Author name: Saskia Clarke

News

Gracie Abrams Becomes the New Face of CHANEL Coco Mademoiselle ​

Gracie Abrams Becomes the New Face of CHANEL Coco Mademoiselle CHANEL has unveiled Grammy-nominated singer-songwriter and House Ambassador Gracie Abrams as the new face of COCO MADEMOISELLE CRUSH ABSOLU, the latest chapter in the iconic fragrance line.   Described by the House as naturally embodying Gabrielle Chanel’s spirit of freedom, instinctive elegance, and modern femininity, Abrams fronts the campaign for the new scent launching in 2026. “It’s unreal to be the new face of Coco Mademoiselle,” Abrams shares. “I feel an immense sense of pride. I love that Coco is someone who leaves a mark everywhere she goes. Sometimes, I wish I could be more like her.”   Created by Olivier Polge, COCO MADEMOISELLE CRUSH ABSOLU reimagines the original fragrance with a richer, more intense ambery signature. Bright grapefruit and lychee open the composition before unfolding into a floral heart of rose and jasmine, grounded by sensual patchouli, vanilla, and vetiver. The result is a bold yet sophisticated fragrance designed to leave a lasting impression, balancing luminous freshness with enveloping warmth.   The campaign positions Abrams within the legacy of Gabrielle Chanel, celebrating women who forge their own path with confidence and authenticity. Mirroring the House’s enduring vision of effortless elegance, the singer’s understated style and emotionally charged songwriting bring a fresh perspective to one of beauty’s most recognizable fragrance franchises. As CHANEL describes it, COCO MADEMOISELLE CRUSH ABSOLU is more than a perfume—it is an emotional experience and a statement of individuality, inviting its wearer to embrace instinct, freedom, and self-expression. image courtesy Chanel Presented in a newly designed bottle featuring a contrasting label and faceted cap, Crush Absolu reflects CHANEL’s renowned craftsmanship while introducing a contemporary, magnetic interpretation of the Coco Mademoiselle identity. Continuing the legacy first imagined by Jacques Polge in 2001, this latest creation marks a bold new chapter for the House, offering an intense yet refined fragrance that is both timeless and unmistakably modern.

Contributors

Julija Hafizova

PHOTOGRAPHER
Julija Hafizova is a Latvian photographer who spent the past several years in London and is now based in Copenhagen. Her work explores people, place, nature and everyday details, with a visual language shaped by quiet observation, natural light and a sense of atmosphere.

Contributors

Simon Karlsson

PHOTOGRAPHER
Simon Karlsson is a freelance fashion photographer raised in southern Sweden. At 20, he moved to Stockholm to pursue fashion photography after studying contemporary art.
Drawn to vintage culture and fashion history, Simon has amassed an almost obsessive collection of vintage magazines, which continues to inform his visual language. For him, photography is less about capturing someone’s “good looks” and more about revealing their true essence—the character, tension, and reality beneath the surface.

His images often play with this contradiction: while his fashion sets are carefully staged and deliberately constructed, he strives to preserve a sense of truth within them. The result is work that feels both theatrical and intimate, polished yet unmistakably human.

Contributors

Sonya Devi

HOLISTIC DIETITIAN & NUTRITIONAL THERAPIST
Sonya Devi is a micro-seasonal vegetarian chef and the founder of The Vegetable Diva, a packaging-free catering company in Bristol. She ran her own biodynamic farm and orchard in North Somerset, growing the seasonal produce behind her zero-waste approach to cooking. Her culinary roots trace back to her Gujarati heritage, and she brings a holistic dietitian’s eye to the table, treating food as both nourishment and celebration of the seasons.

Contributors

Yamila Pavía

PHOTOGRAPHER
Yamila Pavía is a fashion photographer and creative director with over a decade of work across Argentina and Europe.
Her images have appeared in Vogue Italia, Vogue Netherlands, Harper’s Bazaar, and across campaigns and editorials shot in Buenos Aires, Copenhagen, Milan, Paris, and Lisbon.
She works across the full arc of a production: from creative concept through to final image, and brings the same energy to a campaign shoot as she does to an editorial: collaborative, fast, and focused on images that feel alive.
Currently based in Ireland. Available worldwide.

Contributors

Gill Nunes

PHOTOGRAPHER
Gill Nunes is a Portuguese fashion & beauty photographer working across Brussels, Paris and
Porto.
Photography came into his life unexpectedly, giving him clarity on what he truly wanted and the
courage to leave a previous career to pursue his passion. After training in Porto, he developed a
signature style that blends romanticism with a clean, minimalist aesthetic, creating imagery that
is both poetic and timeless.
With five years of experience, he works with international clients on editorial and commercial
projects including Nivea, L’Officiel and Elle. Represented by Bureau Rouge.
Available for editorial and campaign collaborations worldwide.

News

Time and Speed, Reunited: Breitling and Aston Martin Present Top Time Tribute to Iconic DB5

Time and Speed, Reunited: Breitling and Aston Martin Present Top Time Tribute to Iconic DB5 Introduced in 1963, one of the world’s most iconic on-screen cars, the Aston Martin DB5, became synonymous with British culture, design, and innovation, firmly establishing Aston Martin as one of Britain’s most desirable luxury brands. Today, Breitling and Aston Martin proudly bring that shared legacy to the wrist with the Top Time B01 Chronograph 41 Tribute to Aston Martin DB5, presented in three distinct limited editions. Some collaborations are driven by marketing. Others feel almost inevitable. Breitling’s latest Top Time Tribute to Aston Martin DB5 belongs firmly to the latter, revisiting one of the most enduring intersections of automotive and watch design—a story that began long before luxury collaborations became commonplace.   In 1965, Sean Connery’s James Bond wore a Breitling Top Time ref. 2002 in Thunderball, alongside the now legendary Aston Martin DB5. The pairing became more than a cinematic detail; it captured the optimism and modernity of the era, where engineering, elegance, and speed defined a new generation of design. It was also the first Q-modified watch to appear in the Bond franchise, quietly cementing the Top Time’s place in both horological and film history.   Nearly six decades later, Breitling returns to that cultural moment with a collection that looks beyond nostalgia. Rather than recreating the past, the new Top Time Tribute to Aston Martin DB5 interprets the spirit of the original through contemporary craftsmanship, translating the tactile language of the British grand tourer into the world of Swiss watchmaking.   The dialogue between the two design houses is evident throughout. A cushion-shaped case recalls the original 1960s Top Time, while the distinctive “squircle” chronograph registers reference the instrument cluster of the DB5. The most striking detail, however, is the wooden inner ring surrounding the dial—a subtle nod to the handcrafted wooden steering wheel found inside Aston Martin’s iconic grand tourer. Completing the composition are hand-coloured gradient leather straps inspired by the depth and richness of vintage automotive upholstery. “The Aston Martin DB5 is one of those rare designs that never fades. It still feels as relevant today as it did in the 1960s,” says Georges Kern, CEO of House of Brands, which oversees Breitling, Universal Genève and Gallet. “With this Top Time, we capture that sense of timeless style.”   For Aston Martin, the project represents more than a licensing exercise. It is a meeting of two disciplines where proportion, materiality and precision carry equal importance.   “These editions represent something truly distinct from anything we’ve created before,” says Marek Reichman, Executive Vice President and Chief Creative Officer at Aston Martin. “The collaboration with Breitling brought together two brands with a shared appreciation for timeless design, craftsmanship and innovation.”   That philosophy extends to the three distinct interpretations of the watch. The stainless-steel edition, limited to 1,022 pieces, offers the closest visual connection to the original Top Time with its silver dial and understated elegance. A second version combines steel with a platinum bezel and a black lacquer dial, creating a sharper, more architectural expression through material contrast. At the pinnacle of the collection sits an 18-karat red gold edition, limited to just 250 individually numbered examples, distinguished by Breitling’s first-ever dial crafted from natural onyx. The stone’s unique depth and organic pattern ensure that every piece is subtly different. Behind each model is the Breitling Manufacture Caliber 01, the brand’s flagship in-house chronograph movement. COSC-certified and equipped with a column-wheel mechanism, vertical clutch and a 70-hour power reserve, the movement balances technical performance with everyday reliability. Through the sapphire caseback, the calibre is visible beneath a specially engraved Aston Martin rotor—finished in either rhodium plating or matching 18-karat red gold depending on the edition.   What makes the Top Time Tribute to Aston Martin DB5 particularly compelling is its restraint. Instead of relying on overt branding, the collection expresses the partnership through thoughtful details and shared design values. The references to the DB5 are tactile rather than literal, allowing the watch to stand confidently on its own while rewarding those familiar with one of Britain’s most celebrated automobiles.   In an era where heritage is often repackaged as nostalgia, Breitling and Aston Martin instead remind us why certain objects achieve icon status in the first place. They are defined not simply by performance or aesthetics, but by the enduring quality of their design. The Top Time Tribute to Aston Martin DB5 is less a commemorative piece than a continuation of a conversation that began in the 1960s—one where precision, craftsmanship and timeless style remain perfectly in sync. image courtesy Breitling & Aston Martin 

Culinary

Restaurant Nour Makes Debut On 50 Best Discovery

Restaurant Nour Makes Debut On 50 Best Discovery Nour in Stockholm has been selected as one of the 50 Best Discovery. The nomination marks yet another international recognition for the restaurant, which has had a star in the Michelin Guide since 2022. Stockholm continues to strengthen its position as one of Europe’s most compelling dining destinations. This year, Nour, the intimate Michelin-starred restaurant led by acclaimed chef and restaurateur Sayan Isaksson, has been selected for 50 Best Discovery—the curated international dining guide from the team behind The World’s 50 Best Restaurants. More than a simple directory, 50 Best Discovery serves as an extension of the prestigious global and regional 50 Best rankings, spotlighting restaurants, bars and hotels across more than 800 cities worldwide. The recommendations are drawn from the collective expertise of over 3,000 members of the organisation’s international academies, each recognised for their deep knowledge of local food cultures. This year’s expansion welcomed more than 650 new additions, including over 210 restaurants, placing Nour among an elite group of destinations shaping today’s global gastronomic conversation. For Isaksson, whose culinary philosophy has long resisted easy categorisation, the recognition affirms a restaurant built on nuance rather than convention. At Nour, contemporary Nordic cuisine is interpreted through the precision and restraint of Japanese technique, while subtle influences from Thailand, Hong Kong and the Middle East weave naturally through the menu—a reflection of the chef’s extensive travels and multicultural perspective. Located within Townhouse Nosh & Chow on Stockholm’s Norrlandsgatan, Nour offers an intentionally intimate experience. With just 26 seats spread across a series of understated dining rooms, the restaurant replaces the formality often associated with fine dining with something more personal. Guests are invited into an environment that feels less like a traditional restaurant and more like an elegant private home. “A visit to the restaurant should feel like stepping into someone’s home,” says Isaksson. “At Nour you are greeted by the same warmth, generosity and hospitality.” That philosophy extends beyond the atmosphere and onto the plate. Seasonal Nordic ingredients provide the foundation, elevated through meticulous Japanese craftsmanship and a commitment to sustainability that informs every aspect of the kitchen. The result is a tasting menu that is both technically refined and emotionally resonant, balancing quiet precision with bold yet thoughtful flavour combinations. Isaksson is no stranger to international recognition. Widely regarded as one of Sweden’s most accomplished chefs, his career includes two Culinary Olympics gold medals with the Swedish National Culinary Team, the Gastronomic Academy’s Gold Medal, and the prestigious Chef of Chefs award. He also created both the starter and main course for the Nobel Banquet in 2015 and 2016, while several of his restaurant concepts have earned Michelin stars. Nour itself received its first Michelin star in 2022 and has retained the distinction ever since. image courtesy NOUR / Stureplansgruppen The restaurant’s name carries its own personal significance. Nour, meaning “light” in Arabic, is also the name of Isaksson’s daughter—a reminder that behind the accolades lies a deeply personal vision. Today, guests can experience that vision through five- or eight-course tasting menus, accompanied by carefully curated wine pairings or sophisticated non-alcoholic alternatives. For more intimate gatherings, Nour also offers a private Chambre Séparée accommodating six to eleven guests. With its inclusion in 50 Best Discovery, Nour further establishes itself as one of Scandinavia’s most compelling culinary destinations—where Nordic terroir, Japanese precision and heartfelt hospitality converge in a dining experience that feels both globally relevant and unmistakably personal.

Opiates

Bang & Olufsen appoints John Legend as Global Brand Ambassador

Bang & Olufsen appoints John Legend as Global Brand Ambassador The partnership with the EGOT-winning artist brings Bang & Olufsen’s Beautiful Sound to life through emotion, culture and a timeless connection to music.   Bang & Olufsen is delighted to announce a two-year partnership with multi-platinum-selling musician, producer, activist and Emmy, Grammy, Oscar and Tony Award-winning artist John Legend, who joins the brand as Global Brand Ambassador, embodying Bang & Olufsen’s Beautiful Sound philosophy.   The collaboration brings together one of the world’s most influential artists with a company built on more than a century of craftsmanship, design and acoustic precision, united by a shared belief that music is more than sound.   “John Legend is an artist whose work reflects a rare balance of discipline and emotional openness,” says Nikolaj Wendelboe, Interim CEO of Bang & Olufsen.   “This partnership is rooted in a shared commitment to craftsmanship and artistic creation at the highest level, as well as a common belief that music should be felt just as much as it is heard. Together, we are creating something refined yet powerful, where sound and emotion meet without distraction.”   Over the next two years, Bang & Olufsen and John Legend will bring this shared vision to life through curated performances, cultural moments and storytelling, with each activation reflecting the idea that beautiful sound is born from true craftsmanship. Further details about upcoming experiences and activations will be announced in the coming months. image courtesy Bang & Olufsen 

Cinema

Timeline – An Interview with Remmie Milner

skirt Royal Opera House bra Tallulah Love jewelery LemonBelly jacket Stylist’s own Things are moving quickly for Remmie Milner. As Silo returns for its third season, the actor is balancing another major chapter off-screen, expecting her second child while promoting a series laced with question of legacy, uncertainty and the future. Below, we dive into that overlap, and discuss how it manifests for Milner’s on a personal level, as well as her community and society as a whole. skirt Royal Opera House bra Tallulah Love jewelery LemonBelly jacket Stylist’s own Maya Avram: Congratulations on the premier of season three of Silo. What can we expect to see this time round?   Remmie Milner: Thank you, I’m very excited about it – it’s come round quite quickly.   At the end of season two, we got a snapshot of the “before times”, or our current day, and this season we dive into that a bit more. You’ve got two timelines running alongside each other, trying to uncover the truth of why these 10,000 people live in this silo in the first place, and why does no one know the answer.   MA: Do you know the answer?   RM: I didn’t know the answer for a really long time. Even now, we still have loads of questions and things that are being figured out on set. It’s like this giant puzzle, and we’re just trying to figure out what’s what.    MA: Time is a key theme in Silo, from the “forbidden fruit” halo around the past to the uncertain future inside the bunker. How did that concept shape your performance as Shirley?   RM: Shirley is very front-footed. She’s very instinctive in everything that she does, and so it’s quite interesting for her to be paired off with Knox, who is more pragmatic and will stop and think things through before springing into action. He’s like, “How can we achieve everything we want to achieve, but also survive at the same time?”, whereas Shirley is more, “Go, go, go.”   For Shirley it’s about legacy; how she wants people to know her, the mark she wants to leave on the silo. I think she would want to be thought of as someone who is for the people, and did everything she could selflessly. MA: What about real-life you? Has the show impacted your perception of time?   RM: Thinking about time and living in a small community is interesting, because I became a mum just after season two, and I’m pregnant again now, so motherhood for me has been a huge personal track alongside Silo. And it makes me think abour what kind of world I want to bring my children up in, and feel strongly about the energy that they’re exposed to, and how important that is. From a micro-scale of my family unit to our community and beyond.   MA: On the technical end, what has been the most challenging part of filming?   RM: Filming out sequence, specifically with shows like this, is such a beast. You go from filming episode six to suddenly filming episode one, and you really have to prep before shooting so that your timeline is super clear, your emotional journey is super clear. I found that really intriguing and challenging because I had to be on the ball.   MA: It’s almost mirroring the structure of the new season, jumping timelines while in production.   RM: Exactly. This kind of jumping back and forth was happening in our actual lives, which is sometimes quite helpful. I was like, “Oh, Shirley’s also in a bit of a spin, so this makes sense.”   Then some of my action sequences were pretty hardcore. We have amazing stunt teams working closely with us, tracking every movement and I did try to do the majority of the work myself. They’d always ask if I’m comfortable doing whatever it was I was meant to, and I’d always say, “Let’s do it.” It feels right, especially for Shirley, you know? jacket Free People skirt char1ottesangels shoes JW PEI earrings Vivienne Westwood necklace Stylists own jacket Free People skirt char1ottesangels shoes JW PEI earrings Vivienne Westwood necklace Stylists own dress Sister Jane  necklace Reclaimed Vintage dress Sister Jane  necklace Reclaimed Vintage MA: Is that a quality you share with her?   RM: Yes and no. I am impulsive, for sure, but then I am much more thoughtful most of the time. I suppose I’m more of a Knox. Most of the time, I can see where he’s coming from because I try to think through situations fully before diving in.   But I’m also good under pressure, so I can relate to Shirley, too. She feels like she’s under pressure all the time because she’s got the stakes of the silo on her head, where it’s often life or death.   MA: Throughout Silo, characters are constantly deciding whether to trust institutions or their own instincts. As Shirley, how did you navigate that uncertainty?   RM: That tension has been evident since season one. From commentary on the information we are fed and how much we feel like we’re allowed to question or investigate things further. It’s more poignant now than ever, with everything that’s happening globally. How much autonomy do we have as everymen to question and take action against injustice, or to uncover the truth about situations?    These are exactly the questions raised in Silo. People in a position of power not telling the whole truth, and you feeling a sort of absence, and wanting to find out what that grey area is.    MA: What are you excited about for the future?   RM: My second child will be born at the end of August, so that’s my world at the moment, and it’s really exciting.

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