Author name: Odalisque

Culinary

Copine Reopens in Stockholm — A Renewed Rhythm of Taste and Togetherness

Copine Reopens in Stockholm —A Renewed Rhythm of Taste and Togetherness text Jahwanna Berglund  After a summer spent quietly reinventing itself, Copine has reopened its doors at Kommendörsgatan 23, welcoming guests back to one of Östermalm’s most beloved dining rooms now with a fresh rhythm, a new food bar, and a more open, social atmosphere. image courtesy of Copine The trio behind Copine — Jim Hammargren, Jacob Nermark, and Jonathan Mattsson — has used the break to refine both the space and the experience. “We’ve wanted to bring more life to the bar for a long time,” says Hammargren. “Now we’ve created a space where you can just drop in for a glass of wine and still feel the full Copine experience. It’s going to be so much fun to welcome both regulars and new guests again.” The interior has been reshaped with new levels, warmer lighting, and a sleek 15-seat food bar overlooking the kitchen designed to blur the line between dining and gathering. The renovation mirrors Copine’s philosophy: local ingredients, elegant simplicity, and human connection. At a recent press lunch, I got a first taste of the new menu, a reflection of the team’s grounded creativity. The classics remain (the famous corn bread and beef tartare are still there, thank God), but the menu now feels more playful and personal. From Trombonzucchini with aged Manchego and pine nuts to Pigvar with Pil Pil and citrus confit, each dish carries a quiet confidence. The Tagliatelle with braised rabbit and Swedish grapes and the Duck with Pak Choi and hot apricot sauce balance Copine’s hallmark finesse with a new sense of spontaneity. “We’ve adjusted rather than changed,” says creative chef Jacob Nermark. “Some dishes stay because they’re part of our DNA, while new ones bring more of our own personalities into the mix.” For Jonathan Mattsson, who oversees service and wine, the renewal is about flow creating a seamless rhythm between the bar and dining room. “It’s not about becoming a bar,” he says. “It’s about giving guests more ways to experience Copine — whether you come for a glass, a full dinner, or just stay to see where the evening takes you.” The new Copine feels both intimate and alive, a place that invites you to linger, share, and rediscover why the simplest things, done well, still feel like the most luxurious. CopineKommendörsgatan 23, Stockholmwww.jimjacobrestauranger.se/copine

BackStage

ODALISQUE ISSUE 16 RELEASE PARTY LONDON

ODALISQUE ISSUE 16 RELEASE PARTY LONDON ODALISQUE x SWEDISH EMBASSY x A DAY’S MARCH x PEOPLE PLEASER SALAD       photography Toulouse Laffitte Thanks to everyone that came to celebrate the release of our 16th printed issue of Odalisque Magazine. Special thanks to the Swedish Embassy in London, A Day’s March and People Pleasers Salad. 

Opiates

CHANEL Expands Its PREMIÈRE Legacy with the Couture-Inspired PREMIÈRE GALON

CHANEL Expands Its PREMIÈRE Legacy with the Couture-Inspired PREMIÈRE GALON photo courtesy of Chanel CHANEL revisits one of its most iconic watch designs with the launch of the PREMIÈRE GALON, a new interpretation of the House’s first timepiece that reimagines the couture braid — one of CHANEL’s enduring signature elements — as a lesson in contemporary elegance. Originally introduced in 1987, the PREMIÈRE marked CHANEL’s bold entry into the world of watchmaking, breaking away from traditional masculine codes. Its octagonal case, inspired by the stopper of the legendary N°5 perfume bottle, and its leather-chain bracelet drawn from the House’s quilted handbags established a new visual language defined by freedom and femininity. In 2025, the PREMIÈRE evolves once again, borrowing the braid from CHANEL’s couture heritage. A signature detail often used by Gabrielle Chanel to outline and structure her iconic suits, the braid now becomes a sculptural element of design — reinterpreted in gold and infused with the precision of watchmaking craftsmanship. The PREMIÈRE GALON features a twisted braid bangle crafted in 18-carat yellow gold, framing a black lacquered dial of pure minimalism. The collection also includes diamond-set variations, further blurring the line between timepiece and jewelry. With its refined silhouette and couture spirit, the PREMIÈRE GALON embodies CHANEL’s ability to transform the codes of fashion into timeless objects of art.

Art

London’s Must-See Art Installation: Art on the Wharf

London’s Must-See Art Installation: Art on the Wharf text Yasmine Mubarak Once defined by its silhouette of skyscrapers and trading floors. Canary Wharf has turned into one of London’s most surprising creative districts. What began 35 years ago as an ambitious plan to change the docks into a financial district has today transformed into a lively neighborhood where art, architecture, and nature coexist seamlessly. Not to mention, home to a must-visit art installation.    For many Londoners, Canary Wharf remains a part of their daily commute. All fast-paced footsteps, shining towers, and a wide selection of lunch spots. But for travelers, it’s your next destination: a place where wellness meets innovation, and where every corner offers a moment of inspiration. A visit filled with art installations and inspiring architecture.   A Contemporary Artwork on the Thames – The Whale That Leaps from the Wharf   The area’s name goes back to the ships that once docked there carrying fruit from the Canary Islands. Today, the district is home to London’s largest collection of outdoor public art, with more than 100 sculptures and installations throughout its parks, plazas, and promenades.   Among them is the striking Whale on the Wharf, located on Walter Street, just a short walk from the design-forward Vertus Edit – a must stay.   Whale on the Wharf is created from five tonnes of plastic waste that were pulled out of the ocean, and transformed into a four-storey-tall whale leaping from the water. From a distance, it is an impressive sculpture — a celebration of nature’s grace. But as you step closer, you see the surface telling us a different story. A surface made out of the plastic of bottles, an old skateboard, single-use plastic items, and other discarded items. Behind the art piece are the architectural duo Jason Klimoski & Lesley Chang, who collaborated with the Hawaii Wildlife Fund to collect as much ocean plastic waste as they could find to create the sculpture. It’s a beautiful art piece to see, a statement regarding the millions of tons of plastic waste swimming in our oceans. Sparking a debate about our not-so-beautiful impact and consequences on the planet.   Reflections and Geometry A few steps away, across the road, stands The Knot by Richard Hudson — a sculpture that shifts as you approach. From a distance, it blends seamlessly in with the surrounding architecture. Up close, it draws you in with its polished, looping form and reflects your own image, the sky, and the skyline all at once. Be aware that standing in front of it, it reflects your thoughts. Hudson, known for his fascination with nature’s organic shapes. Was intrigued by the infinite curves, and rectangular structures of the city surroundings. It’s an artwork that invites personal reflection — both literally and metaphorically. Art in Bloom Art on the Wharf’s dedication to integrating nature into urban design is evident at every corner. There are more than 20 acres of parks, gardens, and waterside promenades weaving through the district, turning the area into a living gallery. At Eden Dock, 21 lifelike figures crafted from moss and dried flowers emerge from the water, as if growing organically from the earth. A first-of-its-kind creation, where each one represents the connection between nature and urban life, a delicate balance of biodiversity and modernity. The 21 figures can be found in front of the Jubilee Line entrance, and are the perfect place to pause with a Hey Tea, Matcha and take in the serenity of the water and the art that frames it. Where Calm Meets Creativity Perhaps what makes Canary Wharf’s art installation so compelling is the sense of calm that runs beneath its surface. The art installations encourage you to slow down- to walk, or why not take a morning run, following the curated 1 km, 3 km, or 5 km art routes that guide visitors through the district’s key works. Families can join in too, with a dedicated children’s art trail designed to inspire young imaginations. Exploring these installations feels almost like a contemporary art treasure hunt. With over 100 pieces waiting to be discovered, you find yourself wandering through plazas and green walkways. The walk makes you stop and notice art in the everyday – from the sculpted architecture to the blooming planters. It’s an experience that feels restorative; a gentle detox for the mind and body. If you are wondering where you should stay during your visit, the Virtus Edit is a hidden gem. It offers a perfect base. Rising among greenery, art sculptures, and riverside walkways, it blends contemporary design with an emphasis on wellbeing. For Scandinavian travellers, it offers a familiar sense of minimalist comfort — a home away from home in the heart of the city. From here, it’s even easy to reach Soho, Southwark, Greenwich, and beyond, while enjoying the slower pace and wellness-focused energy that Canary Wharf now embodies. A Legacy of Public Art Between the two exits of the jubilee line, hides a green oasis of calmness, water springs, even a few ducks had found their nest. In the pathway of Jubilee Park lies Fortuna, a large bronze sculpture from Helaine Blumenfeld Obe. Blumenfield wanted to connect with the large number of people who visited Jubilee Park. Not to mention, for the bronze sculpture to say something about the human condition of turbulence, hope, community among many other emotions. Public art in Canary Wharf doesn’t just decorate its spaces — it defines them. In a district dominated by architectural ambition, these works bring warmth, humanity, and colour to the landscape. Here, even the bridge of the DLR is an art piece by artist Sinta Tantra. In addition, on Montgomery Square, Julian Wild has created a large red sculpture in a flamboyant doodle of steel. Art became central to the area’s identity already in 1999, when it hosted The Shape of the Century: 100 Years of Sculpture in Britain. It included a number of sculptures that became the start of a permanent art

Design

Mateus Introduces Forest Green for Table Stories

Mateus Introduces Forest Green for Table Stories Autumn brings a certain stillness, slower dinners, softer light, longer pauses. In this calm rhythm, Mateus introduces Forest Green, a new shade in the Oyster Collection. Inspired by the Nordic forest, from moss and pine to the deep green that emerges when light filters through the trees, it brings a grounded, quiet presence to the table. Each piece is shaped by hand in Portugal, where Mateus artisans have been crafting ceramics for over thirty years. The subtle marks left by their hands turn repetition into character and imperfection into warmth, making every object uniquely alive. Forest Green is more than a color, it is a mood, bridging everyday moments with quiet celebration, rustic textures with refined details. Since its founding in 1993 by Teresa Mateus Lundahl, Mateus has celebrated the beauty of the everyday. With over 600 handmade designs, the brand continues to honor intimacy, conversation, and the art of a well-set table. Forest Green fits seamlessly into this story, connecting moments and inviting reflection. Forest Green launches October 15 on mateuscollection.com and at selected retailers.

Opiates

Barbour x FARM Rio:  A Dialogue Between Countryside and Carnival

Barbour x FARM Rio: A Dialogue Between Countryside and Carnival Image courtesy of Barbour and FARM Rio   Where British heritage meets Brazilian exuberance, a new collaboration finds its rhythm. For Autumn/Winter 2025, Barbour joins forces with FARM Rio, fusing waxed-cotton practicality with sun-soaked vibrancy in a collection that feels both unexpected and effortless. Shot amidst the pastoral serenity of the Cotswolds with British model Imogen Waterhouse, the campaign reimagines Barbour’s classic outerwear through a lens of tropical surrealism. FARM Rio’s signature flora and fauna prints breathe new life into heritage silhouettes, creating pieces that blur the lines between function and fantasy. Three exclusive prints drawing on the lush biodiversity of Brazil and the timeless tartans of Barbour’s Scottish lineage anchor a collection that spans clothing, footwear, and accessories. Each design carries an echo of both worlds: the enduring craftsmanship of South Shields and the playful romance of Rio de Janeiro. For over 130 years, Barbour has embodied the spirit of the British countryside. Now, infused with FARM Rio’s joyous color palette and unrestrained femininity, that tradition is rewritten: wilder, freer, and utterly alive. Read more at Barbours and FARM Rio’s websites.  Websites for the hyperlink: https://www.barbour.com https://farmrio.uk/  

Fashion Articles

The Art of Comfort: Dr. Martens Expands the Zebzag Sole

The Art of Comfort: Dr. Martens Expands the Zebzag Sole text Ulrika Lindqvist Images courtesy of Dr Martens After making waves this summer with the viral Zebzag Mule, Dr. Martens continues its exploration of comfort and edge by expanding the Zebzag sole into new silhouettes. Designed for effortless wear, the latest boots bring the brand’s signature craftsmanship and rebellious attitude into year-round versatility. “The Zebzag sole is purposefully engineered to meet the demands of modern life — blending exceptional craftsmanship, durability, and everyday comfort. These new silhouettes move with you, fitting seamlessly into any wardrobe while delivering the unmistakable Dr. Martens edge,” says Adam Meek, Chief Product Officer at Dr. Martens. Leading the launch is the Zebzag Laceless Boot, inspired by the brand’s iconic 1460 model and reimagined for ease. The laceless design maintains the classic lace-up aesthetic, crafted in relaxed black Wyoming leather that feels both lived-in and fresh straight out of the box. The look is completed with Dr. Martens’ signature black and yellow heel loop. Sitting slightly lower on the ankle, the Zebzag Rigger Boot draws from industrial silhouettes and redefines them for everyday comfort. Also a slip-on, the Rigger features double pull tabs, puritan stitch detailing, and comes in black Wyoming leather or water-resistant Milled Nubuck in seasonal tones. At the heart of both designs lies the Zebzag sole, built around a cushioned core that combines a lightweight EVA midsole with a durable PVC tread. Simple, ergonomic, and impressively light, it encapsulates the essence of Dr. Martens DNA — complete with a wider base, bold grooves, and the brand’s iconic yellow welt stitching. Inside, SoftWair insoles provide an added layer of calm and comfort. The Zebzag Laceless and Zebzag Rigger boots are available globally, read more at www.drmartens.com

Opiates

upper hights Presents AW25 and an Exclusive Capsule with Amalie and Cecilie Moosgaard

upper hights Presents AW25 and an Exclusive Capsule with Amalie and Cecilie Moosgaard   Images courtesy of upper hights  Tokyo meets Copenhagen in a refined dialogue between craftsmanship and minimalist design. In an ever-evolving fashion landscape, Tokyo-based premium denim label upper hights continues to champion timeless craftsmanship and enduring design. With each collection, the brand safeguards Japanese artisanal heritage while redefining the global perception of Made in Japan denim. For Autumn/Winter 2025, upper hights introduces a new collection alongside an exclusive collaboration with Danish style icons and entrepreneurs Amalie and Cecilie Moosgaard. First unveiled during Copenhagen Fashion Week, the partnership merges Scandinavian restraint with the precision and depth of Japanese craftsmanship. The capsule presents four signature styles, each available in two versatile colourways. The Cecilie references vintage denim in classic medium-blue and soft bone, while The Amalie evokes modern sophistication in deep navy and sleek black. Each piece reflects the Moosgaard sisters’ understated aesthetic and appreciation for quality, staying true to upper hights’ philosophy of longevity and intention. Crafted with care and responsibility, the collaboration embodies shared values of durability, conscious production, and timeless style — a natural evolution of upper hights’ recent arrival in the Nordic market, where heritage and sustainability meet modern elegance. Founded in Tokyo in 2014, upper hights is dedicated to premium materials, local craftsmanship, and clean design. Guided by the “buy less, buy better” philosophy, the brand collaborates with skilled artisans and renowned factories across Japan to ensure exceptional quality and preserve traditional denim-making techniques.

Scroll to Top