Author name: Saskia Clarke

News

CELINE Infinite Possibilities

CELINE Infinite Possibilities French luxury fashion house CELINE has officially unveiled its highly anticipated “Infinite Possibilities” campaign, a striking visual and creative endeavor that breathes new life into the brand’s historic relationship with silk. Lensed by acclaimed photographers Eijin Ota and Victor Brun, the new campaign introduces a meticulously curated collection of silk scarves alongside an expansion of the house’s contemporary charm series, marking a bold fusion of heritage craftsmanship and modern narrative. At the heart of the campaign is a profound reinterpretation of the traditional carré (square scarf). Long regarded as a staple of classic European elegance, CELINE has elevated the accessory from a wardrobe staple into an artistic medium of storytelling. Each piece in the collection serves as a wearable canvas, featuring intricate designs and narratives that bridge the house’s storied past with its forward-looking aesthetic.   To achieve the level of detail required for these complex visual narratives, CELINE’s artisans utilized a specially developed silk twill. Engineered specifically for this collection, the textile boasts a significantly denser weave than traditional silk. This technical innovation provides a substantive, lustrous drape that inherently alters how the fabric moves and hangs. More importantly, the specialized weave enhances the depth of color and the sharpness of every line, ensuring that the vivid imagery and sophisticated graphics printed onto the silk are rendered with pristine, gallery-like clarity. The visual language of the campaign is articulated through the distinct lenses of Ota and Brun. Their imagery captures the interplay of light, texture, and movement, highlighting the versatility of the silk scarves as they are styled in contemporary, unexpected ways. The photographs emphasize that while the carré is deeply rooted in luxury tradition, its applications in a modern wardrobe are truly infinite. Complementing the textile collection is the continuation of the “Infinite Possibilities” charm series. Initially launched at the end of last year, these highly collectible, tactile accessories have quickly become a cornerstone of the house’s identity. Designed to supplement both the women’s and men’s runway collections, the charms offer a customizable, playful element to CELINE’s signature tailoring and leather goods. Whether clipped onto an iconic handbag, worn as jewelry, or integrated into the styling of the new silk scarves, the charms embody the campaign’s ethos of personal expression and endless configuration. images courtesy CELINE photography Victor Brun The “Infinite Possibilities” collection arrives at a time when luxury consumers are increasingly seeking out pieces that offer both historical value and individual versatility. By focusing heavily on the tactile and visual mastery of silk, CELINE reclaims its authority in high-end textile craft while simultaneously engaging a younger, digitally native audience captivated by modular, narrative-driven fashion. Accompanying the announcement, CELINE has released a comprehensive suite of digital assets, including the official press release, the atmospheric campaign imagery by Ota and Brun, and high-definition product packshots. Reflecting the fast-paced nature of modern fashion media, the house has made all assets available for immediate editorial release and global distribution across print, digital, and social media platforms. With “Infinite Possibilities,” CELINE does not simply look back at its legacy; it reweaves it for the future, proving that the finest traditions of French luxury remain infinitely adaptable.

News

Dior Haute Couture Fall Winter 2026-2027 Show

Dior Haute Couture Fall Winter 2026-2027 Show “I’m very involved in my studio work. The studio is my lab, so to speak.”  Lynda Benglis   The collection is a response, in the language of couture, to the work of American sculptor Lynda Benglis.   Many of the artist’s works begin in two-dimensional materials that are transformed, through knotting, pleating or moulding, into three. The art of couture enacts a similar shift: fabric is given sculptural form, accentuated when worn. Jonathan Anderson takes this connection as a starting point, elaborating on the physical gestures of hand-plissé, knotting and draping. The surfaces of Benglis’s works also come into play: simulated by the ateliers in metallic, iridescent, encrusted or paper-like fabrics. The illusion of chicken wire is created in soft silver netting.   The artist’s longstanding relationship with Ahmedabad in Gujarat, India, informs specific pieces. Her Peacock series, begun in the late 1970s and inspired by the birds she saw whilst staying at the Sarabhai family estate in Ahmedabad, are interpreted in brightly-coloured floral and beaded embellishments. Anderson’s research into this body of work led him to focus on Indian craft itself: specifically, the 18th-century tradition of chintz. These finely-woven cottons, that were typically hand-painted or block-printed, had a profound and lasting impact on European decorative arts. Antique fragments of chintz and indiennes, sourced from a specialist dealer, adorn Petit Dîner and mini Lady Dior bags.   The Ahmedabad landscape prompts a new line of enquiry for Anderson’s lab-as-couture: interested in the idea of contrasting environments, he juxtaposes its relative abundance with the arid climate and crystalline air of Santa Fe, New Mexico, where Benglis keeps a home and studio. The floral aspects of the collection, as well as its chromatic articulation, evoke these two landscapes. image courtesy Dior

Fashion Articles

Beyond the Fairy Tale Chanel Haute Couture Fall/Winter 2026

Beyond the Fairy Tale Chanel Haute Couture Fall/Winter 2026 The fairy tale is over. Or at least, the old one is. For decades, Chanel has sold a carefully preserved mythology: Gabrielle Chanel as visionary founder, the tweed suit, the camellia, the house codes repeated so often they hardened into scripture. Most creative directors inherit that mythology and learn how to preserve it. Matthieu Blazy seems far more interested in testing it.   Paris was already in the middle of a heatwave, the front row visibly feeling every degree of it, but Blazy brought a sharper kind of heat to Chanel Haute Couture Fall/Winter 2026. Since stepping into the house, Blazy has not treated Chanel like something sacred and untouchable. What interests him is not preservation for the sake of image, but transformation. He seems drawn to the tension between the mythology of Chanel and the possibility of disrupting it from within. That is what made this collection feel like fantasy brought convincingly into reality. It did not feel like an archive reanimated. It felt like a world being reopened.   The fairy-tale thread was there, of course, but never in any childish or overly literal way. What made it compelling was how Blazy used that language to speak about women in a more layered sense – not as fantasies, but as people who carry private narratives, contradictions, rituals, and forms of self-invention. The clothes suggested that what matters is not only what is visible, but also what is hidden: the inner life of a garment, and the inner life of the woman wearing it. That is where the collection became more than beautiful. The silhouettes held femininity in a way that felt shifting rather than fixed. Nothing was too resolved. Nothing felt one-dimensional. There was romance, yes, but also discipline. Precision. Restraint. A sense that couture, here, was not about escaping reality but about making reality feel more charged, more self-authored, more deliberate.   The point was not fantasy as decoration, but fantasy as language. At Chanel, that distinction matters. Because fantasy without structure is just styling, and craft without feeling is just technique. This collection held both – dream and rigour, private symbolism and exact construction – without collapsing into sentimentality.   Chanel presented the world, but it was never really about disappearing into it. It asked women to create their own. And that may be the boldest chapter Chanel has written in years.   imager courtesy CHANEL

News

COS Ballerina

COS Ballerina Few silhouettes have captured the mood of the season quite like the ballerina flat. Blending nostalgia with modern minimalism, the style continues to evolve as a versatile wardrobe essential—and COS offers its own refined interpretation with a design that feels both contemporary and timeless.   True to the brand’s signature aesthetic, the new ballerina shoes combine clean architectural lines with soft, supple materials, creating a silhouette that is elegant without feeling overly delicate. The understated design allows the craftsmanship to take centre stage, making them an effortless companion to both sharp tailoring and relaxed, everyday dressing.   Designed with longevity rather than fleeting trends in mind, the shoes embody COS’s philosophy of thoughtful design and functional luxury. Whether paired with fluid dresses, wide-leg trousers, or crisp summer separates, they offer a quiet sophistication that seamlessly transitions between occasions. Now that the collection has officially launched, the ballerina flats stand out as one of the season’s most wearable investments—proof that simplicity, when executed well, never goes out of style. image courtesy COS

Opiates

Dr. Martens AW26: Desert Rodeo & Buzz

Dr. Martens AW26: Desert Rodeo & Buzz Ahead of AW26, Dr. Martens continues to explore the intersection of heritage, subculture and self-expression with the introduction of two new collections: Desert Rodeo and Buzz. Together, they reflect the brand’s ability to reinterpret iconic design codes through a contemporary lens while remaining rooted in the craftsmanship and attitude that have defined Dr. Martens for decades.   Desert Rodeo offers a modern take on western-inspired silhouettes, combining rugged workwear influences with refined proportions, fringe detailing and the unmistakable Quad sole featuring the brand’s signature air-cushioned construction. Designed as enduring wardrobe staples rather than trend-driven pieces, the collection balances everyday functionality with a distinctive edge. Launching in July, Desert Rodeo reinforces the timeless appeal of western dressing through the unmistakable Dr. Martens perspective.   Arriving in August, Buzz marks the next evolution of the brand’s breakout platform silhouette. Originally inspired by chunky archive styles from the 1990s, the collection returns for AW26 with elevated leathers, tactile textures and an expanded colour palette. Standout styles including the Buzz Hi Brown Gloss and Buzz 5-Eye Croc are joined by new iterations such as the Buzz Hi Croc and Buzz 6-Eye, further developing the silhouette with fresh proportions and premium finishes.   Together, the AW26 collections demonstrate how Dr. Martens continues to evolve without losing sight of its roots—moving effortlessly between western-inspired utility and bold platform silhouettes while championing individuality, durability and unmistakable attitude. image courtesy Dr. Martens

Opiates

Lazoschmidl SS27 “DAYNIGHT”

Lazoschmidl SS27 “DAYNIGHT” For SS 2027, Lazoschmidl presents at Goethe Institute a wardrobe for slept-in mornings, in-between supermarket runs and late-night conversations. A celebration of moments usually considered too mundane to be dressed for. This season began with a fascination for everything that happens at home — the moments before we become presentable to the world and after we return from it. Like quickly getting dressed and running a small errand around the neighbourhood. These small moments of self-presentation became the foundation for a new idea of dressing. It echos the FW26 concept of getting ready for people outside, but with a more intimate and personal angle.   Underwear is no longer hidden, it becomes outerwear. A temporary uniform for stepping outside and being seen. You leave the house in your swimwear, you stay out longer than planned, you invite people into your home with less preparation. The body becomes less hidden, and clothing becomes more playful and spontaneous. A new category of home and leisurewear emerges: plush bathrobes, comfy lounge shorts and ribbed cotton sets of classic y-front briefs paired with matching tanks finished with nostalgic contrast piping. The collection may look effortless and playful, but there is a strong attention to construction : developing a perfectly fitted brief, combining multiple prints or balancing unexpected fabrics requires precision. The visual universe is inspired by countless binge watch sessions of The Golden Girls and Grace and Frankie – a world of faded interiors, patterned wallpapers and the beauty of everyday domestic life. There is an interest in the aesthetics of things that were once considered old-fashioned or unfashionable and giving them a new sense of desirability. Whether it’s vintage-home series-inspired or previous-collections-inspired, Lazoschmidl gathers their collections around time : a grandmother’s floral print becomes sexy, a bathrobe becomes a coat, giraffe-print jersey trousers are paired with bougie translucent chiffon tops. Innovation comes from shifting the context of familiar objects and giving them a new meaning.   Their previous collection explored the act of becoming — the rituals of preparation, dressing and constructing an image before entering public life. This season looks at what happens once the performance is over. It embraces comfort, imperfection and the intimacy of domestic space. Being their most relaxed collection to date, it echos the brand’s will to explore and question the intimacy and the way we can perform it. image courtesy Emanuel Koroly

Fashion Articles

Melodies & Desires, An Interview with Newkid

For Newkid, music is just as much about memory and emotion as it is about melody. From the first tentative piano chords to imagining the perfect live set.   Having carved out a distinct place in the Swedish music scene over the past decade, Newkid reflects on the different phases of his career, the personal experiences that have shaped his sound, and the evolution of his creative process. From club bangers to intimate power ballads, fatherhood and nostalgia.    In this conversation, he opens up about his current musical chapter, his visual expression, and the enduring passion that drives him to create. Here he presents a story about songs, synths, stagecraft, and the very human desire to make art that’s truly yours.   Elsa Chagot: You’ve been part of the Swedish music scene for a while now and gone through several phases – how are you feeling right now, where do you stand musically and personally?   Newkid: I’ve been around for quite a long time now. My first record came out in 2011, so quite a few years have passed, and during this time,  I went through different eras. You change as a person. There was a period when I was single and making a lot of club music, playing in clubs all the time. Then I had a period where I wrote a lot of break-up songs, because I’d just gone through a break-up myself. I also became a dad two years ago, and that’s a huge thing in life. It changes a lot. I think the music has been influenced by that in some way. An Interview with Newkid text Elsa Chagot coat FAYETTE / NORLING t-shirt Emporio Armani / Zalando jeans adidas Originals / Zalando sneakers New Balance  EC: Does it feel like you’re entering a new musical era compared to earlier chapters of your career?   Newkid: I call the new era my power ballad era. t’s a bit meta because I actually grew up with parents who listened to power ballads. When I was a kid, that’s the music they usually played at home. And now it almost feels like a full-circle moment.   The tempo is a bit slower as well. I’m not at the club anymore. I like gigs that happen earlier in the evening, where it’s not quite as intense. So in a way, life and music go hand in hand. I’m in a calmer stage right now, trying to figure out who this new version of me is. It’s still quite new.    EC: In that case, I have to ask, what is your all-time favourite power ballad song?   Newkid: Forever Young. It’s one of those songs that’s been with me since I was a kid, dancing to slow songs at school discos. It just has this incredible power – a really special kind of energy. I have so many memories in my life connected to that song that I can bring back whenever I hear it. I genuinely love it.   EC: In that case, I have to ask, what is your all-time favourite power ballad song? Newkid: Forever Young. It’s one of those songs that’s been with me since I was a kid, dancing to slow songs at school discos. It just has this incredible power – a really special kind of energy. I have so many memories in my life connected to that song that I can bring back whenever I hear it. I genuinely love it.   EC: When you create music, where does it usually start for you: with a feeling, a lyric, a melody, or something else entirely?   Newkid: Nine times out of ten, I start by writing the chords and the melody. I basically write all my songs on the piano first. It’s a very intuitive process; you sit down, and you’re feeling a certain way that day. I try not to think too much about it. If anything, I try to think as little as possible. I just play and sing and see what feels right. Something in it sort of pulls you in a certain direction, and you realise, okay, this is the path to follow.   Once I have the melodies and chords, I usually start figuring out the lyrics. Sometimes when you’re sort of mumbling a melody to yourself, a random word slips out, and occasionally I’ll latch onto one of those words and start building from there. I’ll ask myself: what does this song feel like, even before there are any real lyrics?  coat and jumper BOSS necklace with rose KSV Jewellery  cross necklace Talent’s own  earstud worn throughout  Talent’s own  coat FAYETTE / NORLING denim jacket MADH  jeans Levi’s sneakers New Balance EC: What are you working on right now, and what can you tell us about the project and about your release, Hurricane?  Newkid: Right now, I’m working on the songs that will be released in the autumn; the whole project will have ten tracks in total. That’s really why I’m in the studio at the moment. I’m here about three days a week. One day a week, I focus on content, which has become such a huge part of being an artist now. In recent years, it’s almost like you have to create content all the time alongside the music. We’ve started planning the summer tour and getting ready to go out and play live. I often take a song and look at it from a live perspective – if it isn’t naturally a “live-friendly” track, I think about how I can adapt it so it works on stage. How can I weave it into a set that makes sense for the era I’m in? EC: What makes a song more live-friendly, and what does meeting your audience live mean to you? Newkid: That’s a good question. Sometimes you’re in the studio, and you just think, “This is going to be amazing live.” top Brixtol Textiles coat ADNYM shirt ADNYM  trousers adidas

News

CHANEL Announces the Acquisition of Charvet

CHANEL Announces the Acquisition of Charvet CHANEL announces that it has acquired Charvet in order to support, over the long term, the passing down of unique savoir-faire and the continued existence of an iconic French heritage house, while fully respecting its creative independence.   Bruno Pavlovsky, President of Fashion Activities at Chanel and Chanel SAS, commented: “We are delighted by this association with Charvet, which holds a special resonance for Chanel. We share the same approach to savoir-faire: with exacting standards, respect, and the conviction that such skills only truly flourish when rooted in longevity. At Chanel, we have always considered it our responsibility to support, preserve, and perpetuate these rare artisanal skills, which embody both exceptional craftsmanship and an essential part of our cultural heritage. With Charvet, this resonance is even stronger, as it forms part of a shared story : Boy Capel, who played such an important role in Gabrielle Chanel’s life, was a regular client of Charvet. This connection thus extends a symbolic link, while affirming a shared commitment to the passing down of skills, the precision of craftsmanship, and the unique ability of great houses to bring heritage into dialogue with contemporary creation.”   It was following the creative dialogue between Matthieu Blazy and Charvet for his first Spring Summer 2026 Ready-to-Wear collection that the idea of a more ambitious project naturally emerged. From this encounter grew the desire to continue the dialogue, by envisaging the integration of Charvet, in order to preserve and perpetuate this savoir-faire within a lasting framework.   For Jean-Claude Colban, Managing Director of Charvet: “This project represents the coming together of two historic Parisian companies who have chosen to join forces, united by the same standards and a shared commitment to excellence. This relationship has developed quite naturally, marked by open and collaborative exchanges, and rooted in common values: the passing down of savoir-faire, the respect for craftsmanship, and the meticulous attention to quality down to the very last detail. My sister Anne-Marie and I are delighted by this new chapter in Charvet’s history, which is perfectly in keeping with the spirit and identity that have always defined our company.” image courtesy CHANEL

News

BY Malene Birger Expands Its Athleisure Universe With a Refined Take on Modern Movement

By Malene Birger Expands Its Athleisure Universe With a Refined Take on Modern Movement Danish fashion house By Malene Birger continues to redefine everyday dressing with the launch of its latest Athleisure collection—a considered wardrobe where elevated design meets effortless functionality. Expanding on the brand’s signature aesthetic, the new offering introduces fresh silhouettes in its iconic monogram print alongside a timeless black palette, reinforcing the house’s commitment to sophisticated Scandinavian minimalism.   Rather than approaching athleisure as purely performance-driven, the collection explores the emotional relationship between clothing and the wearer. Designed to move seamlessly through the rhythms of contemporary life, each piece balances comfort with quiet luxury, offering garments that transition naturally between moments, moods, and occasions.   Drawing inspiration from the graceful silhouettes of dancewear, the collection embraces fluidity, structure, and femininity in equal measure. Signature pieces such as the Beata Bodysuit and Pollyna Sports Skirt reinterpret nostalgic athletic references through a modern lens, creating refined essentials that celebrate both movement and confidence. Versatility remains central to the collection’s philosophy. Layering is treated not simply as a practical consideration but as a means of personal expression, with lightweight separates designed to adapt effortlessly to individual styling preferences. The result is a wardrobe that feels intuitive, elegant, and inherently wearable.   Since its founding by Danish designer Malene Birger in 2003, the brand has become synonymous with timeless luxury and understated sophistication. Following a comprehensive rebrand in 2020—including the introduction of its now-signature monogram—BY MALENE BIRGER has continued to evolve while remaining rooted in craftsmanship, longevity, and purposeful design.   The latest Athleisure collection reflects this ongoing evolution, offering a contemporary interpretation of modern dressing where softness and strength coexist, and style is defined as much by feeling as by form.   The BY MALENE BIRGER Athleisure collection is now available in selected stores and online. image courtesy By Malene Birger

Opiates

Gant releases a limited-edition tennis collection ahead of the Båstad Nordea Open

Gant releases a limited-edition tennis collection ahead of the Båstad Nordea Open GANT has unveiled its limited-edition collection celebrating its partnership with the Nordea Open in Båstad. Inspired by the timeless aesthetic of tennis and summer leisure, the capsule features T-shirts, polo shirts, hoodies, shorts, and accessories in the brand’s signature green and cream white colour palette.   Designed for effortless style both on and off the court, the collection is available online and in selected GANT stores throughout the tournament.   As the official partner of the Nordea Open, GANT will also outfit all courtside personnel—including ball callers, referees, and officials—in specially designed uniforms that reflect the brand’s signature blend of timeless American sportswear and sporting heritage. The partnership further reinforces GANT’s longstanding connection to tennis, bringing its classic aesthetic to one of Sweden’s most prestigious sporting events. image courtesy Gant

Scroll to Top