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A Joyful Midsummer with Moomin Arabia

A Joyful Midsummer with Moomin Arabia If you are not rooted in Scandinavian culture, and Swedish culture in particular, Midsummer is probably still a tradition you have heard of. Thanks to popular culture, it is sometimes misunderstood abroad as a strange or even eerie event. In reality, Midsummer is one of Sweden’s most cherished celebrations, centered on nature, community, dancing, and spending time with family and friends. That spirit is exactly what Moomin Arabia aims to capture with its new Summer Dance collection, inspired by the joy and color of a Swedish Midsummer gathering. This week, I got a preview of the collection together with Moomin Arabia and artist Clara Hallencreutz, who invited guests to a Midsummer inspired event on Lidingö, an island in Stockholm’s inner archipelago. The sun was shining as guests arrived in summery outfits that perfectly suited the occasion. Flower crowns were woven, seasonal dishes were served, and the atmosphere reflected everything that makes a Swedish summer so memorable. The event marked the launch of Moomin Arabia’s Summer Dance collection, an exclusive limited edition available only in Sweden. Inspired by Swedish summer traditions and classic Moomin illustrations by Tove and Lars Jansson, the collection features beloved characters dancing among wildflowers and dressed for festive seasonal gatherings. Clara Hallencreutz added her own creative touch, designing a colorful and playful setting that reflected both the spirit of the collection and the magic of the Swedish summer. If the event was any indication, Moomin Arabia’s Summer Dance collection succeeds in capturing the warmth, joy, and sense of togetherness that make Midsummer such a beloved Swedish tradition. Photography: Rasmus Lindahl

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Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea

Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea Stockholm knows how to stretch a summer evening, and Tommy Hilfiger knows how to dress for it. On a bright May night at Ångbåtsbryggan, the brand brought its world to the water and welcomed the city’s creative crowd for a celebration of Classic American Cool in Baltic light. The brief was simple: Prep Made Current. In real life, it felt like summer was brought to life. Signature stripes framed a crisp, coastal set that nodded to Hilfiger’s nautical heritage. Sailboat cues, blues and whites, and the familiar flag motif moved with the breeze across the harbor. The menu leaned Americana with a Stockholm twist: oysters on ice, lobster rolls, fries for sharing, and cocktails mixed in sea toned hues. Adrian Lux set the pace, with a special live performance from Lune, and later DJ L Roy took it into house and electronica as the sky faded into that endless Nordic gradient. Familiar faces threaded the crowd, including actor Edvin Ryding and tastemakers Martin Hansson, Florian Alexander, Erik Forsgren, and Victoria Törnegren. They wore looks from the new collection and showed that prep, when tailored and worn with ease, suits an effortless Stockholm summer night. At the heart of Summer 2026 is one icon: the 1985 Polo Shirt. Ivy by heritage, modern by cut. The silhouette is cleaner, the collar sharper, and the fit more refined. The color story moves between collegiate primaries, seaside pastels, and deeper tones that bring energy to the range. Around it, the collection builds a tight summer wardrobe with lightweight twills, airy knits, warm weather fabrics that keep their shape, and tailoring that moves from dock to dinner without fuss. Tommy Hilfiger knows how to balance heritage with now, and make it feel right for Stockholm. The sophistication is in the details: a polo that sits clean on the shoulder, shorts cut to the right length, and a blazer that stays comfortable long after the sun should have set. Summer is short here. Dress like you plan to enjoy every minute.

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Zalando x Vestiaire Collective: Bringing Luxury Resale to Everyday Shopping

Zalando x Vestiaire Collective: Bringing Luxury Resale to Everyday Shopping Luxury fashion’s second life just got a lot easier to find. Zalando is teaming up with Vestiaire Collective to bring authenticated pre-owned luxury directly onto Zalando’s platform, a first for the retailer and a clear sign that circular fashion has moved from niche to normal. Shoppers can now scroll past new-season drops and discover curated pieces from more than 50 iconic brands, spanning ready-to-wear, handbags, shoes, and accessories, all in one place at Zalando. The premise is simple: keep the thrill of the find, remove the friction. Every item is authenticated by Vestiaire Collective before it appears on Zalando. The familiar 30-day return window still applies, and anything sent back is re-checked before it goes on sale again. It’s the convenience of a mainstream marketplace with the trust of a specialist. If the timing feels pointed, it is. Pre-owned demand on Zalando has been heating up only in 2025, an average of 62% of its pre-owned assortment sold within seven days of listing. Younger shoppers in particular are looking for smarter, more sustainable ways to buy into luxury without losing the brand cachet or the joy of great design. “We’re thrilled to launch this authenticated luxury assortment with Vestiaire Collective as our first Pre-owned partner,” says Alice Marshall, Director Pre-owned at Zalando. “By pairing authenticated luxury with Zalando’s convenience, we want to open up second-hand shopping to even more customers.” Vestiaire Collective sees it the same way as a wider door into circular fashion, not a separate side entrance. “This partnership helps democratise authenticated pre-owned luxury for millions across Europe,” says Thomas Hezard, Chief Product Officer. “It meets customers where they already shop and makes circular luxury more visible and relevant.” The assortment is live now across 14 European markets including Sweden, France, Germany, Italy, Spain, and the Netherlands through a dedicated Vestiaire Collective landing page on Zalando and within the Pre-owned category. The bigger story? Luxury resale is no longer a detour to a specialist platform; it’s becoming part of everyday browsing. The question isn’t whether you’ll buy something new – it’s whether you’ll find something worth wearing again. www.zalando.se

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BOSS serves up grand-slam partnership with Australian Open

BOSS serves up grand-slam partnership with Australian Open for 2027 BOSS has announced a landmark partnership as the Official Lifestyle Outfitter of the Australian Open from 2027, marking a new chapter at the intersection of sport, style, and global culture. From the first serve to championship point, the brand will bring its signature sharp tailoring and sport-inspired looks to one of tennis’s most prestigious stages, alongside standout hospitality experiences designed to elevate the tournament on and off the court. The partnership is built on a shared mindset of ambition, performance, and bold confidence. For BOSS, it also reinforces tennis as a core part of its identity and cultural strategy, offering a platform to connect with global audiences through fashion, sport, and experience-led engagement. HUGO BOSS CEO Daniel Grieder described the collaboration as a “natural fit”, highlighting shared values of excellence and innovation, while Tennis Australia CEO Craig Tiley said the partnership will help enhance “how the tournament looks, feels, and connects with fans around the world.” As part of its new role, BOSS will transform the visual identity of the Australian Open, dressing up to 4,000 staff, officials, umpires, and ball kids, bringing a unified and unmistakably premium aesthetic to the event.

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Saatchi Yates × Isamaya Ffrench: Studio Iron

Saatchi Yates × Isamaya Ffrench: Studio Iron Saatchi Yates and Isamaya Ffrench open Studio Iron, the first exhibition of Ffrench’s new design gallery, bringing together works that blur the line between art, design and object. Steel and iron dominate the space, forming a stark, post‑industrial landscape where function and non‑function collide. Jannis Kounellis contributes a heavy steel work rooted in Arte Povera. Paul McCarthy’s reflective inflatable sculpture twists pop culture into something absurd and hollow. Jordan Wolfson’s sticker‑covered chair becomes a chaotic surface of competing messages, while Anne Imhof’s readymade benches evoke the eerie stillness of transitional spaces. Marina Abramović’s levitating kitchen scene adds a note of domestic surrealism, and Nico Vascellari’s Visita Interiora Terrae pushes the body into physical and psychological extremity. Additional works by Hannah Levy, Kelly Wearstler, Marco Panconesi, Miriam Cahn, Marlene Dumas, Peter John and Anselm Kiefer deepen the exhibition’s atmosphere of unease. As an opening statement for Studio Iron, the exhibition imagines a world where art and design collapse into one another; brutal, austere and stripped of ornament. photography Hugo Yangüela

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ARKET and Laila Gohar launch debut ready to wear collection for Spring Summer 2026

ARKET and Laila Gohar launch debut ready to wear collection for Spring Summer 2026 Nordic lifestyle brand ARKET collaborates with New York based artist Laila Gohar on a 27 piece collection that translates her distinctive aesthetic into a wardrobe designed for both everyday life and special moments. ARKET has teamed up with artist Laila Gohar to present her first ready to wear collection, launching for Spring Summer 2026. Spanning 27 pieces, the collection reflects Gohar’s singular visual language, balancing the everyday with the exceptional through a layered and versatile approach to dressing. Born in Cairo and now based in New York, Gohar is known for her multidisciplinary practice, merging food, installation art and object design into a softly surreal universe. Her portfolio includes edible sculptures created for Prada, Hermès, Comme des Garçons and Simone Rocha, alongside her home décor label Gohar World, founded with her sister Nadia Gohar in 2020. The collaboration merges Gohar’s intuitive and idiosyncratic perspective on beauty with ARKET’s focus on functionality. The collection explores contrasts such as masculine and feminine, soft and structured, sheer and opaque, shaped through a personal and instinctive approach. According to ARKET Head of Design and Creative Ella Soccorsi, the brand has long been inspired by Gohar’s combination of craft, tradition and humour, resulting in a collection that moves beyond traditional categories of occasion and everyday wear while remaining grounded and wearable. The collection includes workwear inspired pieces such as an all white embroidered canvas set, a classic henley jersey top and a smock blouse influenced by women’s uniforms. These are complemented by more delicate designs including an apron based tie blouse and a matching skirt and bra top in silk organza. Accessories in crochet and beadwork complete the offering, alongside a modular dress in crisp cotton with silk inserts and a detachable skirt. Handcraft plays a central role throughout, with individually hand beaded elements and embroidered monograms highlighting a shared interest in textile traditions and natural materials. Gohar describes the collection as an extension of her personal philosophy of dressing, where everyday clothing and special occasion pieces are not separated, but instead worn freely across all aspects of life. To mark the launch, ARKET and Gohar will present a public installation during Salone del Mobile in Milan. The work reimagines a historic carousel with oversized fruits and vegetables, reflecting themes of food, playfulness and everyday beauty. The collection launches on 21 April 2026 and will be available in selected ARKET stores and online. Images courtesy of ARKET

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Desenio establishes Desenio Art Awards

images courtesy Desenio Desenio establishes Desenio Art Awards Desenio is taking another step in its commitment to contemporary art by launching the Desenio Art Awards, a global initiative with the ambition to identify, elevate and support the next generation of artists, photographers and creators in the long term. With a growing international presence and an established position in accessible art, Desenio continues to develop its role as a platform for artistic expression. The Desenio Art Awards are part of this work, where new voices are given space to reach a wide audience and become part of a global context. Artists are invited to apply with their works through six categories. New Talent, Illustrator, Photographer, Graphic Artist, Mixed Media Artist and Street/Urban Artist. Selected entries will be exposed internationally, and the final winners will be integrated into Desenio’s creative universe as part of the brand’s continued artistic development. An internal jury with expertise in art and visual culture nominates six artists per category. The process is then opened to public voting, allowing for both industry and public perspectives in the selection. The application period for the Desenio Art Awards is now open and will end on April 19, 2026. Entries are submitted via Desenio.com/art-awards. 

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Jeremy Allen White for the Louis Vuitton Speedy P9

Jeremy Allen White for the Louis Vuitton Speedy P9 Louis Vuitton unveils its “In My Bag” campaign with a series of portraits centered on the Speedy P9, reimagined by Men’s Creative Director Pharrell Williams. Among the featured talents, Jeremy Allen White offers one of the most intimate glimpses into the bag’s spirit and purpose. Photographed by Thomas Lagrange, White appears with a green Speedy P9 crafted from double‑tanned, drum‑milled calfskin that gives the bag its soft, waxed texture. The portrait opens the bag to reveal the objects he carries through his day: a newspaper, a spiral notebook, a brimmed cap, a comb, a watch, a set of dice, extra socks and a charging cord. Together, they form a quiet study of routine, movement and the small rituals that shape a life. The Speedy P9 itself draws on the legacy of the original Speedy from the 1930s, reinterpreted through Williams’ lens. Named after Paris’s Pont‑Neuf, the site of his debut runway, the P9 blends heritage with a forward‑looking sensibility, turning a classic travel icon into a modern companion. In White’s portrait, the bag becomes more than an accessory. It becomes a container of habits, ideas and the understated details that define his everyday world.   image courtesy Louis Vuitton

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Eyes on: April

Eyes on: April A running list of the best things to come across my desk in April. text Maya Avram, London Features Editor image courtesy Schiaparelli Schiaparelli: Fashion Becomes Art, Victoria & Albert Museum Curating this month’s list — the first-ever instalment of Eyes On — there was no doubt in my mind that this exhibition would take the top spot. An épopée of Elsa Schiaparelli’s extraordinary life, groundbreaking body of work and enduring legacy, the rare collection draws a scarlet thread between the legendary couturier and the house’s current creative director, Daniel Roseberry. While Schiaparelli’s designs were always known for their bold colours, innovative use of material and humorous approach, Roseberry’s reimagining of the house charts these same themes through a theatrical, almost fantastical lens. Yet, both envision the same woman in mind: daring, avant-garde and one who considers fashion her playing field. From the power suits of the 1940s to seminal pieces like the floral embroidered coat co-created with Jean Cocteau, walking through the space crystallises the role Schiaparelli played in shaping fashion as we know it today. “Above all, in this exhibition, we encounter Elsa Schiaparelli as a companion of futurism and a protagonist of surrealism,” said Sir Tristram Hunt, director of the V&A, at a press preview. “She revealed how fashion became a theatre for the unconscious, irrational, the marvellous.” image courtesy Schiaparelli The Palm House by Gwendoline Riley Despite my self-inflicted ban on buying new books before I’ve made my way through the towering pile in the far corner of my desk, this one is an exception to the rule. From the Women’s Prize-shortlisted author Gwendoline Riley, The Palm House chronicles adult friendships and small mercies. Following two long-time friends working in publishing, its subject matter — the precarity of modern life in today’s London — hits close to home (too much to ignore). Combined with the slew of praise the new book got, from The Times to the Evening Standard and The Guardian, I look forward to immersing myself in it. Teresa Tarmey’s Super Hydrating SPF 50 PA++++ Teresa Tarmey is one of London’s legendary facialists, famous amongst the in crowd. Her minimalistically decorated clinic in Notting Hill beautifully reflects her approach to skincare: Pared back but never simple. Rather, intentional and curated. And so, as I searched for a new SPF to see me through the warm season, her line was the first place I looked for. I wanted a product to shield and protect, yes — but also, one that has that je ne sais quois quality to it that elevates application beyond a daily chore and onto a ritual. I’m happy to say that the Super Hydrating SPF 50 PA++++ goes that extra bit further. First, it has a fresh citrusy scent that offers a lively wake-up call in the morning. Thanks to a cocktail of vitamin E, squalane and sodium hyaluronate, it also balances the complexion, leaving it bright and luminous. Whether on your shelf or your travel make-up bag, it’s a hot weather must-have. Mattieu Blazy’s Chanel From fashion editors fighting over the new slingbacks during Paris Fashion Week to urbanite shoppers queuing along the streets of Manhattan for a chance to purchase the new collection, it’s safe to say Mattieu Blazy’s tenure at the storied Maison is off to a strong start. Word among industry insiders, usually quick to critique (read: shade) as a way to engage, is that his joyous, exuberant debut marks a welcome new chapter for the brand. The most covetable pieces from the Spring/Summer 2026 collection (Blazy’s first at the helm) were the shoes: particularly the square-toe, two-tone pumps and the ones with the contrasting piping at the centre. My personal favourite, however, are the monochrome ones with the toe flap, sealed with the iconic CC emblem. Timeless. 39BC’s Fig Milk Oil Body Cleanser I love me a bath. The intentional pause, combined with self-care rituals like meditation and breathwork that bring me back into my body, is a true indulgence. Fittingly, my extensive collection of bath salts, oils, and pre- and post-soak body treatments has become a running joke amongst my friends (jealous much?) The latest addition to the lineup, this oil body cleanser brings a deep sense of luxury to sacred bath time. Its smooth, rich texture hydrates the skin, leaving it plump and supple, while its very gentle lather gives off that covetable spa-like feel. My chosen scent, Fig, combines notes of violet leaves and cedarwood, both of which offer a relaxing payoff that primes you for what the day (or night) has in store. images courtesy 39BC images courtesy 39BC Vladimir on Netflix As our attention was primarily fixed on Love Story (and the myriad ways one might recreate Carolyn Bessette’s quintessential ’90s uniform), this masterful show has, unfortunately, slipped off the collective radar. An adaptation of Julia May Jonas’ novel of the same name, Vladimir playfully captures the ironic, absurd, and at times shocking turns an open marriage can take if left unchecked. The series opens in a moment of crisis: John, husband to our nameless heroine — played by Rachel Weisz — and a tenured lecturer at the college where she also teaches, is under investigation for multiple consensual affairs with students. Without giving too much away, what follows offers astute commentary on modern romance, examining questions of gender and status through the lens of a flawed yet compelling protagonist. It’s an addictive watch for those who subscribe to women’s rights and wrongs, or anyone who finds excitement at the sight of a shirtless Leo Woodall. images courtesy Netflix Skinstorm Facial at The Clinic As a skin-obsessed girlie (and as someone whose job offers them unbelievable access to the best treatments and products out there), I am incredibly discerning about what I choose to try for myself. One of my recent fascinations is the concept of treatment layering — i.e., the practice of combining multiple therapies in a single session to achieve better, more immediate and longer-lasting results.

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COS Unveils SS26 in Seoul, Balancing Structure and Fluidity

COS Unveils SS26 in Seoul, Balancing Structure and Fluidity Presented on March 25,  COS’ Spring Summer 2026 show marks the brand’s first runway presentation in South Korea. Staged in Seoul after several seasons across Europe and consecutive appearances at New York Fashion Week, the show signals a continued expansion of COS’s global presence while refining its evolving design language. Set within a brutalist space on the outskirts of the city, the scenography established a stark and geometric atmosphere. Empty swimming pools formed a surreal architectural landscape, while a soundscape inspired by the Seoul subway system grounded the show in the city’s rhythm. The result was an environment where structure and movement coexisted, mirroring the collection itself. Across forty looks, the palette remained controlled and cohesive. Slate grey, warm browns, cream and white created a sense of tonal harmony, punctuated by accents of blue and deep oxblood to introduce depth. The effect was one of quiet uniformity, where variation emerged through nuance rather than contrast.  Materiality played a central role. Leather and technical fabrics were combined with precision to shape sculptural silhouettes and deliberate draping. Linen introduced texture, while sheer and transparent layers revealed the body in motion. Light, airy fabrics moved freely, softening the collection’s architectural foundation with a sense of ease. In this balance between rigidity and fluidity, COS continues to explore a space where minimalism becomes expressive. The Seoul show does not disrupt the brand’s identity, but rather sharpens it, suggesting that its future lies in the careful negotiation between structure, sensation and movement. A selection of the garments are available in COS stories and at their website.  Images courtesy of COS

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