Opiates

TwoJeys x Havaianas text Natalia Muntean A Mediterranean spark meets tropical heat. Barcelona-based jewelry provocateurs TwoJeys join forces with Havaianas, the Brazilian icon of barefoot ease, for their first-ever collaboration: a limited three-piece flip-flop collection that channels the irreverence of both brands into something tactile, sun-drenched, and sharp-edged. Each pair is a reimagining of the classic Havaianas Top — in black, green, and yellow — punctuated with TwoJeys’ metallic star pins in clashing duos of yellow-green or blue-red. The mood is bold but effortless, leaning into color and contrast, utility and glamour. An homage to both brands’ visual languages, but also a subtle revolt: beachwear made for asphalt, for night, for movement. The campaign, lensed by Aidan Cullen and fronted by Alika Mock and Margo Millen, takes place somewhere between memory and mirage — a blurred place where Brazilian roots meet Barcelona’s industrial elegance. It’s less a lookbook than a state of mind. This isn’t just a summer release — it’s a signal: that the beach can bleed into the city, that classics can be recoded, and that the flip-flop still has stories left to tell. Read more at www.havaianas.com 

My Everyday Essentials: Rom&nd Glasting Melting Balm text Elva Ahlbin There are a few products I keep within arm’s reach no matter where I’m working — and the Rom&nd Glasting Melting Balm is firmly in that category. These balms have quietly become one of the most important staples in my makeup kit. I have two shades: Scotch Nude, a cool, rosy-brown nude, and Dear Apple, a soft warm coral. With just these two, I feel totally equipped to create the perfect, balanced lip tone on almost anyone I work with. What I love most is that the color payoff is subtle but transformative. The balms give a sheer, glossy tint that melts into the lips rather than sitting on top, which is exactly what I want when I’m doing natural, skin-focused makeup looks — which, let’s be honest, is most of the time. They give that polished “your lips but better” feeling, with just the right amount of shine to make everything look healthy and fresh. The texture is beautifully smooth — it really does melt on contact — and feels more like a treatment than a traditional lip color. No stickiness, no fuss, just a lovely, nourishing glide that makes the lips look fuller and more hydrated. Another big plus: they’re affordable, especially considering how often I use them and how well they perform. For a product that works across skin tones, blends effortlessly into any look, and doesn’t require constant reapplication, they’re truly excellent value. They might not be the loudest product in my lineup — and that’s kind of the point. They’re quiet, reliable, and always make the final look feel complete. I make sure to keep them close by, because they’ve earned their place as a go-to in both my personal and professional routine.

Front Row — The Chanel Circle at Como text Jahwanna Berglund Chanel’s Cruise 2025/26 show wasn’t just a celebration of timeless elegance on the runway — it was also a gathering of the House’s closest muses, global ambassadors, and cinematic kindred spirits. Against the dreamlike setting of Villa d’Este, the front row sparkled with familiar faces and quietly iconic presences. Keira Knightley, a longtime Chanel muse and embodiment of the brand’s modern romanticism, arrived in effortless style, joined by the always-radiant Margaret Qualley and Academy Award-winner Lupita Nyong’o — each bringing their own energy to the show’s golden atmosphere. In a rare public appearance, Roman Coppola was spotted supporting his sister Sofia, whose direction of the show’s teaser brought an ethereal, filmic mood to the entire presentation. Also among the guests was The White Lotus actress Sarah Catherine Hook, a rising star whose presence hinted at a new generation of Chanel women — sharp, luminous, and unafraid of a little mystery. And then, of course, there was Caroline de Maigret — ever-present, ever-effortless. At this point, it’s hard to imagine a Chanel show anywhere in the world without her signature nonchalance anchoring the brand’s Parisian soul. The scene felt less like a red carpet and more like a gathering of the Chanel universe — elegant, understated, and entirely in tune with the spirit of la dolce vita.

Peace Day – 80 Years Later by Ludmila Christeseva text Zohra Vanlerberghe On the 80th anniversary of peace in Europe, artist Ludmila Christeseva presents Roses of Ties — a poetic, fashion-driven reflection on the absence of fathers, grandfathers, and men lost to war. The project transforms donated designer ties from labels such as Dior, Armani, and Lanvin into rose-shaped brooches, each one handcrafted and meant to be worn close to the heart. Blending craft, memory, and activism, the collection will be presented at the Swedish Army Museum as part of its commemorative programme. Roses of Ties challenges the aesthetics of war remembrance with a gesture of soft power: intimacy, touch, and the resilience of women.Discover more at artten.se/roses-of-ties and armemuseum.se Images courtesy of the artist

Sisley Paris Color Cloud text  Elva Ahlbin I’ve always had a soft spot for multi-use products – they make my job easier as a makeup artist, but there’s also something satisfying about being able to do a full look with just one shade. Sisley Paris Color Cloud Lip & Cheek in Berry is exactly that kind of product. Berry is a rich, cool-toned raspberry red that somehow feels both classic and fresh. I honestly think it’s one of those shades that looks good on pretty much everyone – pigmented enough to make a statement, but also easy to sheer out if you want something softer. I’ve tried it on myself and used it professionally, and I have to say: everything this product claims to do, it actually does. The texture is super lightweight – kind of mousse-like – and it goes on smoothly without feeling dry or greasy. It sets pretty quickly, but you still have enough time to work it in. On me, it lasts really well on both lips and cheeks without fading or going patchy throughout the day. Most days, I just tap a bit on my lips with my finger for a more blurred effect, and then I use the same colour on my cheeks to tie the look together. If I want more colour payoff, I go in straight with the applicator for a clean, more intense finish. What I love most about Color Cloud is how effortlessly it pulls a whole look together – no fuss, no need for multiple products. And best of all, it doesn’t feel drying, even after hours of wear. The packaging is sleek and compact – easy to throw in your bag, which I always appreciate. And yes, it’s Sisley, so the price tag is on the luxury side. But in this case, I think it’s justified. The formula performs beautifully, the shade is incredibly wearable, and you get a high-end experience from start to finish. If you like makeup that’s quick, versatile, and still feels elevated, this one’s definitely worth checking out.

Cloud Screen by Common Clouds text Elva Ahlbin Finding an SPF that you actually want to use every day is no small thing—especially if you have skin that reacts easily or makeup that doesn’t play well with thick or greasy formulas. That’s why I was genuinely happy when I started using Cloud Screen from Common Clouds. It’s one of those products that instantly fits into your routine without any drama, and for me, it’s already a staple. Cloud Screen is a lightweight, hydrating SPF 50 with PA++++ protection, specifically formulated for acne-prone and sensitive skin. That alone makes it interesting. But what really sets it apart for me is how comfortable it feels on the skin. It sinks in quickly and doesn’t leave a white cast—regardless of skin tone. There’s no stickiness, no stinging around the eyes, and it layers perfectly under makeup—something I absolutely need from a daily sunscreen. It wears more like a lightweight moisturizer than a traditional SPF, which makes it easy to reapply throughout the day if needed. I’ve tried so many SPFs that I’ve had to push through using. Either they pill, feel heavy, or just don’t sit right with the rest of my products. Cloud Screen doesn’t have any of those issues. At 199 SEK for 50 ml, it’s genuinely great value. The formula is fragrance-free, vegan, and cruelty-free, and it doesn’t feel like they’ve cut corners to keep the price low. On the contrary—it feels like a high-end product that’s been carefully made with sensitive skin in mind.

Manasi 7 is introducing The Tinted Beauty Potion text Natalia Muntean Manasi 7, the well-established Swedish beauty brand, is introducing its latest addition – the Tinted Beauty Potion. This new product is made to enhance your lips, cheeks and eyes with a soft, dewy glow, while offering deep moisture, each drop of Tinted Beauty Potion working tirelessly to replenish and rejuvenate from within. Among its hero ingredients are organic Blackcurrant Seed Oil, Raspberry Seed oil, Plum Kernel Oil, Bitter Cherry Seed Oil, Jojoba Seed Oil, fermented vanilla planifolia extract and Argan Oil. This mélange will help moisturise your lips, creating a sheer to medium coverage natural hue on cheeks and eyes and remaining non-sticky. Available in eight shades ranging from neutrals to deeper tones, the Tinted Beauty Potion features skin-loving ingredients that provide a brilliant shine. This feather-light, tinted oil can be used to create a dewy flush of colour while also keeping your skin and lips protected, hydrated, and healthy. The Tinted Beauty Potion promises to not be just another beauty product, but a lavish elixir crafted to nourish and hydrate, delivering a colour and sheen that are utterly irresistible.

The Return of a Rebel: Oakley Revives the Straight Jacket 99 text Ulrika Lindqvist Oakley digs into its archive to revive a cult classic: the MUZM Straight Jacket 99. First launched in the late ’90s, the frame became a defining symbol of Oakley’s rule-breaking design philosophy—part sport gear, part street icon. Now, in a limited-edition release, it returns with new edge and original attitude. The second-generation Straight Jacket, known for its aggressive silhouette and glove-like fit, has been reissued with sharp upgrades. Think silver flame detailing, Oakley’s signature lightweight O Matter™ frame, no-slip Unobtainium® ear socks, and Prizm™ Black lenses engineered for clarity and contrast. At the front of the campaign is pro athlete Trinity Rodman—bold, unapologetic, and perfectly cast. She represents the modern wearer: someone who doesn’t chase trends, but defines them. The MUZM Straight Jacket 99 isn’t just a throwback. It’s a reminder that icon status is earned, not inherited. Reissued under Oakley’s MUZM line—its experimental arm focused on heritage and reimagination—the frame bridges past and present with confidence. For those who get it, this is more than eyewear. It’s a signal. Read more at www.oakley.com Image courtesy of Oakley 

Axel Arigato builds on low-profile momentum with the launch of second silhouette: Tact Runner text  Zohra Vanlerberghe Axel Arigato introduces the Tact Runner, the latest addition to its low-profile footwear series, a unisex silhouette shaped for the rhythm of everyday life. With a focus on tactile surfaces and minimalist form, the sneaker balances material richness with quiet, considered design. Crafted in brushed denim, the upper brings softness and texture to the forefront, contrasting with a sleek sole inspired by the feel of a knitted sock, lightweight, close to the ground, and subtly curved at the heel for added lift. Tonal stitching and embroidered branding are used sparingly, allowing the construction and fabric to speak for themselves. The launch is accompanied by a campaign featuring artist Orfeo Tagiuri, whose reimagined everyday objects reflect the same mix of play and precision found in the Tact Runner itself. Available right now in blue and charcoal denim. Discover more at axelarigato.com Images courtesy of Axel Arigato

A Day’s March and Owe Gustafson Present “The Great Escape” text Ulrika Lindqvist A Day’s March continues its creative collaboration with Swedish artist Owe Gustafson through The Great Escape — a playful summer collection of 12 garments and accessories featuring Gustafson’s signature colorful landscapes and naively drawn animals. Celebrating their fifth project together, the collection blends A Day’s March’s clean design ethos with Gustafson’s warm, whimsical aesthetic — offering a vibrant antidote to an increasingly cold world. Born in 1940, Gustafson is a celebrated artist, illustrator, and animator, known for his work on the beloved children’s show Five Ants Are More Than Four Elephants and for his exhibitions across Paris, New York, and Tokyo. His joyful, irreverent style has made him a cultural icon in Sweden and beyond. “Men usually dress very poorly. It’s satisfying to work with a company trying to change that,” says Gustafson. Read more at adaysmarch.com  Images courtesy of A Days March