Odalisque

Author name: Odalisque

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Trinny London Introduces Miracle Halo: A Radiant New Way to Glow

Trinny London Introduces Miracle Halo: A Radiant New Way to Glow Trinny London presents Miracle Halo, a multi-use illuminator created to enhance the skin’s natural light with a soft, dewy radiance. Launching on 3 July 2025, this versatile complexion product offers a lit-from-within finish that keeps skin fresh and luminous all day long. Available in four luminous shades—Firelight, a gentle natural bronze; Sunlight, a true honey gold; Starlight, a soft cool champagne; and Candlelight, a gentle neutral pink—the formula blends effortlessly to lift and brighten any complexion. It can be worn alone for a subtle sheen, mixed with moisturizer or foundation for added luminosity, or applied to the high points of the face for a refined highlight. “This is the next best thing to that do-not-disturb glow,” says Trinny Woodall, Founder and CEO. “It’s perfect for that shot of luminosity.” With its silky, weightless texture and radiant payoff, Miracle Halo celebrates effortless brilliance and invites everyone to light up their complexion in their own way.

Beauty Articles

BLEU DE CHANEL L’EXCLUSIF

BLEU DE CHANEL L’EXCLUSIF – IN CONVERSATION WITH OLIVIER POLGE CHANEL’S IN-HOUSE PERFUMER CREATOR  images courtesy of CHANEL If I say the word “blue”, what comes to mind? BLEU DE CHANEL is no ordinary blue. It’s not the refreshing blue of a cloudless sky. It’s more intense – the final shade of blue before blue turns to black. BLEU DE CHANEL is a blue that evokes depth and density. How did you create this brand new BLEU DE CHANEL? It was my father* who created the BLEU DE CHANEL line. With L’Exclusif, the idea was to add a new chapter to the fragrance’s story, to reinterpret the theme of BLEU DE CHANEL . To do so, we started with an existing formula; then, like turning a kaleidoscope, we shifted the key components to reveal new facets, intensifying certain notes until new harmonies emerged. L’Exclusif leaves a distinctive mark – textured with leathery notes. What are the olfactory characteristics of BLEU DE CHANEL L’EXCLUSIF? BLEU DE CHANEL L’EXCLUSIF is a “woody, ambery-aromatic” fragrance. Its notes, centred around lavender, are classically masculine. These are followed by the woody and leathery-amber accords. While cedar plays a key role, we built the fragrance’s intensity on a foundation of sandalwood and the leathery, resinous facets of cistus labdanum. Can you tell us about what distinguishes CHANEL sandalwood? The sandalwood we select stands out, first and foremost, for its botanical variety, Santalum austrocaledonicum, but also for its extraction method, which allows us to capture unique woody facets. It is therefore essential to work on the combinations of this sandalwood with other raw materials to give the fragrance its energy. The combinations can hinge on the subtlest details . Sandalwood is a particularly refined and dense wood that needs to be enhanced in order to reveal all its facets. With BLEU DE CHANEL L’EXCLUSIF, you said you wanted to go beyond perfume… For L’Exclusif, the goal was to “go beyond perfume”. We had to find the tone that would express our vision of a masculine extrait by repurposing the qualities of feminine extraits, such as preciousness and intensity, while adding masculinity and depth. To do that, I wanted to delve further into woody notes. By broadening the spectrum of the woody olfactory family, we naturally arrived at leathery notes, which I wanted to be especially amber-like and resinous. These notes in L’Exclusif offer a deep and mysterious expression of masculinity, revealing the complexity of this fragrance. Is the intensity of BLEU DE CHANEL L’EXCLUSIF meant to evoke power? We tend to believe that the first impression of a fragrance must always be decisive. For BLEU DE CHANEL L’EXCLUSIF, however, we also prioritised the trail. Its power comes from the base. That is the great challenge of my craft: to anticipate the points of diffusion of a fragrance, to give it strength without weighing it down; and this case, for its power to rise from the base, yet contribute to the fragrance’s airiness. Does the extraction process require a particular technique? For N°5, Gabrielle Chanel desired an artificial (in the noble sense of the word) perfume – something composed. With that in mind, our aesthetic approach goes beyond raw essences and what nature offers us. We implement bespoke extraction techniques, which allow us to refine the raw materials and obtain unique facets. This is what we did for this BLEU: the sandalwood is notably obtained through an extraction technique specific to the House. The BLEU DE CHANEL line transcends time. Can you tell us about its evolution? It seems that men today are opting for bolder fragrances, genuinely seeking scents that stand out through their trail and lasting power. This marks a shift from the masculine perfumes of a few years ago, which favoured freshness and “clean” notes. In a different era, discretion was a prized quality in men’s fragrances. Today, that characteristic is less sought after; the approach to fragrance has become more emotional, more engaging. That is why BLEU DE CHANEL L’EXCLUSIF found its place so easily: it is a new identity that completes the complex mosaic of BLEU DE CHANEL. How did you collaborate with Sylvie Legastelois on the design of the bottle? Sylvie and I have an ongoing exchange that feeds us both creatively, ensuring harmony between a fragrance and its bottle. I find the shape of this bottle to be spot on. Sylvie has perfectly captured the strength and intensity of this new fragrance, even in the shape of the bottle itself.

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Levi’s X Barbour

Levi’s X Barbour    images courtesy of Levi’s This autumn, two masters of functional design unite as Levi’s and Barbour unveil a transatlantic collaboration celebrating more than 170 years of shared heritage and craftsmanship. The Levi’s x Barbour collection blends Barbour’s iconic waxed cotton with Levi’s legendary denim to create a limited-edition line of jackets, apparel, and accessories rooted in authenticity and endurance. Key pieces include the women’s Spey Wax Jacket, reimagined with Levi’s signature arcuate details, and the men’s Bedale Jacket, offered in both desert wax and denim workwear-inspired versions. Every garment reflects a dialogue between utility and style, from triple-stitched seams to archive-inspired artwork and co-branded patches. Captured by Tbone Fletcher and styled by Tirino Yspol, the campaign celebrates the quiet mastery behind every stitch, featuring modern craftspeople who embody both brands’ enduring spirit. The Levi’s x Barbour collection launches globally on 30 October 2025, available on Levi.com, the Levi’s App, select Levi’s Stores, and Barbour retail channels.

Fashion Articles

Nicklas Skovgaard — Threads of Memory and Modernity

Nicklas Skovgaard — Threads of Memory and Modernity text Ulrika Lindqvist Fresh from winning the Wessel & Vett Fashion Prize 2025, Nicklas Skovgaard reflects on the journey that began with a child’s loom and a fascination for self-expression. His eponymous label, defined by sculptural silhouettes and emotional storytelling, continues to evolve from instinct and intimacy, blurring the line between nostalgia and now. In conversation with Odalisque Magazine, Skovgaard shares how character, contrast, and craftsmanship remain at the heart of his creative vision. Ulrika Lindqvist: Congratulations on winning the Wessel & Vett fashion prize, what are your initial feelings? Nicklas Skovgaard: Thank you so much. I feel deeply grateful, happy and humbled. Winning the Wessel & Vett Fashion Prize feels like a full-circle moment – a recognition of years of work, curiosity, and persistence. It’s a very big milestone for the brand. More than anything, I feel very motivated – this prize feels like both an acknowledgment of what I’ve built so far and an incredible push toward what’s next.   UL: How has it been being a finalist? Nervous? exciting?   NS:  I’ve been both nervous and truly exciting. The Wessel & Vett Prize has always been close to my heart because it actually marked an early turning point for the brand back in 2022, when I was first nominated. Being a finalist again this year feels like revisiting that moment – but now with a much clearer sense of direction. The nerves were definitely there, but mostly because I care so deeply about what I do. It’s an honor to stand among such talented designers and feel that my voice has grown stronger since then.     UL:What initially drew you to the fashion industry?   NS:  My fascination with fashion began in childhood. I grew up on a small island in Denmark with no real access to fashion in the traditional sense – no glossy magazines or boutiques – but my mother had a strong sense of self. Watching her get dressed every day, shifting between different characters through clothing, really shaped my understanding of fashion as a form of self-expression. Later, films like Marie Antoinette and The September Issue deepened my fascination – they represented two opposite worlds, romanticism and realism, which I often use to describe my aesthetic today. Images courtesy of Wessel & Vett photography Nynne Henriksen/ moon  UL: What motivated you to start your brand?    NS: The brand began almost unintentionally – as an open-ended research project. In 2020, I discovered a small children’s loom in a thrift store and started weaving my own textiles. That process – of turning loose yarns into fabric – completely reignited my creative curiosity. I didn’t set out to start a fashion label, but the more I explored, the more I realized I was building something that felt deeply personal. The brand naturally grew from that place of experimentation, and today it’s still rooted in that same sense of curiosity and storytelling.   UL: What would you say are the three core values that define your brand?    NS: Character. Contrast. Silhouette. These three words really encapsulate my aesthetic. Every collection begins with the exploration of character – the emotional story behind the clothes. Contrasts are central to my process – between textures, emotions, and references. And finally, silhouette – how a garment shapes and responds to the body – that’s where the storytelling becomes tangible.    UL:What is your inspiration behind your designs and this collection in particular?   NS:  My inspiration often comes from a mix of personal memory, references and pop culture. My mother in the 1980’s – the ever-evolving eras of my life-long muse Madonna. These are som parts all inform the emotional landscape of my collections. My most recent collection was inspired by the private sphere of the bedroom – how the act of getting dressed, or even how we sleep, shapes the way we get dressed in the morning. I wanted to express that dreamlike feeling of intimacy, softness, and transformation. UL:Can you share some insights into your creative process?  NS: My process very often begins with the fabric or silhouette. I often start by exploring a textile or silhouette I don’t immediately like, then through research and experimentation, I try to transform it into something I love. Draping and constructing directly on the body are key parts of how I design. I also carry techniques and ideas forward from one season to the next, so the collections evolve like a living vocabulary – each new chapter building on the last.   UL:What are your core values as a designer?  NS: For me, it’s about authenticity, storytelling, wearability and emotional connection. I believe clothes have the power to evoke emotion, to connect people to memories and moments. And I always try to balance creativity with usability – even the most sculptural or nostalgic pieces should feel grounded in real life.    UL: Are there any particular projects or moments in your career that stand out as especially meaningful or memorable?   NS:  There are many, but one that stands out is my first runway show in 2023. It was a collaboration with performance artist Britt Liberg – a single performer surrounded by vintage mannequins in a performance-fashion-show about getting dressed and undressed. It blurred the line between fashion and performance art, and it felt incredibly true to my vision. Another highlight was our recent 7-hour long performance at Dover Street Market Paris during Fashion Week. Seeing the brand represented internationally – and witnessing people connect emotionally to the work – was a very special moment. UL: Looking ahead, what’s next for you? Are there any upcoming projects or goals you’re particularly excited about?   NS:  I’m very focused on thoughtful growth – scaling the brand while staying true to its creative foundation. With the Wessel & Vett Prize, I plan to invest in strengthening our international sales strategy and expanding our retail network in a thoughtful way. Creatively, I’ll continue to evolve the narrative side of my collections – exploring how storytelling and clothing can merge even further. 

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HOLEBROOK – A love letter to the art of knitwear 

HOLEBROOK – A love letter to the art of knitwear Shaped by the raw beauty of Sweden’s west coast, Holebrook’s FW25 collection is a love letter to the art of knitwear. Crafted entirely from natural fibers such as merino, mohair, alpaca, and cashmere, the collection celebrates texture, warmth, and timeless craftsmanship. With designs that move from fine viscose knits to voluminous mohair, FW25 captures autumn’s quiet reflection in a palette of soft sand, weathered stone, and sun-faded pink. Signature pieces include the Magda Crew in merino blend, nodding to the brand’s Bohuslän heritage, and Torsten, a rib-knit classic for him. Rooted in sustainability and made in Europe, Holebrook continues to weave together Scandinavian simplicity and enduring quality. Available now at holebrook.com and select retailers. Image courtesy of Holebrook

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BALINGSTA – Stained Balaclava

BALINGSTA – Stained Balaclava                                  image courtesy of Balingsta Born from Swedish craftsmanship and dyed by hand, Balingsta’s Stained Balaclava blends function with artistry. Made from 100% Merino wool, it’s breathable, quick-drying and naturally anti-odor,  perfect for enduring the elements in style. Each piece is knitted, sewn, and hand-dyed in Sweden using renewable, biodegradable materials, ensuring zero microplastics and minimal waste. Designed to endure. See more here

Beauty Articles

BLEU DE CHANEL L’EXCLUSIF

BLEU DE CHANEL L’EXCLUSIF text Elsa Chagot   images courtesy of CHANEL  A colour beyond colour, a blue like no other. Intense, infinite, and elusive, BLEU DE CHANEL L’EXCLUSIF marks a new chapter for the House’s most iconic masculine fragrance. More than a scent, it is a statement: an exploration of boundless vision and the power of beginnings. With this creation, Olivier Polge, CHANEL Parfumeur, redefines the codes of modern masculinity. The fragrance unveils an amber-woody accord of remarkable depth, where majestic sandalwood meets the leathery warmth of cistus labdanum. It is a scent of strength and sensuality; rich, complex, and magnetic. At its heart lies a rare sandalwood extract from Maré, New Caledonia, sustainably cultivated through CHANEL’s dedicated supply chain. This meticulous process ensures both ethical sourcing and the preservation of the ingredient’s natural intensity. The result is a fragrance that feels alive, enveloping, mysterious, and timeless. The bottle, a study in chiaroscuro, captures this same duality. Its pure, architectural lines reveal a blue so deep it borders on black – a radical hue that reflects the infinite horizon of possibility. Fronting the campaign, Timothée Chalamet embodies the spirit of the fragrances: audacious, uncontainable, and in constant motion. His energy mirrors the fragrance itself: a convergence of instinct, curiosity, and fearless creativity. With BLEU DE CHANEL L’EXCLUSIF, the House pushes its legacy to new heights. It is not only a reinterpretation, but a reimagining of what a masculine scent could be. 

Fashion Articles

ODALISQUE MAGAZINE INTERVIEWS Susan Szatmáry

ODALISQUE MAGAZINE INTERVIEWS Susan Szatmáry text Jahwanna Berglund Known for her quietly luxurious handbags, Susan Szatmáry is expanding her world. With her first footwear collection, she translates the architectural lines, thoughtful detailing and enduring quality that define her bags into a new form — one designed to move with the woman who wears it, not just for a season, but as a lasting wardrobe staple. Images courtesy of Susan Szatmáry You’ve long been celebrated for your elegant handbags and leather goods. What was the moment or inspiration that made you decide it was time to step into footwear?   I launched Susan Szatmáry at the end of 2018, starting with bags since I knew how expensive and complicated it is to make shoes with the stock and sizing. Bags are much easier to place and prototype. Things went slowly and organically, and now we have made a name.   Having previously designed both footwear and bags for other brands, Szatmáry adds, “I can design shoes with my eyes closed.”   It might seem risky to introduce something new in uncertain times, but this expansion was always part of my vision. After years working for houses such as Alexander McQueen (under Alexander Mcqueen himself), Celine, and Rabanne, I wanted to build a world of my own. After growing organically and really getting to know our clients, it felt natural to take the next step. I wanted to bring the same lines, accessories, and colours from the bags into the footwear like it used to be a long time ago. Many of our clients have asked for matching shoes and bags, so I felt there was a true need in the market. Designing shoes brings a new set of challenges. Which part of the footwear process (fit, materials, prototype, scale) surprised you most, and how did you overcome it?   Our message has always been less logo, more quality and functionality, and we apply that same philosophy to our shoes. With footwear, we’ve added comfort and collaborated with the best factories with over 60 years of experience which allowed us to easily balance design and cost.   For some models, we’ve even used stock leather from the factories that was leftover from previous collections to create something beautiful and sustainable, without unnecessary waste.   Your handbags are known for understated luxury and timelessness. How do you carry those same brand values into your new footwear collection, while allowing it to have its own identity?   We always work with slow design, avoiding trends. For the shoes, comfort and practicality are essential, just like with our bags. We bring the same design codes, the same accessories, and the same mindset. You’ve worked on leather goods and accessories at major houses and even helped define the leather standard at Byredo and Toteme. How has that experience informed your approach to shoes, and what lessons did you bring (or unlearn)?   Price sensitivity is an important subject today. You can’t burn your entire budget on prototypes. It’s better to have a clear vision from the start and focus on the final product rather than spending time and money on unnecessary developments. That’s something I’ve learned through experience.   (Susan Szatmáry shoes range from €490 to €650.) Paola and the patterncutter Piero In your launch collection, you emphasize “classic, comfort, and cost-efficiency.” How do you personally draw the line between artistry, wearability, and accessibility when designing a piece?   It’s simple. When I design, I always ask myself: Would I wear it? Do I love it? I never create something without imagining myself carrying or wearing it, even though I would love to wear every single piece in our collection. Looking ahead, what’s your dream pairing — a bag and shoe combo you haven’t made yet, and why does it excite you?   When I design shoes, I go old-school. I do deep research in the library and study what our customers are wearing. Since they often ask for matching pieces, it makes complete sense.   For me, designing a shoe line that can be paired with our bags without focusing on super-high heels is exciting. I love the idea of a woman wearing our loafers together with the Mini Palais Royal, or the Temple Clutch with the Pont de Sully Décolleté for example. The goal is to create timeless combinations that last for years, not just a single season. www.susanszatmary.com 

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KEYIMU – The New Premium Bag

KEYIMU – The New Premium Bag   image courtesy of KEYIMU Founded by designer Saveja Awzel, KEYIMU is a fashion brand that reimagines timeless elegance through a contemporary lens. Specialising in handcrafted handbags, KEYIMU fuses classic refinement with modern edge; each piece meticulously designed for individuals who express themselves through bold yet understated style. At its core, KEYIMU believes a handbag is far more than an accessory. It is a signature of character, a detail that defines the silhouette, and a symbol of self-assured confidence. Every creation embodies the brand’s philosophy: that true sophistication lies in simplicity, craftsmanship, and individuality that transcends trends. The sleek baguette bag features architectural shape, with fine leather material, and robust yet feminine buckles – all details that make the bag easy to wear yet easy to stand out. The bag, which is available in colors like burgundy, black and crocodile white symbolises beautiful details in a minimalistic way. To celebrate the release go the bags and the brand itself; KEYIMU held a glorious party at the centre of Stockholm, inviting  guests to not only view and feel the bag but to experience the complicated simplicity of it as well . See the Sleek Baguette bags here

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Liza Langen Flowers Studio Celebrated 1 Year

Liza Langen Flowers Studio Celebrated 1 Year images courtesy of Liza Langen Liza Langen Flowers opened its own space in Södermalm, Stockholm last autumn and recently had its very own first birthday.  The studio features minimalistic yet warm details, with enormous windows letting natural lighting shine in. From cement floor, a spiral staircase and beautiful tiles and centrepieces the space welcomes and inspires the visitor – but not more than the beautiful flowers that Liza Langen has curated herself. Amongst not only celebrating one year at the location, Liza Langen also unveils the Slow Practice room, at the same location. The room is inspired by japanese tea rooms and is entirely dedicated to being a creative space and floral workshops.  Liza Langen has worked with floristry since 2016, and has since worked among brands such as Cartier, Prada, Hermès and Marimekko. She has also written a book that published last year; The Practice of Arranging Flowers; which captures themes such as  her personal approach to floristry, personal essays and the art form that is the creative practice of arranging flowers. 

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