• The Design Interview: Vincent Laine

    Written by Yasmine M

    For the design enthusiasts within photography and lifestyle, you may have come across this designer's work. Vincent Laine is the award-winning designer, behind products such as the Leica Q and Q2, Hasselblad CFV-50c and lately the Db Ramverk Pro Luggage collection. Today, as the creative director at Db, he still is focused on his minimalistic yet powerful designs. Odalisque Magazine, got a sit down with the designer to talk about his journey, aspirations for his upcoming work and thoughts on Japanese Kansei Design.

    Y: When did your passion for design start? Tell us a bit about your journey within design.
    V:  Most of my family members had a medium for creative output whether it was painting, garments or woodwork. With that said I do not believe that this kind of upbringing validates your creative capabilities by any means, or is a prerequisite in order to pursue a creative career - it is just my story and thinking about about makes me feel grateful. When thinking about the range of creative mediums that I work with from product design, photography, physical installations, video, copy and so on - I can certainly reference the openness to any medium or creative field through my childhood.

    You have designed everything from Leica cameras to luggage. How did that happen and what has been most fun and inspiring?
    As a teenager I started searching for “my” creative field, and later ended up in design school. During studies me and some classmates won a local design contest and I bought a camera for the money - only to end up extremely dissatisfied with the product because of how poor the user experience was, of crafting an image with that camera was. I was already 3-4 years into design school and so I decided to design my own camera (as a fake 3D concept) to provoke and channel my frustration, but I wanted this to feel and look real, so I picked Leica as the brand for this concept and studied their design language and brand assets to include that into my work. A couple of weeks later I received a phone call from the director of product management at the time, the call started with a firm explanation of how I had vialated the right to use their brand in my work - but towards the end of the call the tone shifted ending up with an internship at Leica. A year later (2014) I had dropped out of the university and landed my dream job as product designer at Leica.

    ''I was already 3-4 years into design school and so I decided to design my own camera…''

    How was it to start at Leica?
    The first project on my table was the Leica Q. Over the following years I got the opportunity to also design the Leica Q2, before leaving Germany and going back home to Sweden, more precisely Gothenburg where the camera brand Hasselblad is located. A great brand dedicating their craft to design and photographic excellence - but I wouldn’t help but noticing a pattern of repetition. Not just by designing camera bodies and lenses but also through celebration of historical brand milestones. Leica had celebrated their 100 year anniversary when I joined and at Hasselblad the celebration was 50 years on the moon and it got me thinking “Id like to be a part of making those milestones instead looking back.

    Tell me a bit more about your design journey for DB? How did you start out at DB?
    As a camera designer I traveled to see the world through my viewfinder and ultimately improve them - but instead something else caught my attention. Luggage. Hard case luggage in particular. I had a hard time finding a brand that spoke to me as a young creative. When I looked at the market I saw many luggage companies producing luggage - but very few brands with a belief and a perspective on the world. So, I started looking for up and coming brands and came across Db - contacted them and pitched hard case the same way as I did a few years back at Leica. A couple months later (October 2019) I moved to Oslo to design the hard case collection today known as the Ramverk Pro. Everything originated from the Ramverk Front Access Carry-on which was designed to host a professional camera insert if you are a photographer. The only way to create this spacious carry-on hard case was to connect the shells together somehow and our solution to that was the aluminum frame. The frame was then carried over to the other sizes of the collection - but instead of connecting the shells together - it works as a closure mechanism replacing the weakest component of conventional luggage, the zipper.

    As the appointed Creative Director, what are your aspirations and hopes for the brand, especially the travel pieces? What is important for you to focus on?
    My hope is that Db as a brand continues to push the envelope of creative thinking, through both design and marketing at the intersection of our subcultures where we enable these journeys and stories to happen all over the world. I genuinely believe that mixing genres of creativity is the future. Look at music 100 years ago, “featuring XYZ” between artists was unheard of, mixing genres even more so - now it’s the norm and new subcategories are created every day. That’s the vibe and spirit that I see for Db in the future just through product and culture. Db has an inherent duality that speaks evolution to me, designing so-called “spearhead” products in core communities and subcultures like skate, snow surf and photo. But instead of trying adapt to each activity or community, we believe in a more holistic approach where our perspective on design is the constant - essentially what it comes down to is the juxtaposition of two components - Rugged and Refined. A layering that we call Capable Elegance. Capable enough to be thrown in back of a safari, elegant enough be a part of your furniture when you get home.

    How did you choose the fabrics and designs for the latest Ramverk Pro? What makes it special for you, and is there something you are especially proud of with the latest design?
    The fabrics of the Ramverk Pro were carefully selected in terms of touch and feel but even more so since we were in a phase at Db while we were shifting all our main fabrics to 100% recycled. In this case 100% recycled Polyester.

    In social media you talked about Kansei design, a Japanese term that refers to the thought that objects evoke feelings. Tell me a bit more about that.
    I believe that objects and products evoke emotions within all of us, some people are more sensitive than others. But at the end we are vastly affected by the products and objects around us and I believe we speak too little about it, even in design. Maybe because it is a bit abstract, maybe because it’s personal or maybe because there is vulnerability in the statement. Nevertheless I designed the hard case collection to radiate confidence, through its features, precision, center of gravity, haptics, materials - why? Because my conviction was that confidence is the number one emotion you want to feel when going to that photo shoot, design pitch, interview, show or whatever is happening in your life. The last thing you want is to not be able to trust your gear.
     

    As someone who design luggage, what are some important things you do when traveling? Any travel advice? Going places usually gives you the opportunity to observe human behaviour filtered through different cultures or sometimes even raw instinct. I find this inspiring. At the end of the day, as designers we are forming the future and it is important to connect with a collective present - travel can provide that vantage point and render it from a distance where things align into a pattern. The best souvenir one can bring back home if you ask me. Working for a journey brand I do travel for both work and personal reasons. For work it’s mostly about coming together as a group, whether it is with the team or our customers/community. When I travel outside of work it’s usually to trigger new emotions, to grow and get the time to reflect in an environment where I dont know the names of the streets if the place even offers such luxury.

    As a designer and visionary, where do you hope your next travel destination is and why?
    As a designer Japan has a special place in my heart. It triggers curiosity, hope for the future and naturally surrounds you with genuine passion for creation.

  • photography Sandra Myhrberg

    fashion Alphons Amuri

    total look Hugo Blue

    Shadows of Ourselves, an Interview with Bloom Twins

    Written by Josie McNeill by Sandra Myhrberg

    Music and Fashion Coexist

    For Ukrainian born pop duo Bloom Twins, music and fashion are intertwined–one cannot exist without the other in both member’s lives.

    We started singing before we could speak,” Sonia Kuprienko, one half of Bloom Twins, said. “We were born in a musical family. So that is something that we consider a natural habitat. When fashion came it was as a quest for finding ourselves and sharing our identity with everybody.”

    Through the zoom screen for our interview, it was apparent that the self-described “dark pop” sound of Bloom Twins, composed of twin sisters Anna and Sonia Kuprienko, influences the duo’s fashion. Both wore their hair in short black styles, each accessorized with chunky silver jewelry and black clothing, leaning more into the “dark” aspect of the genre.

    Bloom Twins had a complex beginning. The two twins started their career in the public eye as models, but music was always in the background–both are classically trained musicians by encouragement from their musically inclined parents. Anna and Sonia met their music manager through their modeling manager after the latter posted a photo of the two on Facebook. The future music manager suggested that Anna and Sonia should move to London to test out their music careers after they finished school. Twelve years later, the two are still there, combining music and style as their full time careers.

    She’s Not Me”

    Even with similar alternative styles, Anna Kuprienko of Bloom Twins said that she could not be more different from her twin sister Sonia. “It’s so weird because we’re identical twins with the same DNA,” Anna said. “How was it possible that I’ve never met one person in my life that is so different to me?”

    The two combine their distinct styles to create a unique genre of music. Bloom Twins merges the alternative music tastes of Anna and the pop inspiration of Sonia to create their dark pop sound. “I tend to create more alternative instrumentals that are pretty dark, but you know, with good energy. She is more melodic–it’s more sophisticated, more pop.” Anna added about their opposite styles.

    These differences extend into the sides each of them gravitate toward in the process of creating music. Sonia leans into the more lyric and melody oriented part of the process while Anna focuses more on the production side.

    Anna said that she became interested in music production by the encouragement of her manager because of her interest in computers. The first song the twins wrote together was “She’s Not Me,” a track asking listeners to stop comparing the two sisters just because they look alike.

    The song is a noir, electronic inspired track that still feels like it has roots in the pop punk world with the duo’s vocals. Anna said that Bloom Twin’s original sound was inspired by the electronic music she was listening to at the time. The duo continued with this electronic sound with most of their tracks, even venturing into the dance music world with tracks like “High on Beat” with Jan Blomqvist. But recently, Bloom Twins has shifted even more into the pop punk world with their collaborative EP with X Ambassadors’ Sam Nelson.

    The team’s first EP together, Pretty in Pink, was released on Nov. 17, 2023 and contains the pop punk songs “Drunk and Loud,” “Beats Not Bombs,” and “Pretty in Pink.”

    Sonia said that the three began writing “Beats Not Bombs” together after the Bloom Twins reached out to Sam Nelson to collaborate.

    According to Sonia, Bloom Twins allowed themselves to experiment with a wide variety of sounds and genres because they refused to put themselves in a box from the start. Sonia said that they wrote the upbeat alternative rock song “Beats Not Bombs” in under two hours. In the middle of the writing process, Sonia said she suggested that she and her sister sing a part of the song like they’re drunk and loud. Sam Nelson decided that would be a great title for another song, so the three switched gears to write “Drunk and Loud.”

    Sonia described “Drunk and Loud” as one of those songs that you blast in your headphones as you ride the London underground. The beat of the song keeps you moving and the lyrics cause a reaction in the people around you.

    Pretty in Pink” is about a girl who is not afraid to tell it as it is. All the songs have distinct instrumental parts in the music, marking a departure from the band’s predominantly electronic
    discography.

    I believe that we allowed ourselves to not understand or classify how we’ve evolved because we allowed ourselves to get away with pretty much anything by calling our vision anything that it can be,” Sonia said.

    Sonia went on to say that “it’s important to not forget about the dance scene” when talking about the evolution of the group’s sound.

    Besides Sam Nelson, Bloom Twins has collaborated on projects with various DJs, such as
    “DayDream” with Benny Benassi and the aforementioned “High on Beat” with Jan Blomqvist.
    The twins said these collaborations mainly came about during the COVID-19 pandemic in 2020 and 2021. “We wanted to dance, but we couldn’t and I believe that this music is the result of that oppression,” Sonia said.

    The duo got into contact with the DJs through Instagram DMs as well. It’s interesting to see how much social media impacts modern music careers–Bloom Twins’ most streamed song is “High on Beat,” a song that came to fruition over direct messaging. “Now that I’m saying this, I actually think it’s very strange that people not only took the time of their day to listen to our song because I don’t think that we were the only ones that were

    Sending them DMs. I also really don’t think we chose the songs that they liked, but they still rode with us,” Anna said.

    Honoring Their Roots

    One of the topics that Anna and Sonia consistently returned to throughout the interview was their home country of Ukraine. Sonia said that one of the main influences for the duo’s sound is the conflict in Ukraine.

    It definitely affected what we said, how we wrote, what we chose to write about, and what we chose to sing and when we chose to sing,” Sonia said. “It not only affected us as human beings, but it affected anything that we wanted to touch.”

    Sonia and Anna have been advocating and speaking up for Ukraine through their art since 2014 with the single “Get Up Stand Up #WeAreUkraine,” which is a cover of the Bob Marley song. The cover was released at the start of the Ukrainian conflict with Russia. Bloom Twins released a music video to go along with the cover that contained actual footage of what’s going on in Ukraine. The twins were given the opportunity to perform their song on BBC NewsNight to help raise awareness.

    When the war broke out in 2022, the twins took to social media to call out artists who used Ukraine to film music videos, but were not speaking out about the conflict. Through Daily Mail,
    Bloom Twins called out major artists like Jorja Smith and Coldplay for abandoning Ukraine and only caring about the country when it benefits them.

    Their activism led them to be recruited as organizers for Night for Ukraine, a benefit concert in September 2022. The concert was performed at the Roadhouse in north London and the
    proceeds from the event were donated to provide aid to people fleeing Ukraine after the Russian invasion.

    The twins said they will keep using their talents and platform to advocate and raise awareness about the war in Ukraine. They also want to inspire people in Ukraine to have hope and to
    continue to pursue their passions and talents despite the efforts of their oppressors.

    I want to tell all the Ukrainians to speak your talent, spread your talent in other countries if you can. Put your mark on the frickin world,” Anna said.

    Never Stop Blooming

    In terms of what’s next for Bloom Twins, the duo will be releasing a second 3 track EP in collaboration with Sam Nelson. In addition to these tracks, the Bloom Twins said they will be
    releasing a new single consistently every few weeks or so.

    The duo will also be touring with X Ambassadors for upcoming festival appearances. They are also working on a clothing brand that will be sold as merchandise at the duo’s future shows.

    The brand is called Gussi, which was inspired by how geese began attacking Russian soldiers after they invaded Ukraine. Proceeds from the clothing sale will be going to charities that help Ukraine and Ukrainian citizens.

    The twins said, akin to their band name, that they will keep developing their brand and exploring new realism, both in the music world and in other areas of the arts.

    Blooming roses basically means that you never stopped developing. You’re always growing into this new thing,” Anna said.

    We’re excited to see where Bloom Twins blossom next.

    total looks Michael Kors

    Anna wears

    dress Closet London
    shoes Essen
    choker Stylist's Own
    Sonya wears

    dress Closet London
    shoes Essen

    Sonya wears

    jacket Nadine Merabi

    skirt Ganni

    ring Maria black
     

    Sonya wears

    jacket Ganni
    trousers Maria black
    shoes Essen

    Anna wears

    total look Nadine Merabi

    shoes Essen

    Anna wears

    dress Nadine Merabi

    neckless Stylist's Own
    bracelet Tomwood Project

    total looks HUGO BLUE
    dresses Maska
    stockings Stylist's Own
    shoes Closet London

    photography Sandra Myhrberg

    fashion Alphons Amuri 

    makeup Yin Lee

    hair Dayna Vaughan-Teague 

    special thanks to The Ragged School Museum 

    total looks Michael Kors
  • photography Sandra Myhrberg

    fashion Jahwanna Berglund

    .

    total look HUGO

    jewelry Maria Nilsdotter

    The New Era Interview with Jireel

    Written by Yasmine M

    The Swedish artist Jireel is back. He is one of Sweden's biggest in his game of feel-good tracks and ready to take on 2024. Odalisque meet up with Jireel for an editorial photoshoot embracing the new era of his artistic side. Talking about everything from his devoted fans, how to take care of his mind, and of course the new album and tour annoncement. 

    From ''Snap'' to ''Cataleya'' in 2017, how do you feel you have evolved throughout the years? 
    I definitely feel like I've evolved a lot. Coming into the industry, I wanted to work with as many different artists and producers as possible. In the end, you learn something from every person you work with. It goes a lot faster for me now to create music, and everything is just super natural. Experience is the key.

    How would you describe your musical style today?
    I honestly feel like my style is my style. My sound has been shaping into this fusion of all the genres I've been touching lately. When you listen to my music today, I think you will find flavors from hip-hop and RNB, to afro beats, kizomba, and pop in my latest album, and it's that fusion that makes my sound unique to me.

    Tell us about your new album. How was it writing it, how has it been creating it?
    It's been a fun journey. I've been going a little back and forth about the exact tracklist, but I tried to connect as much to personal experiences and feelings as possible in this album. To do that I had to feel a lot myself, and I also had to touch my roots to get out the sound I wanted for the album.

    .

    What emotions do you want listeners to have when they listen to your music and new album?
    I want my listeners to relate, and be able to feel what they need to feel for the songs. The album is designed for you to just feel. There are some songs on the album I think you can relate very differently to, some songs will make some people dance and smile, while the same song can on the other side make people miss somebody, or relate directly to a prior situation in their lives. I want to touch both the heart and the mind with this album.

    What inspires you to write and create music?
    Everything around me. Personal stories, stuff that happens around me, and certain feelings and experiences.

    Tell us three things about you that are important or funny?
    1. Don't mess with my sleep. 2. Avoid me when I'm hungry 3. I just dropped an album and you are really missing out if you haven't listened yet.

    Do you have any wishes? Advice for others?
    I always wish for my family, and the people around me to be good, all of them. My advice for others would be: to avoid negativity. Life's too short and we should all do the best of it, and really try to live our lives to the fullest.

    .

    You have your very own record label Records by MOTYhow does that feel?
    It was a natural step in my career. I'm reaching my 10th year as an artist, and I've learned so much stuff along the way. What I want to do is to help the next generations of artists get into the industry the right way. I want to give artists the right tools to be able to create as good music as possible, and at the same time teach them how the music industry works, and help them avoid mistakes that can be avoided.

    What do you enjoy doing when not working?
    I really love training, mostly in the gym but I'm down to play almost any sport as well. Other than that I like reading, and just taking time off to relax.

    How do you keep yourself sane with all your attention and work?
    I think it's important to have a good structure in work, and in life, but also to have a good set of people around you. People who look out for you, people who care about you, and people who keep it real with you.

    With all the different projects in your life, how do you gather energy? Has living in another country changed anything?
    Routines, I get my energy from staying disciplined with my food, my training, and my mental well-being. Moving to another country gave me so much more time to focus on myself, and my music, and I really found my safe spot in Mallorca.

    What are your plans for the summer and fall?
    More songs, more music. Being independent really gives me the freedom to release at my own pace. I also got some international collabs thats dropping this summer. This fall, I'll be performing at Annexet in Stockholm on the 23rd of November, as a part of my Scandinavian tour. I'm really looking forward to playing all this new music with a whole new stage design.

    Shortly after the release of the spring album 'Luanda', the ever-restless Jireel is now releasing a summer single. 'IBIZA' is a straightforward declaration of love produced by Dylano, who was also involved in the smash hit 'MANO'.

    This fall, Jireel will embark on his first Scandinavian tour.

    Listen to 'IBIZA' (Release: 6/28)#”

    robe and trousers OAS
    vest and shoes Filippa K
    necklace and bracelet Maria Nilsdotter
    ring Izabella Display
    shirt OAS
    trousers Tiger of Sweden
    bracelet Cartier
    rings Maria Nilsdotter
    total look HUGO
    belt Oscar Jacobson
    ring Maria Nilsdotter
    shirt and belt Oscar Jacobson
    trousers Filippa K 
    bracelet Cartier
    rings Maria Nilsdotter
     suit Oscar Jacobson
    turtleneck Filippa K
    jewelry Izabel Display

    photography Sandra Myhrberg

    fashion Jahwanna Berglund

    grooming Adam Nilsson

    assistants Idde Beskow & Lovisa Zettergren

    special thanks Näsby Slott

Pages