Author name: Odalisque

Music

Interview with Kerstin Ljungström

Interview with Kerstin Ljungström text Emelie Bodén photography Sandra Myhrbergfashion Emelie Bodén jacket Ahlvar Galleryshirt Avenytrousers Our Legacyrings Efva Attling & Annika Gustavssonbracelet & necklaces Efva Attllingwatch Seiko   For nearly a decade, Kerstin Ljungström has dedicated herself to working as a producer, live musician, songwriter, and studio technician for some of our brightest stars. Finally, on October 13th, her debut album takes its place in the British pop landscape. It’s a tumult of everyday melancholy, a nod to the music that has carried her through it all – with Kerstin’s velvety vocals, uncensored stories, vibrant productions, and rarely witnessed musicality serving as the overarching theme. What inspired you to pursue a career in music?From the first moment I started singing and playing the guitar, it felt like I’d found “my thing.” Nothing else made me more excited or drew me in the way music did. It’s never really been a choice for me to pursue music; it’s just been this kind of force that drew me to where I am today. Might sound a bit cheesy, but that’s how I feel about it. Can you tell us about your musical journey and how you got started in the industry?My mother taught me how to play the guitar when I was around 11 years old. After that, I started a band with my friends back in Bollnäs, and we had lots of gigs. I was 16 years old when I moved to London and studied at a music school called Rytmus, then another music school up north in Sweden. After that, I had an internship at a studio where a lot of established producers worked. I worked there for a few years and then signed my first publishing deal. How would you describe your musical style or genre?I’d say it’s pop, but with lots of different influences. I grew up listening to everything from jazz to Daft Punk, and in my early 20s, I worked a lot as a DJ, so I’ve always consumed a lot of different genres. When I produce my own stuff, I try to bring everything I love into the mix. Are there any specific themes or messages you aim to convey through your music?I try to write very personally and want the songs to be as honest as they can be. But one thing that’s always been very important to me is to write openly about being queer and always use “she” instead of “you.” Kind of want to write songs that I wish I could have listened to when I was younger. What’s your dream collaboration with another artist, dead or alive?I’d love to work with Sam Smith or Troye Sivan; I think they’re both such amazing artists. But for my own stuff, I’d say Jonathan Johansson because I think he is one of the best lyricists we have in Sweden. jacket Ahlvar Galleryshirt Avenyrings Efva Attling & Annika Gustavssonbracelet & necklaces Efva Attllingwatch Seiko What advice do you have for aspiring musicians trying to break into the industry?Don’t rush it! Music is so much about just finding that thing that is yours. And don’t care about what other people think or do! ‘ How do you handle criticism or negative feedback, and how has it influenced your work?I’m human, so, of course, I get affected, but I try to always remind myself that it’s just a matter of personal taste. The only thing I can do is keep doing what I like and love. shirt Avenyjeans Our legacyshoes Converserings,bracelets & necklaces Efva Attling shirt Avenytrousers Adnym Ateliershoes Converserings & bracelet Efva Attling jacket Ahlvar Galleryshirt Avenytrousers Our Legacyrings & bracelet & necklaces Efva Attling shirt Avenyjeans Our legacyshoes Converserings, bracelets & necklaces EfvaAttling shirt Arkettrousers Hopeshoes Dr. Martensrings Efva Attling photography Sandra Myhrbergfashion Emelie Bodénhair & makeup Filippa Finnphotography assistant Rebecka Barlachgeneral assistant Vanessa Eriksson Tonel

BackStage

CHANEL BACKSTAGES FALL-WINTER 2024/25 HAUTE COUTURE

CHANEL BACKSTAGES FALL-WINTER 2024/25 HAUTE COUTURE Written Fashion Tales Presented by the Fashion Creation Studio, the CHANEL Fall-Winter 2024/25 Haute Couture collection pays tribute to the Palais Garnier, in Paris. Playing a key role ever since its creation, in both the history of fashion and the House, this hotspot of performance and elegance, where everything is about glances, gazes and putting oneself on display, is today hosting the CHANEL runway show. Sophisticated, luxurious, theatrical, the collection reveals itself in the outside corridors surrounding the auditorium, transformed for the occasion into red velvet opera boxes. Usual landmarks are modified, perceptions are reversed, the experience of the Palais Garnier is renewed. A set designed by the French director Christophe Honoré. Here, the worlds of Haute Couture and opera mingle. Feathers, tassels, cabochons and embroidered flowers, precious braids, lacquered jersey, supple tweeds, silky velvet, illusion tulle, taffeta and duchesse satin: opulent materials that delicately rustle. The volumes are diaphanous, the sleeves puffed, and the flounces pleated. Richly embroidered, the collection imbues the House codes with a romantic twist. A CHANEL suit with box pleats revisited in burgundy tweed trimmed with white satin, a black corduroy tuxedo and a white blouse with an embroidered plastron, a black suit with a long culotte and a short, fitted jacket with shoulders swathed in black feathers, dance among long coats, voluminous capes and evening gowns, evoking a modernised stage tradition and a certain science of pageantry. Matte, glossy, lacquered: light reigns supreme. A palette of black, gold, silver, ivory, fuchsia, pale pink, celadon hints at the most splendid of soirees. In this institution, we see, we are seen, we experience emotions. It’s also a place for dance. As Major Patron of the Opéra national de Paris since 2023, Patron of the Ballet de l’Opéra since 2021 and Patron of the dance season’s Opening Gala since 2018, CHANEL is deeply involved. Its history, associated with that of the discipline, the avant-garde ballets of yesterday and today, and intimately linked, in its very creation, to that of movement, has attested to this for over a hundred years. With a tutu, Pierrot outfits, nods to the ballets Le Train Bleu (1924) and Apollon Musagète (1928) – for which Gabrielle Chanel created the revolutionary costumes – dresses for divas, princesses and brides, the Fall-Winter 2024/25 Haute Couture collection leads us into a world where clothes dress the space as much as they conquer it. Against this vibrant backdrop, the CHANEL Fall-Winter 2024/25 Haute Couture collection showcases the technical expertise, virtuosity and sensitivity of the CHANEL Haute Couture ateliers where some 150 people work in six ateliers at 31, rue Cambon, next to the CHANEL Fashion Creation Studio and close to the Palais Garnier.   Discover more about the show at www.chanel.com

Fashion Editorial

Ruwaan

photography Volha Hapanenkafashion / creative direction Tandekile Mkize top Viviers Studio top Viviers Studiotrousers Rich Mnisi jacket and trousers Rich Mnisitop Viviers Studio jacket and trousers Rich Mnisitop Viviers Studio jacket and trousers Viviers Studio acket UNI FORMtrousers Nhlanhla Masemola coat Rich Mnisitop Viviers Studioshoes Zara top and trousers Viviers Studioshoes Zara photography Volha Hapanenkafashion / creative direction Tandekile Mkizemakeup Toni Greenbergmodel Ruwaan Sampsonfashion assistant Qaqamba Sibayi photography Volha Hapanenkafashion / creative direction Tandekile Mkize top Viviers Studio

Fashion Editorial

Much ado about everything

Much ado about everything dress Sofus van Mierlocorset Leon Lindgren shoes and stockings Stylist’s Own accessories Pearl Octopussy creative direction and set design Kiki McKenzieand Laila Franklin / Paradiso Studiophotography Mattias Bardåfashion Daniel Darkomakeup Ugla Snorradottir dress Hope SS25stockings Swedish Stockingsshoes & Other Storiesearrings All Bluesring Pearl Octopussy dress, stockings, and shoes Emma Carling top and skirt Emma Carlingearrings Stylist’s Own top Victoria Chan SS25shorts Leon Lindgrentights Swedish Stockingsshoes Stylist’s Own creative direction and set design Kiki McKenzieand Laila Franklin / Paradiso Studiophotography Mattias Bardåfashion Daniel Darkomakeup Ugla Snorradottirmodel Margreth Sallamba / Fiiri Agency

Fashion Editorial

Daffodil: Odalisque x Hugo

all clothes Hugophotography Sandra Myhrbergfashion Jahwanna Berglund pin Izabel Display all clothes Hugo photography Sandra Myhrbergfashion Jahwanna Berglundhair and makeup Elva Ahlbinmodels Mario F / Blow ModelsAnna P / Two Management

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