christelle Kocher unveils her debut capsule for Levi’s, presenting a visionary 10-look collection that dissolves the traditional boundaries between workwear and haute couture.   Known for her pioneering Couture-à-Porter philosophy and her role as Artistic Director of Maison Lemarié, Kocher brings together two seemingly opposing worlds—Levi’s enduring denim heritage and the extraordinary craftsmanship of the French Métiers d’Art. The result is a collection that transforms some of fashion’s most recognizable garments into sculptural couture pieces while remaining deeply connected to the authenticity of denim.   At the heart of the collection are Levi’s icons, including the legendary 501® jean and the Type II Jacket, reimagined through intricate handwork and experimental textile techniques. Feather embellishments, couture embroidery, resin-coated denim, leather embroideries, floral constructions, and dramatic plissé treatments elevate familiar silhouettes into works of wearable art. Draped black denim gowns, sculptural capes, and statement headpieces further blur the distinction between everyday dressing and the rarefied language of haute couture. Accessories continue this dialogue with the Levi’s Baby Brooklyn Bag transformed into a couture object, accompanied by dramatic feather headpieces that amplify movement and silhouette. Throughout the capsule, denim remains the central medium, stretched beyond its conventional identity through exceptional craftsmanship and material innovation.   “It was a privilege to bring these two teams together and see this collection come to life,” says Christelle Kocher. “This capsule reflects my life between the United States and France, two countries that fuel my creative energy.”   The collaboration also marks a significant cultural milestone for Levi’s. While the brand has long been synonymous with American style, its debut presentation during Paris Haute Couture Week signals a bold expansion into one of fashion’s most prestigious arenas.   “Bringing Levi’s to Paris Haute Couture for the first time is a major moment for us,” says Mathilde Vaucheret, Vice President Europe Marketing & Brand Experience. “Partnering with Christelle Kocher felt like a natural fit. She brings a distinctly Parisian perspective with a modern edge that complements our denim heritage. Her Couture-à-Porter vision is the perfect way to elevate the craftsmanship of denim.” Silhouettes throughout the collection move effortlessly between structure and fluidity. Layered denim plissé forms abstract floral bustiers, while degradé feather capes create sculptural movement. Couture embroidery transforms classic tanks, shirts, and denim separates into elevated eveningwear. One of the collection’s defining looks features a full feather gown paired with a matching cape, combining denim, lace, resin, and intricate textile manipulations into richly textured surfaces inspired by shimmering fish scales.   Captured by photographer Kayla Connors, the accompanying campaign reflects the collection’s tension between raw authenticity and refined craftsmanship. Cinematic yet intimate, the imagery focuses on the painstaking textile research developed specifically for the project, including experimental techniques explored at the Levi’s Eureka Lab. Close-up compositions reveal the complexity of feather constructions, hand embroidery, sculptural volumes, resin textures, and the meticulous denim manipulations that define the capsule.   More than a collaboration, the Christelle Kocher for Levi’s capsule proposes a new vision for denim—one that is equally at home on the couture runway, the red carpet, and within contemporary culture. Presented during Haute Couture Week, it demonstrates how one of fashion’s most democratic fabrics can be elevated through exceptional artisanal savoir-faire without losing the authenticity that has defined Levi’s for more than 150 years. For Kocher, whose work has consistently championed inclusivity, craftsmanship, and cultural dialogue, the collaboration represents a natural evolution of her practice. For Levi’s, it marks a landmark moment that repositions the possibilities of denim within the highest echelon of fashion craftsmanship.   The Christelle Kocher for Levi’s capsule is not simply about reimagining denim—it is about redefining what heritage, innovation, and couture can become when they meet on equal terms. image courtesy Levi’s

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