• AIRA

    Written by Jahwanna Berglund

     A Culinary Journey: Exploring the Exquisite Realm of AIRA in Stockholm

    Nestled away from the bustling hum of Stockholm lies a sanctuary of culinary excellence: AIRA. Settled gracefully in the serene bay of Biskopsudden, this two-Michelin-starred restaurant offers a panoramic view over Saltsjön.

    Upon entering AIRA, guests are greeted by an ambiance that seamlessly blends contemporary elegance with timeless Nordic design. Culinary Excellence Redefined: Every inch of AIRA's open-concept space is carefully curated, reflecting the essence of Scandinavian nature through materials such as stone, wood, brass, leather and sumptuous textiles. Whether seated by the panoramic windows overlooking the city skyline the ambiance exudes both intimacy and expansiveness, inviting guests to immerse themselves in a world of unparalleled comfort and sophistication.
    Engaging all the senses at once.

    AIRA isn't merely a destination for gastronomic fulfilment; it's an experience that captivates diners from around the globe. Under the masterful direction of Swedish star chef Tommy Myllymäki, each moment spent at AIRA is a journey into the extraordinary. From the carefully crafted interiors to the precisely prepared dishes, every detail is thoughtfully considered to evoke a sense of wonder and delight.
     

    The culinary creations at AIRA transcend mere sustenance; they are works of art meticulously arranged on each plate. With each bite, guests are transported to a realm where flavour, texture, and presentation harmonise seamlessly.
    Chef Myllymäki's  dedication to making people happy is obvious in every dish, as he infuses his creations with passion, skills, and a touch of magic.

    AIRA, which can be translated to “The Principal,” epitomises excellence in every aspect. From the exquisite porcelain, adorning the tables to the carefully selected ingredients sourced from the finest producers, every element contributes to an unparalleled dining experience. The restaurant's philosophy revolves around the sensory journey, each dish designed to tantalise not only the taste buds but also the senses of sight, smell, and the touch of the perfectly chosen cutlery for each dish.

    The architectural brilliance of Jonas Bohlin further enhances the dining experience. There is a seamless fusion of natural elements and modern design that creates an atmosphere that is both timeless and contemporary. In four hours, guests are treated to a symphony of sensations—a true visual feast!

    At the heart of AIRA's culinary philosophy lies a deep reverence for the bountiful offerings of the Nordic region. Led by Executive Chef Magnus Johansson, whose expertise is complemented by a team of culinary artisans. The restaurant's menu showcases a creative fusion of traditional flavours and modern techniques. Each dish is meticulously crafted to perfection.

    AIRA proudly presents the culmination of culinary mastery and sensory bliss.
    Here, guests embark on a culinary odyssey that feels as familiar as home yet as extraordinary as a dream. It's an invitation to savour the joys of life, one delectable bite at a time, in a setting that celebrates the beauty of nature and the artistry of gastronomy.

    In conclusion, AIRA is more than just a restaurant; it's a sanctuary where culinary dreams come to life. With its unwavering commitment to excellence, AIRA continues to redefine the boundaries of gastronomic innovation, inviting guests to embark on a lovely journey of taste, texture.

    www.aira.se

    Photo by Gustaf Björlin/ Food Office

  • Miley Cyrus Is The New Face Of The Dolce & Gabbana Spring/Summer 2024 Eyewear Campaign

    Written by Fashion Tales

    Dolce & Gabbana introduces its Eyewear Campaign for Spring/Summer 2024, photographed by Mert Alas. The campaign features Miley Cyrus, the American singer, songwriter, actor, and performer, who also wrote the accompanying soundtrack to the Campaign video, inspired by her on-set experience

    The campaign features Miley Cyrus, the American singer, songwriter, actor, and performer, who also wrote the accompanying soundtrack to the Campaign video, inspired by her on-set experience.

    A Los Angeles studio, a vermilion bed, dishevelled bedsheets echoing a night to remember. Miley is there, in all her allure, standing in a moment frozen in time. Beside her is American actor and model Matthew Nozska.

    The seductive essence of the morning after perfectly blends with graphic and sensual poses: Alas’s lens captures the essence of the protagonists, revealing their unfiltered characters free from preconceived notions.

    This is the soul of the new Dolce & Gabbana Eyewear Collection.

    The new Spring/Summer 2024 items will be available worldwide starting from March 2024 online at www.dolcegabbana.com and at the best EssilorLuxottica opticians and retailers.

    image courtesy of Mert Alas

  • photography Daniel Camerini

    Linea Matei’s First Solo Show Is a Tender Triumph

    Written by Rosel Jackson Stern by Filippa Finn

    When I walk into Linea Matei’s first soloshow Ser Du Mig, I don’t know what I’m looking at. Humanoid polyester sculptures with rounded edges in varying champagne colours sit in a circle with an empty chair among them. Each sculpture is stuffed with wadding and set up as though I’ve just walked in on an otherworldly AA meeting — alien yet somehow familiar.

    It’s opening night on a chilly February evening at the Stockholm based gallery CFHill. The room is buzzing with onlookers gazing at the circle, in turn watched by more textile sculptures lining the walls around us. The sculptures seem to echo the humanity of the onlookers. There’s an affinity to them as if we’re meeting ourselves from a different dimension. On closer inspection, each sculpture possesses a mirror where the face should be.

    This confronting intimacy is no accident. Having graduated from Konstack in 2022, this encounter is the first solo show of textile artist Linea Matei. She has sketched each sculpture and crafted them using the sewing skills she gained as a child. The subtle depth of their postures has been hard-won through hours of interviews across Sweden with subjects of varying ages, sensibilities and locations. “I wanted to set up the sculptes so that they explored what might happen if the interviewees somehow met,” she tells me in the upstairs rooms of the gallery. “What would happen if these people from wildly different backgrounds shared space?” she asks. The result is not just a cheap imitation of human behaviour, but a life given, reflected and cared for. Each of the sculptures is someone we know, forgotten or avert our eyes from. They are someone we console, someone whose shoulder we cry on. Both disturbing and comforting, there is a warmth to Linea's show born of mature and nuanced practice.

    At the opening, the eerie familiarity seems echoed by my fellow spectators. When I asked one buyer what made them purchase one of them, he smiled and said: “It was something about the [sculptures] confidence and attitude of ‘please take care of me’ that spoke to me. It’s both vulnerable and strong. Like life.“ What has started as an unforgivingly chilly night in Stockholm has blossomed into an unusual display of public tenderness. We meet the sculptures with the sensibility of glimpsing a long-lost friend, only to be confronted by our own faces. For cold and cynical hearts, the show is bright and unassuming mediation on connection. It is confounding, delightful and surprises even the most deadened of viewers into a shared moment of humanity. It’s a benevolence so sweet that it poked my eye upon first seeing the show, equivalent to a stranger picking up on an awkward habit I never thought anyone noticed. Once I’d finished flinching, something inside me melted at the lives lived through these sculptures.

    Linea has done what the best art does: transmutes the world around them to reflect something of value back at the viewer. To do so without becoming a cliché, or overly “sugary” as my grandmother would say, you have to be specific. In this case, the angle of an arm, or weight of a knee becomes the difference between being force fed a message and inhaling the sweet scent of your favourite dish as a child. There’s no clearly discernible moral to Ser Du Mig, a credit to the artist. True to its name, it constitutes a wildly successful exploration of what it means to be seen.


    Ser Du Mig runs until 15/03/2024 at CFHill Gallery in Stockholm.

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