• Exploring Europe’s Streetwear Tapestry with Zalando’s “Cultural Ties”

    Written by Jahwanna Berglund

    Zalando dives into the diverse and vibrant streetwear cultures of Amsterdam, Antwerp, Berlin, Paris, Stockholm, and Warsaw.

    In an age where streetwear continues to evolve beyond fashion into a bold expression of identity, Zalando’s latest initiative, Cultural Ties, takes a closer look at six unique urban scenes that are reshaping streetwear in Europe. Featuring stories straight from the communities driving these styles, the campaign brings a fresh, authentic perspective to a phenomenon that’s as much about cultural heritage as it is about personal expression.

    From Amsterdam to Warsaw, Cultural Ties connects communities through a shared love for streetwear, elevating local voices and styles while embracing each city’s distinct vibe. Berlin’s Charissa, the creative force behind the concept store and nail salon isla, offers an eclectic mix of style and spirit, while Parisian Mariana’s LGBTQ+ collective, Pulse, brings people together through music and dance. In Stockholm, Tamalie and Gloria, co-founders of the Let’s Create platform, champion innovation and local creativity. Warsaw’s Mih of newonce magazine, Antwerp’s Otto of Donnie, and Amsterdam’s groundbreaking brand The New Originals, contribute to redefining the visual and cultural codes of streetwear in their respective cities.

    Zalando’s Cultural Ties doesn’t just present these streetwear stories but immerses audiences in each city’s cultural hotspots and trending styles. With each city offering its own “must-see” locations, the initiative provides an insider’s look into the spaces that inspire local streetwear communities. Whether it’s a hidden gallery in Antwerp, a pop-up café in Stockholm, or an open-air market in Berlin, each destination showcases Europe’s streetwear diversity in full colour.

    Community at the Core: A New Face of Influence

    A recent YouGov survey commissioned by Zalando reveals that local communities are becoming a more influential force in shaping streetwear style than celebrities. In cities like Warsaw and Paris, around 27% of respondents said their local scene was their primary style influence, compared to only 19% who cited social media influencers. This speaks to a growing trend where community-driven style and local identity take precedence over commercialised fashion trends, with younger generations in particular gravitating towards authentic, community-centred style.

    Connecting Culture, Fashion, and Identity

    According to Zalando’s Daniela Klaeser, “Streetwear is more than just style; it’s a cultural code. It’s about who we are, what we stand for, and where we come from.” The initiative aims not to dictate but to celebrate the individuals and communities that define these styles, reinforcing a global cultural connection through Europe’s creative, boundary-pushing streetwear culture.

    Cultural Ties is live now on Zalando’s platform, inviting everyone to explore, celebrate, and connect through the vibrant streetwear communities of Europe.

    www.zalando.com

  • photography Jeanette Wester

    Jeanette Wester's Audiovisual Transformation of Centralbadet

    Written by Ludmila Christeseva by Oliwia

    Jeanette Wester's Audiovisual Transformation of Centralbadet

    In honor of Stockholm Centralbadet’s 120th anniversary, artist Jeanette Wester has reimagined the spa experience, transforming it with an immersive audiovisual installation that invites visitors to become part of the artwork itself. Trained in set design and architecture, Wester’s work melds digital projections with the organic shapes of Centralbadet, creating a space that feels alive and ever-evolving.

    A Living Artwork
    Wester’s installation, displayed in the Salongsbadet, allows visitors to interact with the art, immersing themselves in a world of projected light, shadow, and water. White spheres drift through the pool, casting reflections that respond to the architecture and each visitor’s movements. This interaction shifts the experience from passive observation to active participation. “In this environment, people aren’t just watching—they are part of the work,” Wester explains. “They become whole with the art.”

    Merging Wellness and Art
    Wester’s vision extends beyond the visual to connect art with wellness, enhancing the atmosphere of Centralbadet’s iconic interior dedicated to health and relaxation. “I believe in blending art with wellness,” Wester shares. “By combining these elements, we offer people a fuller experience of the space.” The pool, with its rounded, flowing forms, becomes a canvas that embraces both health and artistic exploration, inviting spa-goers into a scene that is both calming and deeply evocative.

    A Personal Connection and Profound Themes
    Inspired by her own wellness practices, Wester views art in spas and swimming pools as a way to create shared moments of beauty and connection. Her work brings out emotions that can be both healing and introspective. “The water has a way of drawing out memories and meaning,” she says. “For some, it’s about coping with loss; for others, it’s about reflecting on environmental change. There’s a beauty to the installation, but also something deeper within.”

    As Centralbadet celebrates this milestone, visitors leave with not only a refreshed body but also a sense of connection, joy, and introspection. Wester’s installation creates a serene yet thought-provoking atmosphere, blending tradition with modern artistic expression—an ideal tribute to 120 years of health, wellness, and community.

    As the holiday season approaches, the artist shared her future plans, highlighting upcoming projects designed to engage with unique architectural spaces and seamlessly blend contemporary art. Wester’s art map includes a range of spa, wellness, and social destinations, such as the exclusive Soho House in Los Angeles, set for spring 2025, and the World Expo in Osaka. At each location, she aims to explore innovative ways to harmonize art within the challenges and nuances of each environment, creating immersive, context-sensitive experiences.

    images courtsy artist / photography Janina Folke
    images courtsy artist / photography Janina Folke
    images courtsy artist / photography Janina Folke
  • Ann-Sofie Back is Back (with a Retrospective)

    Written by Natalia Muntean

    “I needed to make some sort of summary of my work in order to say goodbye and live again,” Ann-Sofie Back says, looking back at her career. Considered one of Sweden’s most influential fashion designers, Ann-Sofie Back is reflecting on her journey in Go As You Please – Ann-Sofie Back, a new exhibition at Stockholm’s Liljevalchs+ Museum, covering her work from 1998 to 2018. “Nicole Walker, my co-curator, and I have intentionally designed the exhibition to be as incohesive as possible,” Back explains. “We needed to make it exciting for us to put the exhibition together and a straight-up retrospective would have bored me to work on.”

    Accompanying the exhibition is a comprehensive monograph of the same name, which includes a wealth of visuals showcasing Back’s collections, runway presentations, lookbooks, styling projects, exhibitions, and media coverage. It also features interviews, articles, and writings by Back herself. “The book represents the linear development of my esthetic,” says the designer, “and the exhibition is more of a spontaneous interpretation.”

    The book, an extensive overview of Ann-Sofie Back’s vast archive, includes re-published texts by Lauren Cochrane, Anders Edström, Francesca Granata, Ulrich Lehmann, Maria Ben Saad and Mathilda Tham as well as images by photographers such as Richard Prince, Johnny Dufort, Anders Edström, Nick Knight, David Sims, Juergen Teller and Harley Weir. “I chose these writers because they often revealed perspectives on my work that I hadn’t considered,” says Back. Reflecting on the 1999 shoot with Juergen Teller, she recalls, “I expected things like that to happen back then, but now, looking back, I’m almost embarrassed by my younger self.”

    The sketches and creative processes behind her pieces are what she is most excited for readers to discover in the monograph, but she regrets not including her portfolio from St. Martin’s, where she graduated in 1998. “It was so good!

    I just found it in a box in my storage,” she adds. “It would have also been fun to include all the absurd incidents from that time and the fun we had.”

    Over the years, her collections have challenged conventions of femininity, beauty, and glamour. Reflecting on her evolution, Back says she’s come full circle: “I’m back where I started—in 1998.”

    And her advice for young designers hoping to make an impact? “I don’t give advice,” she says straightforwardly.

    Whether Back will return to fashion remains open-ended. “I don’t know. Anders Edström and I did a shoot for the exhibition, revisiting my old designs with non-models in the suburb where I grew up. We agreed it would be our last shoot—but then I saw the Sugababes are touring again, so who knows?” For now, Back is designing interior objects under the name Gnilmyd Kcab.

    The monograph will be launched on November 7 at Liljevalchs, and the exhibition will be available from November 8, 2024, to February 23, 2025.

    Photo credit: @annsofie_back_archive and courtesy of Liljevalchs Museum

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