Balenciaga

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BALENCIAGA ARTEAN – EDUARDO CHILLIDA

BALENCIAGA ARTEAN – EDUARDO CHILLIDA From April 21 to 26, 2026, in parallel with Milan’s Salone del Mobile, Balenciaga presents a special installation within its Via Montenapoleone flagship, inaugurating a new artistic chapter for the house. Conceived by Creative Director Pierpaolo Piccioli, the project marks the first time Balenciaga engages a major artist through a dedicated, ongoing platform.  Titled Artean, the series takes its name from the ancient Basque language, where the word signifies “between.” The term suggests a space of connection, an interval where disciplines, ideas, and histories intersect. In this context, Artean becomes both concept and framework, establishing a dialogue between art and fashion while subtly echoing linguistic associations with the word “art” itself. For its inaugural edition, the house turns to the work of Eduardo Chillida, presenting seven pieces by the celebrated artist within the store environment. Some of these works directly reference Cristóbal Balenciaga, founder of the house, extending a conversation that began decades earlier and remains resonant today. Installed among the current collections, the works invite an encounter where sculpture and garment coexist, each informing the perception of the other.   Piccioli frames the project as an exploration of art’s emotional and intellectual capacity. For him, art operates not only as a cultural expression but as a generator of energy, curiosity, and thought. His decision to foreground Chillida’s work in Milan is rooted in a personal connection to the artist’s philosophy, as well as in a desire to reconnect with the Basque heritage that underpins the house. Through this installation, that lineage is made visible, offering visitors a space where memory and modernity converge . The relationship between Chillida and Balenciaga dates back to their shared origins in the Basque region. The sculptor was first introduced to the couturier through his grandmother, Juana Eguren Jáuregui, a hotelier in San Sebastián, the city where Balenciaga opened his first store. It was later in Paris, where both men had relocated, that they met in person. By that time, each had established himself as a leading figure in his respective discipline. Their exchange revealed a mutual sensitivity to form, particularly in their approach to volume and space. For Balenciaga, volume shaped the body, while for Chillida, volume articulated space itself.   BALENCIAGA MILAN FLAGSHIP 23 Via Montenapoleone 20121 Milan Italy Image courtesy of BALENCIAGA 

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Balenciaga Presents the Sneaker Campaign: Radar and Triple S.2

images courtesy Balenciaga Balenciaga Presents the Sneaker Campaign: Radar and Triple S.2 Balenciaga introduces a new campaign highlighting the Radar and Triple S.2 sneakers, designed by Creative Director Pierpaolo Piccioli. The two silhouettes represent the latest evolution in the House’s approach to luxury sneaker design: the slender, 360‑lacing Radar and the hybrid, next‑generation Triple S.2.   Actress Yao Chen, footballer Hugo Ekitike and singer Katy Perry appear in the campaign, photographed by Mark Peckmezian and filmed by Mitch Ryan. Their portraits pair the sneakers with Balenciaga TechWear and pieces from the Fall 26 collection, alongside everyday objects tied to routine and discipline. The imagery draws a parallel between athletic innovation and the steady rituals that shape personal performance.   The campaign also extends into sound. Each talent shares a playlist built around the music that accompanies their real‑life training habits, available across Balenciaga’s music channels.   The Radar and Triple S.2 sneakers are available now in select Balenciaga stores and on balenciaga.com.

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Balenciaga | Le City

images courtesy Balenciaga Balenciaga | Le City Balenciaga revisits one of its most recognisable silhouettes with a new iteration of the Le City bag, first introduced in 2001 and long associated with the effortless elegance that defined the early 2000s. The updated version, shown during the Summer 26 collection by Pierpaolo Piccioli, brings a lighter construction and a more structured shape while retaining the details that made the original a cult object.   Rolled leather handles braided with cotton laces, a detachable strap with shoulder pad, and the signature framed mirror return from the archive. These elements sit on a softened, round‑edged body finished with familiar studs, laced zipper pulls and small buckles. Materials play a central role: velvety suede, smooth leather accents, gold‑finished hardware and ultralight calfskin lined with contrasting suede.   The new Le City reflects the line’s ability to move between Balenciaga’s creative eras while maintaining its status as a house icon. The updated styles introduce a more architectural direction without losing the bag’s established codes.   The collection includes versions in black or moka calf suede, plum or lagoon ultralight calf with contrasting suede linings, and a Le City First model in natural vegetal‑tanned vacchetta leather. All are available in select Balenciaga stores and on balenciaga.com.

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