Author name: Sandra Myhrberg

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Daniel Francis in Full Bloom

jacket Reiss shirt & trousers Phix jewellery ToTintor jacket & trousers Alexandar Nikolich shirt Reiss shoes Next tie ASOS Design jewellery ToTintor Daniel Francis weaves storytelling through intuition. From his upbringing in Battersea, South London, which wired him to root for the underdog, to his education at the London Academy of Music and Dramatic Arts (LAMDA), which taught him to seduce an audience and hold their attention, facets of Francis surface in every role he plays. With the new season of Bridgerton now streaming on Netflix, we caught up with The Gardener to learn how patience, precision and instinct come together to grow a character worth watching. jacket Alexandar Nikolich shirt Reiss tie ASOS Design jewellery ToTintor   Maya Avram: What have been some of the best reactions you received for your performance as Lord Marcus Anderson? Daniel Francis: Mainly the gardener comment, you know — Violet Bridgerton speaking about her “garden” being “in bloom” in Queen Charlotte: A Bridgerton Story, landing Lord Anderson the nickname of The Gardener. Back in season three, the audience wasn’t too sure about his intentions at first. Was he pure of heart, or is he kind of a rake? But as his genuine interest in Lady Bridgeton unfolded, the audience started to root for them. That part has been wonderful. MA: Did you enjoy that tension as an actor, or were you waiting for him to win over the audience? DF: It’s always fun to have secrets. I would see comments from people, ’Oh, I don’t trust this guy,’ or ’What’s his intention?’ you know, because Lady Bridgerton is such a beloved character. So I was intrigued to see the responses once audiences realise Lord Anderson was genuine. It has been largely positive, which has felt amazing. MA: How much of yourself is in Lord Anderson, and vice versa? DF: With any character, I always start by asking myself what part of me I want to explore or express through that role. What I appreciate most about Lord Anderson is his patience. This is not one of my strong suits at all — I’m really impatient personally, but I appreciate his type of sensuality because it takes time. He’s been in the countryside, so he moves at a slower pace, absorbing Lady Bridgerton and creating space for her. That’s where I see myself: proactive patience, allowing things to unfold but still pursuing something or someone out of genuine interest. jacket & trousers Alexandar Nikolich shirt Reiss jewellery talent’s wore his own MA: What can we expect to see in the new season? DF: Lord Anderson’s and Lady Bridgerton’s relationship evolves. It’s unexpected, it’s unpredictable, but I like their dynamic because it’s not the first rodeo for either of them, so they can be honest with each other. We rarely get a chance to do that. They talk openly about their situation and past experiences; it’s very open. And it speaks to a demographic that isn’t usually front and centre in a love story, getting a second chance at love. ”Bridgerton has a place because it allows us to feel and experience love — who doesn’t want that?” MA: You’re a classically trained actor, educated at LAMDA, and having started your career at the Royal Shakespeare Company. How does your theatre work differ from your onscreen performance, and which is your favourite? DF: The intimacy of storytelling on camera, which I’ve grown to love, is unmatched. In comparison, being on stage means sharing a story with a live audience and inviting them in. The immediacy of stagework, the rigorous preparation and rehearsing — I love that process, I love the exploration of a play. It’s a completely different dynamic, but they both resonate with different sides of me. I love the interplay with the audience, being there in the moment, knowing you’ll never see it again. jacket Phix shirt, trousers & shoes Reiss jewellery ToTintor Theatre will always be important for bringing people together to hear human stories and connect jacket Alexandar Nikolich jewellery ToTintor MA: What’s something you’ve learnt from your time as an actor? DF: To follow my instincts. I’ve made some decisions in the past that weren’t right for me, but as Steve Jobs said, it’s impossible to connect these dots looking forward; you can only do it looking backwards. So the lesson is to trust your intuition, and when it tells you something, you can go, ‘I know that feeling; I’m going to pass, or I’m going to go for this thing.’ MA: What’s been a highlight in your career so far? DF: I love Bridgeton. A project of this magnitude — not just the production size, but it started a whole movement. MA: A cultural reset. DF: It really is. That is rare, and I’m grateful to be a part of it. MA: What excites you about the future? DF: I’m excited for people to see the new season. The level of work that has gone into it, the attention to detail, the care and stewardship we have put into creating something that hopefully audiences love. It’s a Cinderella-type story, and I love an underdog because of where I grew up. I’m excited for people to see this magical story.

News, Uncategorized

GANNI x Disney: Launch New Capsule Collection Featuring Daisy Duck​

GANNI x Disney: Launch New Capsule Collection Featuring Daisy Duck GANNI and Disney present the next chapter of their ongoing collaboration with a new 16‑piece capsule collection that launched on January 19th, 2026. The project brings together GANNI’s contemporary Danish design language with Disney’s illustrated heritage, this time spotlighting Daisy Duck as the central character. The collection expands on the success of the first collaboration, introducing updated denim signatures, new wardrobe staples and accessories defined by bold colours and comic‑inspired graphics. Daisy Duck’s expressive personality informs the visual direction, appearing across prints and detailing throughout the capsule. To accompany the launch, GANNI and Disney have created a collector’s fanzine developed with Chaos and illustrated by Disney. The publication presents an original narrative that served as inspiration for the collection, offering a closer look at the character-driven universe behind the designs. The fanzine will debut through three global events in Copenhagen, New York and Seoul. Each location will feature a takeover of a local magazine store or café, with custom window installations and newsstand displays created for the launch. Visitors will be able to pick up a complimentary copy of the fanzine during the activations. image courtesy GANNI x Disney photopgraphy Esther Theaker

BackStage

Baum Und Pferdgarten – AW26Airborne

Baum Und Pferdgarten’s fall/winter 2026 collection, Airborne Baum Und Pferdgarten The AW26 collection by Baum und Pferdgarten is inspired by Amelia Earhart, an iconic pioneer who moved effortlessly between worlds. As both a record-breaking pilot and a style icon, she challenged traditional boundaries between masculine and feminine dress. The collection explores contrasts between function and elegance: aviator jackets, uniform shirts, distressed leather and structured denim are balanced with flowing dresses, lace details, lightweight fabrics and floral prints. Strength and protection meet softness and sensitivity through expressive silhouettes and refined details. Presented during Copenhagen Fashion Week, the Airborne collection was shown in a historic sports hall transformed into a runway-inspired catwalk. Accompanied by the Sankt Annæ girls’ choir, the show carried a ceremonial atmosphere that reinforced the collection’s aviation-driven narrative.

Fashion Articles

Cole & Son and Vivienne Westwood Introduce New Wallcovering Collaboration

Cole & Son and Vivienne Westwood Introduce New Wallcovering Collaboration Cole & Son will debut a new capsule collection in collaboration with Vivienne Westwood, bringing together two British design houses known for their heritage, craftsmanship, and distinct visual identities. The partnership marks the first time Cole & Son has translated the fashion house’s iconic prints and hand‑drawn graphics into wallcoverings, reimagining Westwood’s design language for contemporary interiors. Launching in 2026, the collection draws from Vivienne Westwood’s extensive runway history and celebrated print archives. Fabrics, motifs, and graphic elements have been adapted into wallpaper designs that merge historical references with an avant‑garde approach. The result is a series that connects fashion, interior design, and art through a shared commitment to intentional, expressive design. A preview of the collaboration will be presented during Paris Design Week in January 2026 at a curated installation on Rue Saint‑Honoré. The space will be arranged as a living gallery, featuring four distinct areas that highlight the versatility of the collection. Visitors will experience signature Westwood prints at a life‑size scale, including Rainforest Squiggle, Absence of Roses Moiré, MacAndreas Tartan, and the V&A design. image courtesy Cole & Son, Vivienne Westwood Marie Karlsson, Creative and Managing Director at Cole & Son, described the collaboration as a dialogue between two design houses with aligned values. “A true design dialogue between two iconic British design houses, translating the movement, fabric, and form of fashion into the materiality and mood of interiors. It reflects a shared commitment to intentional design. My vision for this collection blends bold beautiful colors with fluid form and tactile richness, creating interiors that feel dynamic, layered, and unmistakably tomorrow. “It is a privilege to introduce this collection into the world of interiors. Vivienne Westwood has long been a profound source of inspiration for me—her uncompromising design language, boundless creativity, and unwavering individuality. I am so proud of this collection infused with passion.”

Fashion Articles

INSTITUTION Wins the Zalando Visionary Award at Copenhagen Fashion Week

INSTITUTION Wins the Zalando Visionary Award at Copenhagen Fashion Week During Copenhagen Fashion Week AW26, the Zalando Visionary Award returned for its fourth edition, continuing its focus on design innovation, craftsmanship, and social impact. This year’s winner is INSTITUTION, the brand founded by designer Galib Gassanoff. On 28 January, the three finalists presented their hero pieces in a curated exhibition, each showcasing three looks that reflected their aesthetic direction. The presentation was accompanied by a panel talk hosted by mentor Giuliano Calza, who led a conversation on culture, creativity, and the future of fashion. The discussion offered insight into the designers’ broader inspirations and the ideas behind their work. Following the showcase, the jury announced INSTITUTION as the winner. The decision highlighted the brand’s clear vision and refined approach to construction. Gassanoff’s ability to draw from diverse cultural references while maintaining a strong, cohesive identity was repeatedly noted as a defining strength. Sara Spännar, VP of Brand & Creative at Zalando and member of the jury, emphasized the designer’s commitment to craftsmanship: “Galib’s determination to craftsmanship while bringing together his cultural experiences was the proof point that tipped the scales.” She described Gassanoff’s cultural perspective as a key factor in the jury’s decision, noting how it aligns with the award’s aim to support emerging designers who bring new viewpoints to the industry. Gassanoff expressed gratitude for the recognition, “I believe in sharing my brand with the world and I am grateful whenever this project is recognized as a valuable one. I wish to thank the people who have supported my vision since its inception and help me build it all the way.” image courtesy Zalando As part of the award, INSTITUTION will debut its SS27 collection during the August edition of Copenhagen Fashion Week. The brand will receive mentorship from creative director Edward Buchanan, along with a €50,000 cash prize and €35,000 in production support. Casting director Emma Matell will collaborate on the upcoming show. The Zalando Visionary Award continues to highlight designers who contribute to a more inclusive and forward‑thinking fashion landscape. INSTITUTION’s win reflects a growing interest in brands that combine technical skill with a global, contemporary point of view.

BackStage

Henrik Vibskov | AW26 | CPHFW

Henrik Vibskov | AW26 | CPHFW Add Your Heading Text Here Frog Carry Frog Autumn / Winter 2026 The AW26 collection begins with the frog: a modest, transformative creature deeply entwined with the living world. The journey started on a small Danish island known for its fire-bellied toads and unfolded through unexpected connections: the word criterium, the film Magnolia with its raining frogs, studies of frogs carrying one another, conversations about social structures, and even the company’s veteran van, Betty, which after eight years had to be carried out of a parking space by many hands. From the fire-bellied toad to the rare backpacker frog, where the female carries her mate, amphibian life became a poetic and human lens. Frogs exist between worlds, shifting from egg to tadpole to airbreathing being. They signal environmental change and populate myths and fairytales as symbols of metamorphosis, luck, fertility, and quiet wisdom. To look at the frog is to look at ourselves, interdependent bodies in constant transition, navigating thresholds and the weight of what we carry. images courtesy of Alastair Wiper Makeup Jenny Jansson using idunminerals Hair Amalie Holmqvist using Maginista What began as an interest in frog colors, habitats, and life cycles grew into a reflection on shared weight. Emotional baggage, collective labor, bumblebees improbably lifting their own bodies, fungal networks sustaining entire forests — all speak of cooperation beneath the surface. These ideas shape both the silhouettes and spirit of the collection. Earthy pond greens and soil browns are disrupted by flashes of warning orange, echoing nature’s own signals. Signature textiles distill this universe: etched toad-skin textures that honor imperfection; glowing mycelium-inspired patterns hinting at hidden cooperation; monochrome jacquards concealing tadpoles and dancing frogs; playful graphics of weightlifting frogs, swamp typography, and stacked creatures. The collection invites a shift in perspective away from the distant overview and toward ground-level intimacy. Tailoring plays a central role, with suits and structured pieces informed by frog faces, eyes, and webbed feet. Rounded volumes and fluid transitions echo metamorphosis, while layered garments suggest carrying, supporting, and sharing. Silhouettes interlock and depend on one another. The show takes place at Østre Gasværk Theatre in Copenhagen, where the audience looks down onto a circular stage, mirroring how humans often view frogs from above. This altered vantage becomes part of the story: an invitation to reconsider scale, hierarchy, and what we overlook. Performers carry towering ladder-like structures built around sculptural wooden spines, visualizing the core that supports the whole body. As these structures tilt, sway, and unfold, they form a shared pattern assembled collectively through loading, unloading, and redistribution of weight. In Frog Carry Frog the runway becomes a portrait of shared strength. A reminder that every height reached rests on many shoulders — and that together, we carry more than we ever could alone. Frog Carry Frog. HV Design Team – HV, Judith Klingenfeld, Lærke Engelshardt, Baptiste Comte, Jens, Clara and SwantjeManagement, Logistics, Accounting – Anja Gordon, Elvira von Wieding Development & Production – Joost Jansen, Anna De La Cour & Valerie BonnHV Installation Team – Baptiste Comte & Elvira von WiedingSales Team – VALD Agency & DUNE Japan Press – Nat Studio

Opiates, Uncategorized

DAY ET Launches AW26: Unexpected Combinations

DAY ET Launches AW26: Unexpected Combinations DAY ET introduces its Fall Winter 2026 collection, Unexpected Combinations, a tribute to color, structure, and the joy of creating. The season draws inspiration from Sonia Delaunay’s bold approach to form, translated into deep reds, earthy browns, and the crisp clarity of cold blue. Functional yet feminine silhouettes define the collection, designed for everyday life. Soft shapes meet sharp stripes, while cotton styles feature patchwork influenced by Delaunay. Cultural codes blend throughout, mixing the formal with the non‑formal. Highlights include the Trunk suitcase in deep brown and classic suitcases in cold blue, creating a clean contrast that ties the season together. These tones continue across DAY ET’s signature nylon styles. Founded in Copenhagen in 2018, DAY ET continues to elevate everyday life for people on the move, combining Scandinavian design with playful detail across bags, suitcases, travel accessories, and jewelry boxes. image courtesy DAY ET

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