PHOTOGRAPHER
Magnus Swärd is a Stockholm-based photographer with a strong editorial eye, blending fashion, street culture, and contemporary portraiture. His photographic style is characterized by cinematic compositions, natural light, creating images that feel both modern and timeless.
Fabienne Chapot X LEVENS text Abby Driesbach As Fabienne Chapot approaches its 20th anniversary, the Amsterdam-based label enters a new chapter. One shaped by reflection, individuality, and a renewed sense of purpose. Marking the occasion is its first-ever jewellery collection, created in collaboration with Barcelona-based glass jewellery studio LEVENS. Rooted in craftsmanship and united by a shared appreciation for colour, creativity, and imperfection, the limited-edition collection celebrates self-love through four hand-blown pieces designed to be cherished rather than consumed. Launching during Copenhagen Fashion Week, the collaboration arrives as fashion increasingly embraces emotional storytelling alongside aesthetics. We spoke with Fabienne Chapot about finding the right creative partner, why now felt like the moment to champion self-love, and how meaningful design can create lasting connections beyond the seasonal cycle. Abby Driesbach: Fabienne Chapot has always embraced bold colors and expressive design, while LEVENS works with hand-blown glass and imperfection as craft. What made LEVENS the right creative partner, and how does this collaboration complement the Fabienne Chapot universe? Elias De Hulsters: LEVENS embodies so many of the values that are central to Fabienne Chapot: creativity, craftsmanship and female entrepreneurship. As we were shaping the new direction of our brand, we realised there was already a natural dialogue between our two worlds. What particularly drew me to LEVENS is their celebration of imperfection through hand-blown glass. In a time when so much is becoming automated and AI-generated, there is something incredibly valuable about objects that are made entirely by hand. Every piece carries its own unique character. While our focus has always been on clothing, shoes and bags, we had been looking for the right opportunity to expand into jewellery. LEVENS felt like the perfect partner to take that first step. With our AW26 collection centred around self-love and embracing what makes us unique, the collaboration felt completely authentic. Both brands celebrate individuality, bold expression and finding beauty in what makes us different. AD: The collection centers on self-love, right down to the “I LOVE ME” message. What made now the moment to build a collection around that idea? EH: The theme of self-love started as something very personal. Around my 30th birthday, I found myself reflecting on what it really means to grow up. Becoming an adult isn’t about becoming someone new, it’s about letting go of the things that no longer serve you while holding on to the parts of yourself that truly define you. At the same time, Fabienne Chapot was going through its own transformation. During a rebrand, you’re asking very similar questions: what do we leave behind, what do we protect, and what is our true identity? Those two journeys felt deeply connected, making self-love a natural theme to explore. As we approach our 20-year anniversary, it also felt like the right moment to reflect on our journey, celebrate how far we’ve come, and encourage women to celebrate themselves a little more too. The “I LOVE ME” message is simple, but it’s a reminder we could all use. AD: Both brands celebrate craftsmanship and individuality. How did you ensure that each brand’s identity remained authentic throughout the collaboration? EH: The collaboration felt very natural because both brands already shared so much creatively. Rather than trying to merge two completely different identities, we built on values we already had in common. LEVENS brought their beautiful hand-blown glass techniques, while we introduced colour combinations inspired by our AW26 collection and incorporated the “I LOVE ME” message into the designs. The collection also features motifs like the rose, alongside the bold use of colour and expressive craftsmanship that both brands are known for. It never felt like either brand had to compromise. Instead, it felt like creating something together that genuinely belongs to both of us. AD: The collection is intentionally small, with just four handcrafted pieces. Was exclusivity always part of the vision? EH: Absolutely. As this is our very first jewellery collection, we wanted to begin with something small, thoughtful and exclusive. We also wanted to avoid overproduction and focus on creating something truly special. We’ve always believed you don’t need a large collection to tell a meaningful story. Every piece was designed with intention, from the colours and shapes to the craftsmanship behind it. Rather than creating more, we wanted to create timeless pieces that become part of someone’s personal collection for years to come. Quality, emotion and longevity have always been more important to us than quantity. AD: The collection debuts during Copenhagen Fashion Week. Why was that the right stage for this launch? EH: Copenhagen Fashion Week has become a place where creativity, individuality and craftsmanship are genuinely celebrated. It attracts a community that appreciates thoughtful design and brands with a strong point of view. After introducing our new brand direction there last year, returning feels like coming back to a community that already understands who we are becoming. It felt like the perfect moment, and the perfect audience, to introduce this collaboration. AD: Fashion is increasingly expected to tell stories with emotional value, not just sell products. What story do you hope people take away from this collaboration, and how does that emotional value stack up against aesthetics for you? EH: I’ve always believed that emotion creates the strongest connection. Beautiful products might catch your attention, but stories are what people remember. This collection is an invitation to celebrate yourself. Whether someone buys a piece as a reminder to embrace who they are, to mark a personal milestone, or simply because it makes them smile, we hope it carries personal meaning. It’s also something you can gift to a friend as a celebration of them. Jewellery is such an intimate form of self-expression, and if these pieces encourage women to embrace their individuality and treat themselves with a little more kindness, then we’ve achieved exactly what we hoped for. AD: Consumers today are looking for pieces
top PH5 skirt Wrangler/ DIY heels Pleiades dress Luroq London trousers Levi’s skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Vintage total look Luroq London coat Wrangler dress Jennifer Milleder heels Balenciaga dress Jennifer Millede dress Luroq London trousers Levi’s coat Wrangler dress Jennifer Milleder short trench, top, trousers Luroq London trainers Balenciaga skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Vintage dress Jennifer Millede boots Stylist’s Own dress Luroq London trousers Levi’s skincare Suqqu, Sunday Riley, Weleda base Suqqu Laura Mercier eyebrows Anastasia Beverly Hills contouring Chanel blush Pat McGrath Labs eyes Suqqu, MAC Cosmetics, Byredo, Trish McEvoy lips Laneige UK, Oulac Cosmetics, MAC total look Diesel dress Jennifer Millede shirt Balenciaga jumpsuit Lee Jeans
CAIA Cosmetics Celebrates the Opening of its First Store in Denmark CAIA Cosmetics is taking the next step in its Nordic expansion with the opening of its first physical store in Denmark. Launching on August 4 in the heart of Copenhagen, the new flagship marks an important milestone for the Swedish beauty brand and arrives at a fitting moment—as part of the official Copenhagen Fashion Week Spring/Summer 2027 programme. Positioned on Købmagergade, one of the city’s busiest shopping streets, the store reflects CAIA’s ambition to create immersive retail experiences that go beyond traditional beauty shopping. Designed with the brand’s signature Scandinavian aesthetic, the two-floor, 230-square-metre space brings together CAIA’s complete beauty universe under one roof. From makeup and skincare to fragrance, haircare, body care, and accessories, visitors will be able to explore the full assortment while receiving personalized beauty guidance in a thoughtfully designed environment. The flagship reflects the brand’s customer-first philosophy, creating a destination where beauty, inspiration, and community intersect. To celebrate the opening, CAIA has launched a dedicated campaign starring Danish fashion profile and longtime brand ambassador Emili Sindlev. Set against the backdrop of Copenhagen’s iconic streets and architecture, the campaign highlights the effortless style and creative spirit that have made the Danish capital a global fashion destination. It also underscores the close relationship the brand has built with its Danish community since its launch. Opening day promises a festive atmosphere with a series of in-store activations, complimentary treats for early visitors, and exclusive gifts for the first 300 customers who make a purchase. While these celebrations mark the beginning of CAIA’s physical presence in Denmark, the new flagship also signals the brand’s broader ambitions as it continues to strengthen its footprint across Europe and deepen its connection to the Scandinavian fashion and beauty scene. image courtesy CAIA
Christelle Kocher Reimagines Levi’s Through the Lens of Haute Couture During this July’s Haute Couture Week, American denim enters an entirely new conversation as Christelle Kocher unveils her debut capsule for Levi’s, presenting a visionary 10-look collection that dissolves the traditional boundaries between workwear and haute couture. Known for her pioneering Couture-à-Porter philosophy and her role as Artistic Director of Maison Lemarié, Kocher brings together two seemingly opposing worlds—Levi’s enduring denim heritage and the extraordinary craftsmanship of the French Métiers d’Art. The result is a collection that transforms some of fashion’s most recognizable garments into sculptural couture pieces while remaining deeply connected to the authenticity of denim. At the heart of the collection are Levi’s icons, including the legendary 501® jean and the Type II Jacket, reimagined through intricate handwork and experimental textile techniques. Feather embellishments, couture embroidery, resin-coated denim, leather embroideries, floral constructions, and dramatic plissé treatments elevate familiar silhouettes into works of wearable art. Draped black denim gowns, sculptural capes, and statement headpieces further blur the distinction between everyday dressing and the rarefied language of haute couture. Accessories continue this dialogue with the Levi’s Baby Brooklyn Bag transformed into a couture object, accompanied by dramatic feather headpieces that amplify movement and silhouette. Throughout the capsule, denim remains the central medium, stretched beyond its conventional identity through exceptional craftsmanship and material innovation. “It was a privilege to bring these two teams together and see this collection come to life,” says Christelle Kocher. “This capsule reflects my life between the United States and France, two countries that fuel my creative energy.” The collaboration also marks a significant cultural milestone for Levi’s. While the brand has long been synonymous with American style, its debut presentation during Paris Haute Couture Week signals a bold expansion into one of fashion’s most prestigious arenas. “Bringing Levi’s to Paris Haute Couture for the first time is a major moment for us,” says Mathilde Vaucheret, Vice President Europe Marketing & Brand Experience. “Partnering with Christelle Kocher felt like a natural fit. She brings a distinctly Parisian perspective with a modern edge that complements our denim heritage. Her Couture-à-Porter vision is the perfect way to elevate the craftsmanship of denim.” Silhouettes throughout the collection move effortlessly between structure and fluidity. Layered denim plissé forms abstract floral bustiers, while degradé feather capes create sculptural movement. Couture embroidery transforms classic tanks, shirts, and denim separates into elevated eveningwear. One of the collection’s defining looks features a full feather gown paired with a matching cape, combining denim, lace, resin, and intricate textile manipulations into richly textured surfaces inspired by shimmering fish scales. Captured by photographer Kayla Connors, the accompanying campaign reflects the collection’s tension between raw authenticity and refined craftsmanship. Cinematic yet intimate, the imagery focuses on the painstaking textile research developed specifically for the project, including experimental techniques explored at the Levi’s Eureka Lab. Close-up compositions reveal the complexity of feather constructions, hand embroidery, sculptural volumes, resin textures, and the meticulous denim manipulations that define the capsule. More than a collaboration, the Christelle Kocher for Levi’s capsule proposes a new vision for denim—one that is equally at home on the couture runway, the red carpet, and within contemporary culture. Presented during Haute Couture Week, it demonstrates how one of fashion’s most democratic fabrics can be elevated through exceptional artisanal savoir-faire without losing the authenticity that has defined Levi’s for more than 150 years. For Kocher, whose work has consistently championed inclusivity, craftsmanship, and cultural dialogue, the collaboration represents a natural evolution of her practice. For Levi’s, it marks a landmark moment that repositions the possibilities of denim within the highest echelon of fashion craftsmanship. The Christelle Kocher for Levi’s capsule is not simply about reimagining denim—it is about redefining what heritage, innovation, and couture can become when they meet on equal terms. image courtesy Levi’s
Gracie Abrams Becomes the New Face of CHANEL Coco Mademoiselle CHANEL has unveiled Grammy-nominated singer-songwriter and House Ambassador Gracie Abrams as the new face of COCO MADEMOISELLE CRUSH ABSOLU, the latest chapter in the iconic fragrance line. Described by the House as naturally embodying Gabrielle Chanel’s spirit of freedom, instinctive elegance, and modern femininity, Abrams fronts the campaign for the new scent launching in 2026. “It’s unreal to be the new face of Coco Mademoiselle,” Abrams shares. “I feel an immense sense of pride. I love that Coco is someone who leaves a mark everywhere she goes. Sometimes, I wish I could be more like her.” Created by Olivier Polge, COCO MADEMOISELLE CRUSH ABSOLU reimagines the original fragrance with a richer, more intense ambery signature. Bright grapefruit and lychee open the composition before unfolding into a floral heart of rose and jasmine, grounded by sensual patchouli, vanilla, and vetiver. The result is a bold yet sophisticated fragrance designed to leave a lasting impression, balancing luminous freshness with enveloping warmth. The campaign positions Abrams within the legacy of Gabrielle Chanel, celebrating women who forge their own path with confidence and authenticity. Mirroring the House’s enduring vision of effortless elegance, the singer’s understated style and emotionally charged songwriting bring a fresh perspective to one of beauty’s most recognizable fragrance franchises. As CHANEL describes it, COCO MADEMOISELLE CRUSH ABSOLU is more than a perfume—it is an emotional experience and a statement of individuality, inviting its wearer to embrace instinct, freedom, and self-expression. image courtesy Chanel Presented in a newly designed bottle featuring a contrasting label and faceted cap, Crush Absolu reflects CHANEL’s renowned craftsmanship while introducing a contemporary, magnetic interpretation of the Coco Mademoiselle identity. Continuing the legacy first imagined by Jacques Polge in 2001, this latest creation marks a bold new chapter for the House, offering an intense yet refined fragrance that is both timeless and unmistakably modern.
HOLISTIC DIETITIAN & NUTRITIONAL THERAPIST
Sonya Devi is a micro-seasonal vegetarian chef and the founder of The Vegetable Diva, a packaging-free catering company in Bristol. She ran her own biodynamic farm and orchard in North Somerset, growing the seasonal produce behind her zero-waste approach to cooking. Her culinary roots trace back to her Gujarati heritage, and she brings a holistic dietitian’s eye to the table, treating food as both nourishment and celebration of the seasons.
PHOTOGRAPHER
Yamila Pavía is a fashion photographer and creative director with over a decade of work across Argentina and Europe.
Her images have appeared in Vogue Italia, Vogue Netherlands, Harper’s Bazaar, and across campaigns and editorials shot in Buenos Aires, Copenhagen, Milan, Paris, and Lisbon.
She works across the full arc of a production: from creative concept through to final image, and brings the same energy to a campaign shoot as she does to an editorial: collaborative, fast, and focused on images that feel alive.
Currently based in Ireland. Available worldwide.
PHOTOGRAPHER
Gill Nunes is a Portuguese fashion & beauty photographer working across Brussels, Paris and
Porto.
Photography came into his life unexpectedly, giving him clarity on what he truly wanted and the
courage to leave a previous career to pursue his passion. After training in Porto, he developed a
signature style that blends romanticism with a clean, minimalist aesthetic, creating imagery that
is both poetic and timeless.
With five years of experience, he works with international clients on editorial and commercial
projects including Nivea, L’Officiel and Elle. Represented by Bureau Rouge.
Available for editorial and campaign collaborations worldwide.
Time and Speed, Reunited: Breitling and Aston Martin Present Top Time Tribute to Iconic DB5 Introduced in 1963, one of the world’s most iconic on-screen cars, the Aston Martin DB5, became synonymous with British culture, design, and innovation, firmly establishing Aston Martin as one of Britain’s most desirable luxury brands. Today, Breitling and Aston Martin proudly bring that shared legacy to the wrist with the Top Time B01 Chronograph 41 Tribute to Aston Martin DB5, presented in three distinct limited editions. Some collaborations are driven by marketing. Others feel almost inevitable. Breitling’s latest Top Time Tribute to Aston Martin DB5 belongs firmly to the latter, revisiting one of the most enduring intersections of automotive and watch design—a story that began long before luxury collaborations became commonplace. In 1965, Sean Connery’s James Bond wore a Breitling Top Time ref. 2002 in Thunderball, alongside the now legendary Aston Martin DB5. The pairing became more than a cinematic detail; it captured the optimism and modernity of the era, where engineering, elegance, and speed defined a new generation of design. It was also the first Q-modified watch to appear in the Bond franchise, quietly cementing the Top Time’s place in both horological and film history. Nearly six decades later, Breitling returns to that cultural moment with a collection that looks beyond nostalgia. Rather than recreating the past, the new Top Time Tribute to Aston Martin DB5 interprets the spirit of the original through contemporary craftsmanship, translating the tactile language of the British grand tourer into the world of Swiss watchmaking. The dialogue between the two design houses is evident throughout. A cushion-shaped case recalls the original 1960s Top Time, while the distinctive “squircle” chronograph registers reference the instrument cluster of the DB5. The most striking detail, however, is the wooden inner ring surrounding the dial—a subtle nod to the handcrafted wooden steering wheel found inside Aston Martin’s iconic grand tourer. Completing the composition are hand-coloured gradient leather straps inspired by the depth and richness of vintage automotive upholstery. “The Aston Martin DB5 is one of those rare designs that never fades. It still feels as relevant today as it did in the 1960s,” says Georges Kern, CEO of House of Brands, which oversees Breitling, Universal Genève and Gallet. “With this Top Time, we capture that sense of timeless style.” For Aston Martin, the project represents more than a licensing exercise. It is a meeting of two disciplines where proportion, materiality and precision carry equal importance. “These editions represent something truly distinct from anything we’ve created before,” says Marek Reichman, Executive Vice President and Chief Creative Officer at Aston Martin. “The collaboration with Breitling brought together two brands with a shared appreciation for timeless design, craftsmanship and innovation.” That philosophy extends to the three distinct interpretations of the watch. The stainless-steel edition, limited to 1,022 pieces, offers the closest visual connection to the original Top Time with its silver dial and understated elegance. A second version combines steel with a platinum bezel and a black lacquer dial, creating a sharper, more architectural expression through material contrast. At the pinnacle of the collection sits an 18-karat red gold edition, limited to just 250 individually numbered examples, distinguished by Breitling’s first-ever dial crafted from natural onyx. The stone’s unique depth and organic pattern ensure that every piece is subtly different. Behind each model is the Breitling Manufacture Caliber 01, the brand’s flagship in-house chronograph movement. COSC-certified and equipped with a column-wheel mechanism, vertical clutch and a 70-hour power reserve, the movement balances technical performance with everyday reliability. Through the sapphire caseback, the calibre is visible beneath a specially engraved Aston Martin rotor—finished in either rhodium plating or matching 18-karat red gold depending on the edition. What makes the Top Time Tribute to Aston Martin DB5 particularly compelling is its restraint. Instead of relying on overt branding, the collection expresses the partnership through thoughtful details and shared design values. The references to the DB5 are tactile rather than literal, allowing the watch to stand confidently on its own while rewarding those familiar with one of Britain’s most celebrated automobiles. In an era where heritage is often repackaged as nostalgia, Breitling and Aston Martin instead remind us why certain objects achieve icon status in the first place. They are defined not simply by performance or aesthetics, but by the enduring quality of their design. The Top Time Tribute to Aston Martin DB5 is less a commemorative piece than a continuation of a conversation that began in the 1960s—one where precision, craftsmanship and timeless style remain perfectly in sync. image courtesy Breitling & Aston Martin