• In Conversation with Dimitri Weber: The Visionary Behind Goldfield & Banks

    Written by Jahwanna Berglund

    Odalisque Magazine sits down with Dimitri Weber, the visionary Founder and CEO of Goldfield & Banks, to explore the transformative journey of establishing an Australian luxury fragrance house with a distinctly native essence. Weber shares insights into the brand’s innovative approach, blending French perfumery expertise with the untamed beauty of Australia’s unique botanicals.

    From his bold decision to leave Europe’s traditional fragrance industry to the challenges of sourcing rare, native ingredients, Weber reflects on his commitment to sustainability, authenticity, and crafting olfactory experiences that capture the spirit of the Australian landscape. Through groundbreaking creations like Silky Woods, Weber has not only redefined niche perfumery but also placed Australia firmly on the global fragrance map.

    Jahwanna Berglund: Goldfield & Banks is known for its distinct use of native Australian botanicals. How do you balance innovation with tradition when developing new fragrances?

    Dimitri Weber: The innovation stems from our use of Australian native ingredients, many of which have never been utilised in modern perfumery. We craft beautifully balanced and sophisticated perfumes by combining French savoir-faire with Australian native essences — truly the best of both worlds.

    Your move to Australia marked a significant shift in your career. What was the key motivation behind leaving Europe’s traditional fragrance industry for the untapped potential of Australia?

    DW: Love was the initial reason; I met my partner in Australia. But professionally, the European fragrance industry was in a bit of a lull, and niche perfumery injected new life into it. Niche allows for fewer restrictions, and I felt it was the right time to introduce people to Australian perfumery. The opportunity was ripe.

    Can you share a specific moment or experience that inspired you to push the boundaries of fragrance creation at Goldfield & Banks?

    DW: The creation and launch of Silky Woods was a pivotal moment. It was inspired by Australia’s first oud — a material no one had previously associated with the country. This inspired me to create fragrances that rival the sophistication of Middle Eastern oud but with an Australian olfactory identity: earthy, mineral, and verdant.

    How did Australia’s diverse landscapes and flora influence your decision to found Goldfield & Banks? Was there a specific experience that sparked the idea?

    DW: During my time at Yves Saint Laurent, I learned that Opium, launched in 1974, was the first perfume to feature an Australian native sandalwood species. This planted the seed. I was also inspired by Aesop’s pioneering spirit and aesthetic. The beauty of Australia — its colours, textures, and even its mining landscapes — has always been a wellspring of inspiration for me.

    What were the biggest cultural or professional adjustments you had to make when transitioning from working in the European fragrance market to establishing a brand in Australia?

    DW: Australians don't necessarily share the same values of excellence and refinement that we cultivate in Europe, but that simplicity has grounded me. It keeps things refreshingly straightforward.

    What technological advancements or sustainable practices does Goldfield & Banks use in fragrance production that you believe set the brand apart from competitors?

    DW: Australia’s capacity to grow nearly anything allows us to source pure and sustainable ingredients. We work closely with local farmers and suppliers, ensuring traceability and transparency. This commitment to sustainability and community sets us apart.

    As a European perfumer, what do you believe makes Australian botanicals and the country’s natural resources so special when it comes to fragrance creation?

    DW: They bring a sense of natural authenticity and exoticism. Offering the Australian dream through scent feels both unique and aspirational. Our fragrances cater to customers who value travel, connection to place, and authenticity.

    What challenges have you faced when trying to source or incorporate innovative ingredients, particularly from Australia's unique landscape?

    DW: The biggest challenge is finding suppliers who can provide truly native ingredients. Many of these materials have never been used in perfumery before, so ensuring they blend harmoniously with other components is a complex but rewarding task.

    In retrospect, what has been the most rewarding part of launching Goldfield & Banks in Australia?

    DW:
    Hearing people say that I’ve put Australia on the map in the perfume world is incredibly fulfilling.

    www.goldfieldandbanks.com

  • image courtsy by artist / photography Albrecht Fuchs

    Isabella Ducrot

    Written by Sandra Myhrberg

    Odalisque had the opportunity to ask some questions to Isabella Ducrot, who lives and works in Rome. Known for her innovative use of woven textiles as the foundation of her paintings, Ducrot began her artistic career later in life. Through her extensive travels in Asia, she has amassed a remarkable collection of antique fabrics from Turkey, India, China, Tibet, and Afghanistan, which often feature prominently in her work. She is currently exhibiting at Gallery Belenius in Stockholm.

    You began your career as an artist in your fifties, which is unconventional. What inspired you to start creating art later in life?
    I just did it—no clear reasons came to mind.

    You grew up in Naples during a turbulent time in history. How did your childhood and the experience of war shape your artistic sensibilities?
    Not at all. For children, what happens is normal. I thought war was a normal condition.

    What inspires you?
    Everything!

    Your work often incorporates textiles and paper. How did your extensive travels and the collection of rare fabrics influence your choice of materials and themes?
    The quality of textiles was very important—the colors, the textures, the decorations. But little by little, I understood that my main interest was in the texture, not the decoration. It’s the same with paper; for me, the quality of the paper is what matters.

    What was it like to work with Dior? What is your view on fashion?
    Working with Dior was very, very interesting. Their attention to historical traditions means a great deal to me. Fashion is important for understanding a society; it’s like a mirror reflecting the aesthetic history of a country.

    Do you consider yourself a feminist? If so, how has that perspective influenced your art and shaped your view of society?
    I never forget that I am a woman, and after that, I am a feminist. I’m very interested in feminine language.

    What kind of response did you receive at Frieze Masters in London earlier this fall?
    I’m extremely excited about Frieze Masters 2024.

    How much do you work, and what do you dream of for the future?
    I work every day, with great pleasure, and have no specific plans for the future.

    Do you have any advice for younger artists?
    Read, study, and annoying yourself.

    What does the future hold for your art, and how do you hope your legacy will be remembered?
    It’s not a concern for me. I’m not anxious about the destiny of my works.

    2024 by Isabella Ducrot / Belenius
    On view
    08.11 – 07.12.2024

    Isabella Ducrot, Abito Grande I 2024

    courtsy of the Artist / Belenius Gallery 

    Isabella Ducrot, Abito Grande II 2024

    courtsy of the Artist / Belenius Gallery

    Isabella Ducrot, Checkered Dress 2024

    courtsy of the Artist / Belenius Gallery

    Isabella Ducrot, Tenderness VI 2024

    courtsy of the Artist / Belenius Gallery

    Isabella Ducrot, Checkered Dress II 2024

    courtsy of the Artist / Belenius Gallery

  • Charlotte Tilbury Beauty Unveils Star-Studded Holiday Campaign: A Dazzling New Variety Show

    Written by Jahwanna Berglund

    British beauty powerhouse Charlotte Tilbury has once again raised the bar for holiday campaigns with an unforgettable lineup of icons for her latest festive launch. Featuring global stars like Kylie Minogue, Kate Moss, Richard E. Grant, and Amelia Dimoldenberg, this year’s campaign promises magical, heartwarming, and laugh-out-loud moments designed to spread love and joy throughout the season.


    Central to this campaign is the all-new “Charlotte Tilbury Beauty Show” – an exciting twist on the traditional royal variety show. Here, beloved celebrities reveal unexpected talents, adding an element of surprise and humor to the season's festivities. Under Tilbury’s creative direction, the show brings together show-stopping performances and star-studded appearances that captivate, entertain, and inspire.


    Known for her dedication to inclusivity and empowerment, Tilbury invites audiences everywhere to embrace their “star confidence” this holiday season. Through her continued partnership with The King’s Trust, Tilbury weaves a narrative that celebrates inner beauty and confidence, allowing her audience to unlock beauty secrets usually reserved for the stars.


    With its heartwarming performances and glamorous holiday looks, this campaign by Charlotte Tilbury is set to become a seasonal classic, reminding us all of the joy, magic, and sparkle that the holiday season brings.

    Get ready for a festive season like no other! 
    www.charlottetilbury.com

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