Author name: Jahwanna Berglund

News

A Joyful Midsummer with Moomin Arabia

A Joyful Midsummer with Moomin Arabia If you are not rooted in Scandinavian culture, and Swedish culture in particular, Midsummer is probably still a tradition you have heard of. Thanks to popular culture, it is sometimes misunderstood abroad as a strange or even eerie event. In reality, Midsummer is one of Sweden’s most cherished celebrations, centered on nature, community, dancing, and spending time with family and friends. That spirit is exactly what Moomin Arabia aims to capture with its new Summer Dance collection, inspired by the joy and color of a Swedish Midsummer gathering. This week, I got a preview of the collection together with Moomin Arabia and artist Clara Hallencreutz, who invited guests to a Midsummer inspired event on Lidingö, an island in Stockholm’s inner archipelago. The sun was shining as guests arrived in summery outfits that perfectly suited the occasion. Flower crowns were woven, seasonal dishes were served, and the atmosphere reflected everything that makes a Swedish summer so memorable. The event marked the launch of Moomin Arabia’s Summer Dance collection, an exclusive limited edition available only in Sweden. Inspired by Swedish summer traditions and classic Moomin illustrations by Tove and Lars Jansson, the collection features beloved characters dancing among wildflowers and dressed for festive seasonal gatherings. Clara Hallencreutz added her own creative touch, designing a colorful and playful setting that reflected both the spirit of the collection and the magic of the Swedish summer. If the event was any indication, Moomin Arabia’s Summer Dance collection succeeds in capturing the warmth, joy, and sense of togetherness that make Midsummer such a beloved Swedish tradition. Photography: Rasmus Lindahl

News

Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea

Summer Isn’t Preppy Enough Without Tommy Hilfiger by the Sea Stockholm knows how to stretch a summer evening, and Tommy Hilfiger knows how to dress for it. On a bright May night at Ångbåtsbryggan, the brand brought its world to the water and welcomed the city’s creative crowd for a celebration of Classic American Cool in Baltic light. The brief was simple: Prep Made Current. In real life, it felt like summer was brought to life. Signature stripes framed a crisp, coastal set that nodded to Hilfiger’s nautical heritage. Sailboat cues, blues and whites, and the familiar flag motif moved with the breeze across the harbor. The menu leaned Americana with a Stockholm twist: oysters on ice, lobster rolls, fries for sharing, and cocktails mixed in sea toned hues. Adrian Lux set the pace, with a special live performance from Lune, and later DJ L Roy took it into house and electronica as the sky faded into that endless Nordic gradient. Familiar faces threaded the crowd, including actor Edvin Ryding and tastemakers Martin Hansson, Florian Alexander, Erik Forsgren, and Victoria Törnegren. They wore looks from the new collection and showed that prep, when tailored and worn with ease, suits an effortless Stockholm summer night. At the heart of Summer 2026 is one icon: the 1985 Polo Shirt. Ivy by heritage, modern by cut. The silhouette is cleaner, the collar sharper, and the fit more refined. The color story moves between collegiate primaries, seaside pastels, and deeper tones that bring energy to the range. Around it, the collection builds a tight summer wardrobe with lightweight twills, airy knits, warm weather fabrics that keep their shape, and tailoring that moves from dock to dinner without fuss. Tommy Hilfiger knows how to balance heritage with now, and make it feel right for Stockholm. The sophistication is in the details: a polo that sits clean on the shoulder, shorts cut to the right length, and a blazer that stays comfortable long after the sun should have set. Summer is short here. Dress like you plan to enjoy every minute.

News

Zalando x Vestiaire Collective: Bringing Luxury Resale to Everyday Shopping

Zalando x Vestiaire Collective: Bringing Luxury Resale to Everyday Shopping Luxury fashion’s second life just got a lot easier to find. Zalando is teaming up with Vestiaire Collective to bring authenticated pre-owned luxury directly onto Zalando’s platform, a first for the retailer and a clear sign that circular fashion has moved from niche to normal. Shoppers can now scroll past new-season drops and discover curated pieces from more than 50 iconic brands, spanning ready-to-wear, handbags, shoes, and accessories, all in one place at Zalando. The premise is simple: keep the thrill of the find, remove the friction. Every item is authenticated by Vestiaire Collective before it appears on Zalando. The familiar 30-day return window still applies, and anything sent back is re-checked before it goes on sale again. It’s the convenience of a mainstream marketplace with the trust of a specialist. If the timing feels pointed, it is. Pre-owned demand on Zalando has been heating up only in 2025, an average of 62% of its pre-owned assortment sold within seven days of listing. Younger shoppers in particular are looking for smarter, more sustainable ways to buy into luxury without losing the brand cachet or the joy of great design. “We’re thrilled to launch this authenticated luxury assortment with Vestiaire Collective as our first Pre-owned partner,” says Alice Marshall, Director Pre-owned at Zalando. “By pairing authenticated luxury with Zalando’s convenience, we want to open up second-hand shopping to even more customers.” Vestiaire Collective sees it the same way as a wider door into circular fashion, not a separate side entrance. “This partnership helps democratise authenticated pre-owned luxury for millions across Europe,” says Thomas Hezard, Chief Product Officer. “It meets customers where they already shop and makes circular luxury more visible and relevant.” The assortment is live now across 14 European markets including Sweden, France, Germany, Italy, Spain, and the Netherlands through a dedicated Vestiaire Collective landing page on Zalando and within the Pre-owned category. The bigger story? Luxury resale is no longer a detour to a specialist platform; it’s becoming part of everyday browsing. The question isn’t whether you’ll buy something new – it’s whether you’ll find something worth wearing again. www.zalando.se

Fashion Articles

UNIQLO × Cecilie Bahnsen: Shapes of Poetry, Worn Every Day

UNIQLO × Cecilie Bahnsen: Shapes of Poetry, Worn Every Day In Cecilie Bahnsen’s world, flowers aren’t just motifs, they’re a symbol of personal memories spent pressing blooms with her sister at their seaside house and childhood afternoons with her grandmother. The symbolistic motif has now moved into textiles; Utilising the juxtaposition of the personal with the universal, she has transformed a collection that both feels as intimate as a keepsake and as easy as a T‑shirt. That’s the paradox Bahnsen has long pursued: couture-level emotion with everyday wearability. Now, in collaboration with UNIQLO, that idea of “everyday couture,” as Uniqlo’s Yukihiro Katsuta puts it – meets LifeWear’s clarity of purpose. The seed for the collaboration was planted seven years ago, when a chance seating at the opening of Uniqlo’s first Copenhagen store brought Bahnsen and Yukihiro together. Katsuta remembers her saying she’d started her label just a few years earlier and he kept watching. What took time to mature wasn’t a moodboard match but a deeper alignment and a shared belief that clothes should serve the person, not the other way around. “Clothes shouldn’t have an attitude, so that the person creates individuality,” Katsuta says. “Different price point, different design, but the philosophy is the same.” Bahnsen’s studio is known for sculptural volume, soft light, and a devotion to craft that sits between couture and ready-to-wear. Translating that into LifeWear demanded both restraint and invention. “We chose to make everything in jersey,” she explains. “It drapes more than we normally use, but we still wanted ruffles, ruching, and movement.” The teams co-engineered fabrics like a gingham jersey with matelassé texture 3D to the eye, soft and stretching in motion preserving structure without losing ease. For Bahnsen, those “small codes” matter. Detail becomes identity: a precise flower, a line of shirring, a sleeve that lifts air. “It doesn’t take more than two small flowers on a T‑shirt, and a good jersey to make it feel personal,” she says. Working within constraints sharpened that sense of authorship: “Making a runway collection lets you do everything. Here, restraint made me more aware of what makes a piece feel Cecilie and how to carry that DNA, intact, into this Uniqlo collection.” New Collection- Shapes of Poetry and Everyday Couture, For All Ages The collection’s theme, “Shapes of Poetry,” is both a method and a statement about how the pieces are meant to live on the body and evolve over time. It’s about ideas coming together until everything feels right “It’s like when it clicks and suddenly everything makes sense,” Bahnsen says. At its core, the collection is designed for longevity and versatility: pieces are meant to be worn, restyled, and reinterpreted across different seasons rather than tied to a single moment. In the campaign, this spirit is reflected in a shared, collaborative approach with teammates layering denim under airy dresses and moving garments fluidly between looks. The campaign, shot by twin photographers Louise and Maria Thornfeldt on Shodoshima, captures this same sensibility, where the shifting sea light gives the fabrics a sense of rhythm and continuity, like punctuation across changing scenes. If Copenhagen gives Bahnsen movement- “as a Scandinavian woman, you want to live in your clothes, not be owned by them”- Japan gives continuity. It is one of her label’s largest markets; she has visited nine times since founding the brand. She admires how Uniqlo customers recombine pieces across seasons, building personal uniforms from modular parts. Here, the Venn diagram overlaps: Scandinavian ease, Japanese simplicity, and a shared dedication to craft in textiles, ceramics, furniture, and fashion. The collection normally centers around womenswear but for the first time, a children’s line has been introduced. The same signatures are featured, volume, florals, introducing a new playfulness, inspired by childlike wonder and inviting rituals of mother daughter dressing . That matters to Bahnsen, now a mother, who talks about holding onto “the joy you have as a kid, the first time you draw, the first time a dress feels like magic.” Katsuta likens great collaborations to an Iron Chef challenge: you hand the designer a new ingredient – here, jersey and watch their mastery adapt. “Her direction is so detailed and tricky,” he says with admiration, recalling multiple fittings to bring ruching, tension, and comfort into sync. The reward is dual: LifeWear that breathes with emotion, and a gateway for new fans to discover Bahnsen’s world. Walk into a Uniqlo store and you’ll see the subtle details that shift a staple into something felt: a sleeve that swells like a tide, a floral that reads as a pressed memory, a skirt that moves with Copenhagen’s easy, sunlit pace.“Small things bring big changes,” Katsuta remarked. It could be the collection’s thesis. In the end, what feels most personal becomes the most shareable: a pressed anemone for spring, a tee with two flowers, the quiet moment when, as Bahnsen says, the pin drops and you realise you can wear it every day. The collection will launch globally on Thursday, 28 May. COPENHAGEN GUIDE- THE CECILE X UNIQLO WAY  Design & ShoppingCecilie Bahnsen Boutique The designer’s poetic universe.  LOUISE ROE GalleryScandinavian design in a serene setting. UNIQLO StrogetUniqlo’s Copenhagen Flagship. TableauSculptural florals and curated design objects. CultureNya Carlsberg GlyptotekArt Museum set around a lush winter garden. Kunsthal CharlottenborgContemporary art in a historic setting.  Louisiana Museum of Modern ArtModern art by the sea, where architecture, landscape, and exhibitions flow together. CafeAtelier SeptemberCalm, sunlit café with seasonal, minimal dishes . RestaurantsEsmée Lush, design – led brasserie with a vibrant atmosphere. Locale 21Modern European dining with a relaxed, central feel. Pluto Refined sharing plates in an intimate setting. Stay1 HotelNature-led, sustainable design with Scandinavian calm in the city centre. Villa CopenhagenThe grand former post office turned into a conscious luxury hotel by Central Station.

Cinema, Uncategorized

Where Ease Begins Again: Chanel in Biarritz, Then and Now – CHANEL CRUISE 2026/27

Where Ease Begins Again: Chanel in Biarritz, Then and Now – CHANEL CRUISE 2026/27 In Biarritz, time does not move in a straight line. It returns, folds, repeats itself in softer forms. The sea teaches this rhythm. It arrives, withdraws, and arrives again, always slightly changed. In 1915, Gabrielle Chanel arrived in Biarritz and established her couture house at the Villa de Larralde. It is not only a workplace but a lived space where boutiques, ateliers, and her apartment exist together. Nothing is separated. Everything flows into something else. Even then, it feels like a first sketch of what would later become 31 Rue Cambon. Before Biarritz, she had already begun to loosen fashion’s rules in Deauville and Monte Carlo. But here, something becomes clearer. The city gives her space to think differently, or perhaps she simply moves in rhythm with it. The clothes begin to change in a way that feels almost like relief. Jersey, linen, and cotton replace restrictions with ease. Garments are no longer constructed to hold the body in place but to allow it to move. Capes and dresses become lighter, more fluid, wearable across moments of the day without ceremony. Inside and outside begin to lose their boundaries. What emerges is a new language: movement as elegance, simplicity as intelligence, function as beauty. Biarritz itself mirrors this transformation. A city shaped by ocean light and artistic exchange, it becomes a meeting point for figures such as Igor Stravinsky, Jean Cocteau, and Pablo Picasso. Picasso painted The Bathers there in 1918, as if the coastline is reshaping how form is understood. The city feels open, porous, in constant exchange with what passes through it. Today, that same sense of movement returns, not as memory but as continuation. The Villa de Larralde reopens as an ephemeral space, not restored but reactivated. Chanel does not recreate its past but reenters its original idea: a place where life and creation are inseparable. In the Cruise 2026/27 teaser by Julien Martinez Leclerc, that idea becomes visual again. In black and white, model Noor Khan appears alongside dancer Kirill Sokołowski. Their movement is not performance but conversation with fabric, space, and air. This presence extends into collaboration with the Biarritz Film Festival NOUVELLES VAGUES, where film becomes another form of motion, another way of thinking about bodies and time. The Cruise 2026/27 show by Matthieu Blazy for Chanel returns to this coastline with the same question that once shaped it: what does freedom of movement mean now. What remains is simple. In Biarritz, Chanel did not just design clothing. She designed a way of being in the world that still feels in motion today. https://youtu.be/FMA3M0DReUQ?si=4Tz5tV74DTa3fShK

News

BOSS serves up grand-slam partnership with Australian Open

BOSS serves up grand-slam partnership with Australian Open for 2027 BOSS has announced a landmark partnership as the Official Lifestyle Outfitter of the Australian Open from 2027, marking a new chapter at the intersection of sport, style, and global culture. From the first serve to championship point, the brand will bring its signature sharp tailoring and sport-inspired looks to one of tennis’s most prestigious stages, alongside standout hospitality experiences designed to elevate the tournament on and off the court. The partnership is built on a shared mindset of ambition, performance, and bold confidence. For BOSS, it also reinforces tennis as a core part of its identity and cultural strategy, offering a platform to connect with global audiences through fashion, sport, and experience-led engagement. HUGO BOSS CEO Daniel Grieder described the collaboration as a “natural fit”, highlighting shared values of excellence and innovation, while Tennis Australia CEO Craig Tiley said the partnership will help enhance “how the tournament looks, feels, and connects with fans around the world.” As part of its new role, BOSS will transform the visual identity of the Australian Open, dressing up to 4,000 staff, officials, umpires, and ball kids, bringing a unified and unmistakably premium aesthetic to the event.

Cinema

98th Academy Awards: Chanel’s Cinematic Influence

98th Academy Awards: Chanel’s Cinematic Influence   Last Sunday, the 98th Academy Awards, affectionately known as the Oscars, once again captivated the world. Hollywood’s elite, a dazzling constellation of seasoned legends and rising stars, converged from every corner of the globe to celebrate the pinnacle of cinematic achievement. Yet, as much as this night is dedicated to honoring film, it is undeniably a grand spectacle of fashion, where stars become living canvases for the world’s most coveted designs. And when it comes to sartorial dominance, one brand consistently commands attention: Chanel. Indeed, a palpable coco fever swept through the event, with the iconic double C logo catching every discerning eye. The Academy Awards weekend is far more than a single Sunday night; it’s a multi-day celebration that begins with exclusive gatherings. A prime example is the highly anticipated CHANEL and Charles Finch Dinner, a ritual as integral to the Oscars experience as the ceremony itself. Held on March 14, 2026, at the opulent Polo Lounge of The Beverly Hills Hotel, this 17th annual dinner brought together cinema’s most luminous figures. Here, amidst the clinking of champagne glasses and hushed conversations, black tweed glided, pearls caught the candlelight like constellations, and silk moved with an effortless grace, framing the night before the red carpet flashes began.   Notable attendees at this exclusive pre-Oscars event included Nicole Kidman, who graced the occasion in a Chanel Pre-Fall 2026 white knot silk organza embroidered jacket and skirt. Jessie Buckley was seen in hues of celeste blue and jade, while Teyana Taylor opted for a Chanel Fall 2026 RTW ensemble. The distinguished guest list also featured Gracie Abrams, Lily-Rose Depp, Sarah Pidgeon, Al Pacino, Jessica Biel, Mick Jagger, Maya Rudolph, Elle Fanning, and Kristen Stewart. Conspicuously absent, however, was the one and only Margot Robbie. Chanel on the 98th Academy Awards Red Carpet When the main event arrived on March 15, 2026, Chanel, under the creative direction of Matthieu Blazy, continued its sartorial reign. Celebrities adorned in Chanel showcased a spectrum of designs, from custom creations to pieces fresh off the runway. Jessie Buckley, a winner for ‘Hamnet’, captivated in a custom electric blue velvet gown with a high neckline and bedazzled shoulder brooches for her on-stage appearance. Her red carpet look was a light pink bustier chiffon gown paired with a striking red satin leather stole, evoking a mid-century couture mood. This was complemented by Chanel High Jewelry, including the N°5 Drop white gold necklace and Bouton de Camélia earrings. Nicole Kidman, a long-standing Chanel ambassador, made a statement in a custom powder pink bustier dress featuring a peplum and a skirt adorned with apricot feathers, a testament to Chanel’s exquisite craftsmanship. Her look was completed with Chanel Fine Jewelry. Teyana Taylor, a nominee, chose a custom Chanel gown entirely embroidered with glass pearls and crystals, further embellished with black and white feathers, drawing inspiration from the Chanel Spring 2026 Haute Couture collection. Pedro Pascal brought old Hollywood romance to the red carpet, foregoing a traditional tuxedo jacket for a look accented with a feather brooch, Chanel eyewear, and shoes. This demonstrated the growing momentum of Chanel menswear under Matthieu Blazy.Gracie Abrams wore a navy Chanel ensemble embroidered with navy and black sequins in a floral motif, featuring a cropped top, skirt, and a navy chiffon scarf, blending youthful modernity with old Hollywood glamour. Maya Rudolph appeared in a layered silhouette with sheer detailing, showcasing the diverse range of Chanel’s designs. The 2026 Vanity Fair Oscar Party: Chanel’s After-Party PresenceThe glamour continued into the night at the exclusive 2026 Vanity Fair Oscar Party, where Chanel once again dressed some of Hollywood’s brightest stars. Kendall Jenner was a standout in a light blue dress adorned with gradient sun sequins and multiple layers of mousseline and satin in shades of blue and white, depicting a mushroom motif. This look was completed with Tiffany & Co. jewels.Teyana Taylor transitioned into a white Chanel slip dress with elegant chain straps draping down her spine for the after-party.Jessie Buckley opted for a black lurex fur dress, accessorized with Chanel High Jewellery.Nicole Kidman was seen in a Chanel Spring 2026 gold metallic fibre dress, which featured frayed edges.Gracie Abrams wore a Chanel Pre-Fall 2026 dress, styled with Chanel High Jewellery, presenting a softly romantic aesthetic.Quenlin Blackwell also wore a Chanel Spring 2026 dress. In essence, the 98th Academy Awards weekend underscored the symbiotic relationship between cinema and couture. From the intimate pre-Oscars dinner to the extraordinary red carpet and the exclusive after-parties, Chanel’s presence was undeniable, proving that on a night when cinema crowns its dreams, the letter C quietly takes its place at the center of it all, not only in Oscar, but in Chanel.

Opiates

Havaianas Returns to Its Roots

Havaianas Returns to Its Roots In a moment when fashion increasingly looks back to its origins, Havaianas finds its essence in TRADI, the original flip-flop that defined the brand back in 1962. But this is more than a flip-flop; it’s a journey into the poetry of everyday life in Brazil, now reimagined for a global audience. The instantly recognizable silhouette reflects a subtle meeting of two worlds: Brazil’s vibrant culture and the minimalist soul of Nordic design. From the textured sole to the simple straps, every detail is a quiet celebration of function, clarity, and timelessness. There is no excess here, only pure form and comfort. Born from sun, sand, and urban life in Brazil, it now steps into a new context – a global conversation where Latin American expression meets Scandinavian minimalism. It’s a dialogue between warmth and simplicity, between expressive culture and refined aesthetics. The most enduring design ideas are often the simplest. Here, history and the present coexist, tradition and reinvention intertwined, all within a single pair of flip-flops.

News

Rörstrand x Zoégas – Timeless Craft, Inspired by Women

Rörstrand x Zoégas – Timeless Craft, Inspired by Women Rörstrand, one of Europe’s oldest porcelain manufacturers, is celebrating an extraordinary 300-year anniversary. Throughout the year, the brand is reviving some of its most beloved classics, reimagining them in new forms and, in some cases, through collaborations with equally iconic partners. One of the most talked-about collaborations right now is Rörstrand x Zoégas. This partnership unites not only two historic Swedish brands but also the enduring legacies of two pioneering and inspiring women whose influence continues to resonate across generations. As Zoégas celebrates its 140th anniversary this year, the collaboration thus embodies a remarkable 440 years of combined heritage. In an exclusive collaboration celebrating Rörstrand’s 300th and Zoégas’ 140th anniversaries, two historic Swedish brands unite, with taste, craftsmanship, design, and female entrepreneurship taking center stage. A limited-edition coffee, visually defined by Rörstrand’s iconic Mon Amie pattern, has been launched. This 2026 anniversary edition is the result of a close collaboration between the two brands – a meeting of Swedish cultural heritage rooted in a shared passion for craftsmanship, quality, and innovation. At the heart of the collaboration are Marianne Westman and Maria Zoéga, two pioneering women of their time. In different industries but with a shared determination, they challenged conventions, shaped their respective fields, and built legacies that continue to define the brands today. Porcelain and coffee naturally converge around the table, a space for gathering, sharing moments, and elevating everyday experiences through taste and design. This collaboration harmonizes aesthetics and flavor, enriching the ritual of coffee. Mon Amie – Timeless Design for Meaningful Moments Mon Amie, one of Rörstrand’s most beloved collections, is a symbol of friendship, warmth, and togetherness. Designed by Marianne Westman during a rainy Midsummer’s Eve, when she was in her early twenties, and launched in 1952, the name, which means “my friend” in French, captures its essence perfectly. Mon Amie is a tribute to relationships and everyday rituals. It imbues every moment, from intimate gatherings to celebratory occasions, with beauty and lasting memories. In the shared pioneering spirit of Marianne Westman and Maria Zoéga, Rörstrand and Zoégas are also supporting female entrepreneurship in Colombia. Today, women remain underrepresented in coffee farming. This initiative aims to increase their participation by introducing flower corridors for pollinators, which not only improve crop yields but also create new opportunities for women farmers to diversify their income. Since the launch of the coffee tin featuring Rörstrand’s classic Mon Amie pattern, the response has been overwhelming. Originally created to celebrate Rörstrand’s 300-year anniversary, the tin has captured hearts and sparked renewed interest in the iconic design. While Rörstrand and Zoégas are yet to announce when or where additional editions will be available, the enthusiasm has inspired the brands to explore the possibility of creating a version that could become a lasting part of their collection. It’s a reminder that timeless design, thoughtful collaboration, and shared heritage continue to resonate and that even small moments, like enjoying a cup of coffee, can carry a piece of history with them.www.zoegas.se

Design, Uncategorized

Meet Leo: Your New Favorite Statement Lamp

Meet Leo: Your New Favorite Statement Lamp After the incredible success of Styrka, a collection that truly made itself at home in countless Swedish houses, Markslöjd, Filippa Rådin, and Anja Pärson are back with a brand new design that isn’t afraid to command attention. Leo isn’t just a lamp; it’s a declaration of style. Where Styrka was all about balance and timeless grace, Leo takes a more expressive path. It’s bold yet welcoming, sculptural yet soft – crafted to catch your eye and become the heart of any room. This is lighting that does more than just brighten a space; it completely transforms it.   The collaboration behind Leo is built on a shared vision of thoughtful design and effortless elegance. Filippa Rådin and Anja Pärson have once again poured their signature sense of harmony into this piece, where color, form, and atmosphere blend together seamlessly. The result is a lamp that feels both utterly contemporary and deeply personal. Whether it’s hanging above your dining table, casting a warm glow in your living room, or adding intimacy to a quiet nook, Leo adapts beautifully while still standing out. It brings a quiet confidence to any area – an understated boldness that elevates your entire interior. Launched earlier this month, Leo reflects an evolution of the ideas that inspired Styrka. What once symbolized strength and stability has blossomed into something more dynamic – a celebration of movement, creativity, and the courage to explore fresh expressions.

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