An Interview with Caroline Bille Brahe: Wessel & Vett Fashion Prize Nominee 2026

An Interview with Caroline Bille Brahe: Wessel & Vett Fashion Prize Nominee 2026

CARO EDITIONS stood among the nominees for the Wessel & Vett Fashion Prize 2026. For the first time, the winner was announced at Copenhagen Fashion Week SS27, underscoring the Prize’s support for emerging Danish designers and their international recognition. To honour Magasin du Nord’s legacy, the jury observed the label’s creative process during a live studio session in April. Caroline Bille Brahe shared with us how she achieves a balance between standout design and wearability.

Sandra Myhrberg: The new format puts the jury inside your studio for a live working session on April 9th, not just reviewing a finished collection. What are you most nervous or excited about them seeing up close?  

Caroline Bille Brahe: I’m excited for them to experience the atmosphere of the studio. So much of Caro Editions happens through conversation, fittings, small adjustments, and intuition. It isn’t a polished process, and I think that’s the beauty of it. I hope they leave with a sense of the care and craftsmanship behind every piece. 

SM: Each of you balances a strong aesthetic signature with a need to scale commercially. Where do you personally draw the line between staying true to your original vision and building a business that can grow internationally?  

CBB: For me, growth should never come at the expense of identity. I believe you can build a business by becoming more yourself, not less. We think carefully about how we grow, making sure every new category and every decision still feels unmistakably Caro Editions. I want the brand to evolve organically and remain personal, even as it reaches more people.

SM: Sustainability and circularity show up differently across your practices, from deadstock and durability to reconstructed vintage, to limited runs, to archival referencing. How do you think about the tension between responsible production and the pressure to keep producing more?  

CBB: I don’t think more is always better. I believe in creating clothes that people truly connect with and want to keep for many years. Working with deadstock fabrics, reimagining vintage pieces, and producing in small quantities naturally encourages a more thoughtful pace. Growth is important, but it has to happen responsibly and without compromising the values the brand is built on. 

SM: If you win, the prize includes mentoring in sales, production, PR, and business development. Which of those areas do you most need help with right now, and why?  

CBB: Business development would be incredibly valuable. We have built a strong creative foundation, and now the exciting challenge is scaling the company in a thoughtful way while protecting the spirit of the brand. Learning from people who have done that before would be invaluable at this stage. 

SM: A look from your collection will sit in Magasin du Nord’s windows during Copenhagen Fashion  Week, tying your work to over a century of Danish retail history. How does that legacy sit alongside the story you’re trying to tell with your own brand? 

CBB: I love the idea of placing a young brand like Caro Editions within that history. While our expression feels contemporary and personal, we share a belief in quality, craftsmanship, and clothes that have lasting value. Being part of that conversation feels both special and inspiring.

images courtesy Caro Editions

photography Nikolaj Møller

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