Odalisque

Author name: Odalisque

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Holiday Gift Guide – December 20th

Holiday Gift Guide – December 20th Bold, elegant, and effortlessly sophisticated, the Trésor Grande Gattopardo is the ultimate gift for jewellery lovers. Inspired by Sophie Bille Brahe’s favorite snow leopard print, this jewellery box combines striking design with timeless functionality. The canvas exterior showcases a luxurious leopard motif, while the interior is lined with plush black silk velvet, creating a sumptuous home for precious pieces. A removable top tray with four compartments offers thoughtful organization, keeping jewellery separated and secure. Perfect for the discerning individual who values beauty in every detail, this jewellery box is as much a statement piece as it is a practical treasure keeper. Find the Trésor Grande Gattopardo here 

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Holiday Gift Guide – December 21th

Holiday Gift Guide – December 21th A poetic interplay of light, color, and form, Ulrika Barr’s glass creations make for an unforgettable gift. Each piece is a testament to the artist’s delicate craftsmanship, blending contemporary aesthetics with the timeless allure of hand-blown glass. With soft, organic shapes and a mesmerizing spectrum of hues, these art objects invite contemplation and elevate any interior space. Whether displayed as a centerpiece or cherished as a standalone sculpture, Ulrika Barr’s glass art is perfect for those who appreciate beauty in its purest, most luminous form. Read more about Ulrika Barr here 

Art

Ann-Sofie Back Is Back (With a Retrospective)

Ann-Sofie Back Is Back (With a Retrospective) text Natalia Muntean “I needed to make some sort of summary of my work in order to say goodbye and live again,” Ann-Sofie Back says, looking back at her career. Considered one of Sweden’s most influential fashion designers, Ann-Sofie Back is reflecting on her journey in Go As You Please – Ann-Sofie Back, a new exhibition at Stockholm’s Liljevalchs+ Museum, covering her work from 1998 to 2018. “Nicole Walker, my co-curator, and I have intentionally designed the exhibition to be as incohesive as possible,” Back explains. “We needed to make it exciting for us to put the exhibition together and a straight-up retrospective would have bored me to work on.” Accompanying the exhibition is a comprehensive monograph of the same name, which includes a wealth of visuals showcasing Back’s collections, runway presentations, lookbooks, styling projects, exhibitions, and media coverage. It also features interviews, articles, and writings by Back herself. “The book represents the linear development of my esthetic,” says the designer, “and the exhibition is more of a spontaneous interpretation.” The book, an extensive overview of Ann-Sofie Back’s vast archive, includes re-published texts by Lauren Cochrane, Anders Edström, Francesca Granata, Ulrich Lehmann, Maria Ben Saad and Mathilda Tham, as well as images by photographers such as Richard Prince, Johnny Dufort, Anders Edström, Nick Knight, David Sims, Juergen Teller and Harley Weir. “I chose these writers because they often revealed perspectives on my work that I hadn’t considered,” says Back. Reflecting on the 1999 shoot with Juergen Teller, she recalls, “I expected things like that to happen back then, but now, looking back, I’m almost embarrassed by my younger self.” The sketches and creative processes behind her pieces are what she is most excited for readers to discover in the monograph, but she regrets not including her portfolio from St. Martin’s, where she graduated in 1998. “It was so good! I just found it in a box in my storage,” she adds. “It would have also been fun to include all the absurd incidents from that time and the fun we had.” Over the years, her collections have challenged conventions of femininity, beauty, and glamour. Reflecting on her evolution, Back says she’s come full circle: “I’m back where I started—in 1998.” And her advice for young designers hoping to make an impact? “I don’t give advice,” she says straightforwardly. Whether Back will return to fashion remains open-ended. “I don’t know. Anders Edström and I did a shoot for the exhibition, revisiting my old designs with non-models in the suburb where I grew up. We agreed it would be our last shoot—but then I saw the Sugababes are touring again, so who knows?” For now, Back is designing interior objects under the name Gnilmyd Kcab. The monograph will be launched on November 7 at Liljevalchs, and the exhibition will be available from November 8, 2024, to February 23, 2025. Photo credit: @annsofie_back_archive and courtesy of Liljevalchs Museum

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Holiday Gift Guide – December 22th

Holiday Gift Guide – December 22th Step into a fusion of heritage and modernity with the Dr. Martens & Stüssy collaboration. Reviving the iconic 2295 boot, originally crafted for workplace protection, this reimagined classic comes in two striking finishes: sleek black Wanama leather and sand-colored Hairy Suede. Featuring a signature steel toe cap that pays homage to its workwear roots, this design merges durability with contemporary style. Enhanced with dual zippers and a debossed Stüssy “Workgear” label, the boots rest on a rugged black BEN outsole, accented by Dr. Martens’ signature yellow stitching. Find the boot here 

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Holiday Gift Guide – December 23th

Holiday Gift Guide – December 23th Looking for the perfect last-minute stocking stuffer? Trinny’s Daily Go-To has you covered. This beautifully curated set—featuring Eye2Eye in Mystery, Lip2Cheek in Freddie, and Lip Glow in Bella—packs effortless beauty into a single chic gift. A thoughtful choice for anyone who loves a polished, everyday look with a touch of elegance. Slip it into their stocking and make their holiday shine. Explore the set here

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Holiday Gift Guide – December 24th

Holiday Gift Guide – December 24th Indulge in the ultimate blend of comfort and sophistication with TOTEME’s suede and shearling slippers. Designed for effortless elegance, they’re perfect for grabbing breakfast at your hotel or hosting festive gatherings at home. Expertly crafted in Italy, these slippers feature plush shearling trims, smooth leather lining, and a timeless silhouette. Pair them with an elegant dress for a polished look or a cozy lounge set for relaxed holiday mornings. A luxurious gift that brings style to every step! Find the slippers here 

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Holy Moly Intense Care Gold 24K Snail Cream

Holy Moly Intense Care Gold 24K Snail Cream If you’re seeking a skincare product that delivers instant results, the Holy Moly Intense Care Gold 24K Snail Cream might just be your next favorite. With its unique combination of 24K gold and snail secretion filtrate, this cream feels like a luxurious treat for the skin. From the very first application, I noticed an immediate glow that made my skin look healthy and radiant. The texture of the cream is rich but absorbs quickly, leaving the skin feeling deeply hydrated and smooth without any greasy residue. It’s the perfect base for makeup, creating a flawless canvas that enhances any look. Although I haven’t used it daily, the short-term effects are undeniably impressive. The cream provides a noticeable boost in hydration and softness, making it ideal for special occasions or days when you want your skin to look its best. For those with combination to oily skin, like me, this cream strikes a delicate balance—it nourishes without overwhelming the skin, and the glow it imparts feels fresh rather than shiny. While I can’t yet speak to its long-term benefits, the immediate results make it a standout product in my beauty routine. If you’re looking for a skincare product that delivers a luminous glow and smooth, hydrated skin in an instant, Holy Moly Intense Care Gold 24K Snail Cream is worth exploring. text Elva Ahlbin

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Aarke Unveils the Perfect Kettle for Timeless Design and Everyday Excellence 

Aarke Unveils the Perfect Kettle for Timeless Design and Everyday Excellence  New Balance is reimagining its classic 1906 sneaker into a penny loafer, perfectly blending together formality, wearable comfort, and cutting-edge style in this new shoe. Inspired by the increased popularity of the loafer and a drive for versatility across sport and formal wear, this adaptation of the brand’s 1906 sneaker takes the silhouette’s signature features – the open holed mesh upper, the curvilinear synthetic overlays, and the 860v2 sole unit, featuring segmented ABZORB SBS pods at the heel – and reimagines them in the shape of a classic penny loafer.   images courtesy New Balance

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Eszter Áron’s SS25 Conversation: Fluidity in Motion

Eszter Áron’s SS25 Conversation: Fluidity in Motion image courtesy of Eszter Áron With spring in the air and a shift toward effortless dressing, AERON introduces a standout piece for the season—the Kelly Leather Jacket. A modern wardrobe essential, it embodies the brand’s signature balance of structure and fluidity, making it a perfect fit for your “seasonal highlights,” “trend edit,” or “shopping pages.” Eszter Áron instinctively addresses the modern woman’s needs for the season, drawing from her own experiences, harmonizing urban life and idyllic holiday retreats in AERON Spring/Summer 2025. “Summer collections are always the most challenging for me. I only want to wear something easy, lightweight, and bearable against the heat. Recently, I was on an island with my daughter and husband, far from home, stepping away from my day-to-day life and routines. I wanted to capture this feeling in the collection, blending the comfort of the holiday attire into the urban wardrobe.” — Eszter Áron, Founder and Creative Director Spring/Summer 2025 is all about breezy linens, soft tailoring, and airy knits that move with the body, while Resort 2025 takes that ease into the evening with draped satins, ruched textures, and sculpted tailoring. The Kelly Leather Jacket stands as a transitional staple—designed for effortless motion, whether navigating city streets or strolling by the sea. Eszter Áron provides a range of styles in the Spring/Summer 2025 collection that blend with the wearers, seamlessly incorporating pieces into their established wardrobe. Supporting women’s needs and comfort, she consciously selected natural-based fabrications for the garments, made in AERON’s in-house atelier, continuing her journey towards sustainable practices and responsible choices.

Art

Money on the Wall: Andy Warhol – A New Exhibition at Spritmuseum

Money on the Wall: Andy Warhol – A New Exhibition at Spritmuseum text Natalia Muntean “I like money on the wall. Say you were going to buy a 200 000 painting. I think you should take that money, tie it up and hang it on the wall,” said Andy Warhol in 1975. The new exhibition “Money on the Wall: Andy Warhol,” at Spritmuseum in the heart of Stockholm, examines the concept of Business Art—“the step that follows art,” as Warhol advocated. Curated by Blake Gopnik, art critic and one of the world’s most well-known experts on Warhol, the exhibition focuses on Warhol as a pioneer of the Business Art current, showcasing how he turned the processes of buying and selling into a crucial element of his artistic practice. In the 1950s, Andy Warhol thrived in commercial culture, creating ads and earning well. In the 1960s, he shifted to the uncertain life of an artist, focusing on mass consumption and declaring his commercial activities as art. Instead of simply depicting commerce, Warhol engaged in it directly, producing wallpaper, directing commercials, and even renting out friends as part of his Business Art concept. “Some say Andy Warhol was a sell-out. They are right: selling out was one of his most influential art forms,” says Gopnik. The exhibition showcases Warhol’s work as a commercial artist in the 1950s, during which he was occasionally featured as a model. It includes pieces from his Pop Art era, highlighting his famous portraits of New York socialites and the Absolut Warhol paintings. These works are part of the future Absolut Art Collection and represent one of his most successful ventures into Business Art, marking the beginning of one of the most celebrated advertising campaigns in modern history. Works by postwar artists, such as Yves Klein, Chris Burden, and Lee Lozano, who, like Warhol, integrated business and finance into their art to reflect our economic realities, are also included in the selection. Additionally, the show showcases contemporary artists who explore similar themes, including Darren Bader, Andrea Fraser, Takashi Murakami, Carey Young, and the collective MSCHF. The exhibition will be available for viewing at Spritmuseum in Stockholm until April 27, 2025. Photo by Markus Olsson Mediabolaget

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