Author name: Mauri Camelbeke

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Below Zero, Beyond Ordinary: When Electric Performance Meets Winter Golf in Åre

Below Zero, Beyond Ordinary: When Electric Performance Meets Winter Golf in Åre There is a certain silence in Åre during the winter that comes after snowfall. When the world feels, sculpted, almost curated. In that stillness, the idea of combining electric performance cars and golf might sound improbable, yet that is exactly where Polestar’s latest concept finds its charm. Drive below zero is not presented as a traditonal car event, but as a winter experience that blends movement, design, and play in a setting shaped by Nordic winter itself. At the heart of it is a simple but clever parallel. Golf is a sport of precision, patience and control. Winter driving in Scandinavia asks for the same qualities. Small inputs matter. Focus matters. The relationship between human and machine becomes more visible when conditions are demanding. images courtesy Polestar 3 Rather than talking about winter capability in abstract terms, Polestar places drivers in an environment where those qualities can be felt. Their vehicles are engineered and refined in real Nordic winters, where ice, snow, and deep cold are part of everyday testing. The result is a driving experience designed to feel composed and predictable, even when the rroundings are not. The winter golf element adds a layer of personality. A temporary course carved into the snowy landscape turns a test drive into something memorable. It invites curiosity. It slows people down. Between swings and drives, visitors move through the landscape in a more conscious way, noticing the terrain, the quiet, and the contrast between nature and technology. There is also an underlying design philosophy at play. The course is minimal, intentional, and temporary, echoing Scandinavian ideas of restraint and harmony with the environment. It reflects a mindset where luxury is not about excess, but thoughtfulness and experience. In many ways, Drive below zere feels less like a campaign and more like an invitation. An invitation to see performance in a different context, to connect sustainability with experiences, and to associate innovation with something human and playful. Perhaps that is wat makes it memorable. Not just the cars or the concept, but the feeling of seeing something familiar, like winter in Åre, interpreted in a new way. A reminder that innovation can be playful, and that even in the coldest settings, new ideas can feel warm and inviting.

Contributors

Henry Hu

PHOTOGRAPHER
Henry Hu (born. 1995, Hong Kong) is a self-taught artist of Chinese descent. First arrived at his practice through modern technological tools and software; easily accessible, the digital medium served as an immediate resource. His early work engaged aspects of digital art and graphic design. The years followed, in an attempt to shift towards a more physical manner, Hu took on new materials, working between formats, to incorporate his digital creation into tangible forms. This ongoing exploration has manifested in mixed-media paintings, lens-based works, and computer-generated animation

Opiates

Cecilie Bahnsen’s Introducing the Pre-Fall 2026 Campaign

Cecilie Bahnsen’s Introducing thePre-Fall 2026 Campaign Cecilie Bahnsen’s Introducing thePre-Fall 2026 Campaign Cecilie Bahnsen’s Introducing the Pre-Fall 2026 Campaign PRE-FALL 2026 The bow has long been part of Cecilie Bahnsen’s vocabulary. This season, it becomes central. Like a guiding force, it appears as motif, method, and metaphor. At once delicate and decisive, the bow acts as both adornment and architecture, holding tension and binding softness into structure. Beneath its loops and trailing ends lies a lasting strength, a gesture that secures and shapes what surrounds it. This season, Bahnsen revisits the bow through every lens. The collection echoes the pages of A Magazine Curated By Cecilie Bahnsen, where a feature titled Unbowed explored the bow as a symbol of feminine paradox. Here, its spirit lingers across silhouettes and seams, binding innocence with intention. photography Nadine ljewerestylist Nathan klein A SENSE OF OCCASION There’s something beautiful about the idea of dressing up with no particular reason,” says Cecilie Bahnsen. “This collection is a reminder to cherish those moments. To dress not because we must, but because we can. For ourselves, with friends, as a kind of shared joy.” The idea of occasion runs through the collection. Silhouettes shaped with couture-like precision begin to soften, slouch, and gently collapse against the body, creating a sense of ease. Layering becomes a language of its own. The constructions are intricate, yet the feeling remains effortless. Looks that once felt formal are reimagined to be worn freely and spontaneously, every day. At the heart of it all lies instinct, knowing when to hold things together, and when to let them unravel. THE TIES THAT HOLD The bow emerges as the season’s sculptural focal point. It appears in generous appliqués, embroidered into panels, and woven into fabrics as a quiet pattern. It moves across the back of silhouettes, nestles into dense seams, and suspends delicate dresses like ribbons caught mid-air. In its most restrained form, it becomes a simple gesture, at times fastening and binding, at others serving purely as adornment. Texture deepens the dialogue. Sturdy knits, quilted weaves, and striking jacquards are held together by unexpected closures “zips bows, and knots” blurring the boundary between utility and elegance. Softness is never accidental; it is engineered and deliberate. The colour palette mirrors the changing season: raw whites replace brights, softened to a chalky finish. Autumnal tones grow richer, while cool greys and dusk pinks suggest fading light. Materials alternately shimmer and soften, shifting between technical nylon and luminous brocade. BEFORE EVERYTHING UNRAVELS Looking beyond the bow, the collection explores the contrast between the ultra-feminine and the functional. Delicate silhouettes are paired with bombers, technical outerwear, and utilitarian shapes, softened through knitwear that wraps and grounds the look. A quiet tension emerges between nostalgia and newness. Photographed by Nadine Ijewere, the campaign reflects on ritual, gesture, and atmosphere. “The campaign draws on the intimacy of childhood rituals — the quiet moments before stepping into the world,” says Cecilie Bahnsen. “Nadine captures that in-between feeling, the imperfection before completion, with a gaze that feels both dreamlike and grounded.” The images become portraits of becoming rather than completion: friends sharing the small choreography of getting ready. Clothes are tied, adjusted, and lived I worn freely, without waiting for an occasion. The bow returns as both a structural and emotional anchor, holding everything together, until it doesn’t.

Fashion Articles

Femme Fatale: Kristoffer Kongshaug and Empowerment Through Design in Forza Collective AW26

Femme Fatale: Kristoffer Kongshaug and Empowerment Through Design in Forza Collective AW26 text by Ella Nelson Copenhagen-born and -based brand Forza Collective operates at the intersection of couture and ready-to-wear and is instantly recognizable for its beautifully balanced sharp tailoring and cocktail elegance. Rooted in the juxtaposition of structure and softness, the AW26 collection was no exception. Set within an industrial concrete space and featuring camp collars, impeccable cutouts, fluid draping, and the image of a powerful woman, the collection emerged as classy and colorful—a love letter to female empowerment. Odalisque had the pleasure of sitting down with Kristoffer Kongshaug, Forza Collective’s founder and creative director, to discuss craftsmanship, his signature design elements, and the inspiration behind the AW26 collection. art direction Alexis Markimage courtesy Kristoffer Li ‘Forza’ is an Italian word that translates to strength, force, or power. What does the word mean to you personally, and how does it shape the work you do? I like it because of the state of mind it reflects, either to my work approach or everyday life. Please tell us about how the AW26 collection came to life. What inspired it, what did the creative process look like, and how does the showcase reflect those ideas? It was a combination of an image of my aunt from when I was only a toddler. She worked for Air France and traveled back and forth from Paris to Denmark. She was the first woman in my life to dress up, and that image has stuck with me ever since. I also had baroque images of collars and layers of collars which went into the styling and some of the gowns. Which key elements or collaborators played a role in shaping the AW26 collection? The AW26 collection features pleated high-neck collars with ruffles in mesh, finished with raw edges, a technique also applied to skirts. Shirts showcase ascot collars and extended cuffs, while coats and shirts are designed with color-block collars and cocoon sleeves. Tonal or color-block strips of double-face wool and cotton poplin, reinforced with boning, are a recurring styling detail, emphasizing the neck and the structural construction of the garments. Circular cutouts on dresses and tops highlight architectural lines and create a sensual silhouette with exposed backs. Signature pipe pleating appears on day dresses, complemented by deconstructed bra cups on cocktail dresses. Draped suit pants evoke the feel of layered skirts, adding movement and dimension to the overall look. Are there any specific pieces, details, or ideas you’d like to highlight from this collection? The opening look. A deconstructed blazer in grey wool with a matching skirt, styled with a bright red top with a pleated baroque collar with ruffles in mesh. A mid length dress in black, lightweight crepe with waistline focus, featuring an open back with a flared cape that is one of main details in many of the looks throughout the collection. The red jacket in double face wool, styled with a signature flare pant and shirt, and a tonal strip of double face wool with boning around the neck that is a continuous styling detail in the collection. The closing look in deep sky blue. A peplum gown with a pleated twisted skirt that has a triangle focus towards the hem, and has a matching pleated baroque collar with ruffles. What challenges did you face in creating the collection, and what are you most proud of? The challenge season after season is that it is expected that you deliver better and bigger from the previous season, and not necessarily with more resources or a bigger team. Impact is a core value for FORZA—the creation of something that alters presence and leaves a lasting impression rather than existing solely for display. How does this translate into your designs, this collection in particular, and the brand’s creative expression more broadly? This comes down to the show pieces and styling. There will always be pieces that will be THE memory of that particular season, in this case – the collars styled with suits, and the pink and blue gown. It is all a part of the story telling and helps push the brand forward aesthetically. What do you hope audiences feel or walk away with after experiencing the AW26 showcase? The craftmanship. Everything is handmade at our atelier in Copenhagen, and I really hope that shows in the garments. How does this collection build on and strengthen the ongoing narrative of FORZA? The collections are always built with female empowerment in mind, a femme fatale if you will, and power dressing. During your career, you’ve lived and worked in both Paris and New York. What impact did these international experiences have on you as a creative, and how have they shaped your designs and your work at FORZA? This means everything to me. The craftsmanship from Paris and the commercial touch from New York are building stones for Forza. I would never be able to communicate what I want without those experiences. Craftsmanship is my way of communicating with the customer and our community, with me being present to speak to it. It is a silenced dialogue. Looking ahead, what’s next for FORZA? I am very excited for our upcoming launch of our new website and e-commerce which is something we have spent a long time on, and then of course our showroom in Paris in March. I had a lot of positive feedback from buyers which is always exciting!

Beauty Editorial

EARTHBOUND

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Contributors

Ella Nelson

JOURNALIST AND CREATIVE WRITER
Ella Nelson is a Stockholm-based writer and creative. She holds a BA (Hons) in Journalism and Media from the University of Leeds and a vocational certificate in Fashion Photography from the University of the Arts London: Central Saint Martins. Driven by visual aesthetics and cultural narratives, her work spans creative communications, copywriting and editorial journalism, with additional experience in freelance production and photography across the Nordic fashion industry.​

BackStage

Baum Und Pferdgarten – AW26Airborne

Baum Und Pferdgarten’s fall/winter 2026 collection, Airborne Baum Und Pferdgarten The AW26 collection by Baum und Pferdgarten is inspired by Amelia Earhart, an iconic pioneer who moved effortlessly between worlds. As both a record-breaking pilot and a style icon, she challenged traditional boundaries between masculine and feminine dress. The collection explores contrasts between function and elegance: aviator jackets, uniform shirts, distressed leather and structured denim are balanced with flowing dresses, lace details, lightweight fabrics and floral prints. Strength and protection meet softness and sensitivity through expressive silhouettes and refined details. Presented during Copenhagen Fashion Week, the Airborne collection was shown in a historic sports hall transformed into a runway-inspired catwalk. Accompanied by the Sankt Annæ girls’ choir, the show carried a ceremonial atmosphere that reinforced the collection’s aviation-driven narrative.

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