• photography LINDA ANDERSSON
    hair & makeup ANNIE ANKERVIK
    dress JANNIKA HAGFORS
    model YANINA / Slashtenmodels
    retouch ALDO FILIBERTO

    THE POETRY OF A BLACKBIRD

    Written by Ksenia Rundin

    Fashion photographer Linda Andersson and Beckmans’ designer student Jannica Hagfors have had a number of creative collaborations, resulted in a unique symphony of photography and fashion. Their recent project is not any exclusion, giving us an opportunity to follow the ephemeral language of fashion caught by the skillful camera lens. In order to satisfy the fashion curiosity of our readers, Odalisque Magazine has asked Jannica a couple of questions about her collection ‘Blackbirds’.

    Could you please say a couple of words about the product’s DNA, such as the idea, sources of inspiration and the message you send to the consumer?
    ‘Blackbirds’ is an interpretation of a poem with the same title, which a friend of mine has once written to me. It is about how to stay within your own layers in order to protect yourself against the surrounding world and how to exist within those layers by being your own self. By featuring the denuded back of a dress, I reveal a fragile part of the body and what is beneath.

    What do you think your collaboration with Linda has added to the collection, what we otherwise are not able to recognize in the garments, outside the photographic context?
    Our intention was to conceive a feeling of tranquility in the motion and add a poetry to the photographs. Something to reflect about and be able to lean back toward, while reading a poem and searching for serenity.

    Could you please tell how you have interpreted the aspect of sustainability in your collection?
    When I was working on the collection, my aim was to minimize the potential waste. So instead of turning the train around and shaping the pieces, I have chosen to make use of the entire fabric. The bottom part of the dress has a rectangular form and so do the most of the fragments. Such strategy resulted in a minimal waste during the cutting.

  • Mytheresa X Baum und Pferdgarten

    Written by Meghan Scott

    Coveted Danish brand, Baum und Pferdgarten will launch its Pre-Spring '19 collection, including a special Capsule collection exclusive with online retailer Mytheresa on December 10, 2018.

    “We are more than happy to start this trip with Mytheresa. Baum und Pferdgarten is constantly striving forward and this collaboration enables us to develop on an exclusive international level with one of the world's best online stores”, says Helle Hestehave and Rikke Baumgarten, Creative Directors at Baum.

    For Pre-Spring '19, Baumgarten and Hestehave have created a collection that captures the feel of the big city whilst capturing the beauty and loneliness it can bring. The collection extremely modern with a juxtaposition of relaxation and classic effortlessness, where a world of possibilities lies in the background.

    To showcase the essence of the aesthetics of the Baum und Pferdgarten x Mytheresa partnership, three women have been selected to show off their looks in an Instagram campaign; Linda Tol, Sophia Roe and Emili Sindlev.

    Each woman was asked about the collection:

    What item in your wardrobe is special to you?

    Emili Sindlev

    “My pink, vintage Prada bag in nylon. I always love vintage bags because they have a different look and feel than a new handbag. “

    Sophia Roe

    How would you describe your personal style?

    “Classic with a twist! I'm a sucker for simplicity and I like to invest in classic timeless pieces. For me leopard print is the essence of classic with a twist. I always try to pair my classic piece with a fun accessory. That could be a pair of colorful shoes, a bag with an interesting material or a hair clip. “

    Linda Tol

    What to think makes this capsule collection special?

    The contrast in the collection. The prints in combination with bold colors. The collection is in my opinion very sophisticated.

    Browse the collection more here.

  • When in Grasse making perfume with Chanel

    Written by Pari Damani

    In celebrating the 1-year anniversary of the ‘Gabrielle’ perfume I was invited to go to Grasse to the Chanel flower fields and experience the art of perfume making.
    We arrived at the Chanel Bastide early morning in the late september heat, a kind of temperature I was not used to at that time of the day being from Sweden, it felt like my makeup was melting down my entire face and my hair was getting frizzy. I imagined this is where legendary No.5 was born.

    The scent of the flowers hit you in the air and breathing has never been so luxurious and I saw Gabrielle Chanel walking the fields finding inspiration for her first perfume. At first I found it hard to focus, where should I go first -this is the Chanel Bastide in Grasse! The surroundings are beautiful by the mountains of Grasse, rows and rows of Jasmine flowers, Tuberose, May Rose and Geranium all grow there just for making perfumes for Chanel. Still in shock we were warmly welcomed as I was having a coffee, yet again I remind myself to breathe and take in all the impressions. The Bastide truly lives the essence of Gabrielle Coco Chanel, a stone house with a soft blend of beiges, an interior of beige, white and black. Simple and elegant.

    Grasse has a long history of perfume making. Since the end of the 1800- century Grasse has been the center of creating oils from flowers and fruit surrounding the city and is the main provider for the French perfume industry. It is also where Chanel has it’s fields of flowers and the distillation factory just a few minutes from where the flowers are grown and picked. I had before this trip never quite understood the process of perfume making, how a flower ends up in a bottle was a mystery and very hard to grasp. But the process was very fascinating to see. 

    Wearing black shiny Chanel rubber boots and beige apron we walked through the Jasmine and the Tuberose fields with the land owner mr Joseph Mul. His love really shows through the quality of the flowers, where no chemical fertilizers are used,  and his passion for the twenty hectares which he inherited from his great grandfather.
    The scent of Jasmine was mildly in the air when we walked through the field with Mr. Mul. He encouraged us to pick a few flowers hold them tightly in our hands for a minute to experience how the aroma develops from the warmth of our palms, during this minute the scent is amazingly much stronger as if I had just sprayed myself with ‘Gabrielle’.

    Gabrielle’’ is composed out of four white flowers; Jasmine, Tuberose, Orange Blossom and Ylang-Ylang by Chanel perfumer Olivier Polge. With inspiration true to the legacy of Mademoiselle Chanel ‘Gabrielle’ is the only perfume created bearing the name of the legend herself. It is no secret Mademoiselle Coco had a special relationship with white flowers. Camellia was also a favourite and a repeated inspiration through her jewellery and fashion designs. Jasmine Oil ‘Huile de Jasmin’ has been in the Chanel beauty range since it first launched in the 1920’s and remains as a key ingredient creating beauty products and perfumes.

    Each flower has their own appointed teams  when harvesting, for example the Jasmine is a small fragile flower and requires delicate fingers and a light touch, Mr Mul explained, so therefor experienced people are chosen for picking. Tuberose grows to be a long beautiful stem with flower bulbs at the top, white petals with a yellow center makes it very elegant, but the scent from this flower is strong and very mysterious, earthy yet sweet. Put a few of the bulbs in water and the scent will intensify day by day as if living in a Tuberose oil. I was given the chance picking a few flowers and during that time wondering how these tiny flowers become oil or an ingredient in a perfume.

    The Jasmine flowers are carefully weighted, put in metallic crates with a solvent. Being cooked in high temperature the solvent soaks up all the fragrance from the flowers, then magically turned into a wax called a concrete. This is what becomes oil and an absolute to make Chanel perfume. Absolute is a concentrated liquid in which the alcohol is removed from the concrete used in the Chanel No5 perfume, as requested from the Chanel perfumers, to get the most and the ultimate scent of the Jasmine flowers.

    Perfume making really is a true form of art that I now have a greater understanding of the process. The four white flowers composing ‘Gabrielle’ makes it a true floral perfume. I feel like I am swimming in a pool of perfect jasmine, ylang-ylang and tuberose while eating the most zestiest orange, get out of my flower pool and have a rest on sweet sandalwood. The scent is intense and long lasting and truly speaks the DNA of Gabrielle Coco Chanel. I will not even begin to explain the feel of the bottle, except that it is a genius design, cool and modern inspired by Paris and Gabrielle, that would be an article in its own right. Everytime I look at my perfume or whenever I use it now I will be reminded of my experience at the flower fields, constantly in a Chanel state of mind.

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