• photography Amir Golzari

    fashion Daniel Darko

    all clothing by Julia Weström

    Looking Forward, An Interview with Julia Weström

    Written by Sandra Myhrberg

    Julia Wiström, 31, currently works as a bag designer at a Swedish bag company in Stockholm. She also runs her own brand, where she creates and sews mini-collections, showpieces, and sells on commission. She has just completed a spring collection called “Kitchenmaid,” inspired by classic housemaids, checkered kitchen towels, and humor. We sat down with Julia to discuss her upcoming collection, her career as a designer, and sustainability in fashion. 

    Your upcoming collection “Kitchenmaid” sounds intriguing. Can you share more about the inspiration behind it and what we can expect from this collection?
    It's also a ready-to-wear mini-collection. Lots of checks, lots of lace. The materials are a mix of new and old. I got the idea last year when I was in Paris. In a restaurant, there were kitchen towels hanging all over the ceiling, and I was super inspired. I realized I had to create a collection based on kitchen towels. From there, it evolved into a little story about housewives, which in turn led to 'Kitchenmaid'.”

    Are there any new techniques or materials you are looking forward to experimenting with in your upcoming designs?
    Looking ahead, I'm eager to explore knitwear further. I spent quite a bit of time on it at Beckmans, and I feel there's more to explore and develop in terms of fun knitted pieces.

    How important is sustainability in your design process, especially considering the use of leftover materials from your original collection?
    Sustainability is a cornerstone of my design philosophy. Incorporating leftover materials from previous collections not only minimizes waste but also challenges me creatively to transform discarded resources into unique and desirable pieces. It's a practice that aligns with my values of responsible craftsmanship and environmental stewardship.

    What trends do you see emerging in fashion design, especially in the context of sustainable fashion?
    I've noticed some exciting trends emerging in fashion design lately, especially with a strong emphasis on sustainability. Many designers are embracing recycled materials, which is crucial for reducing our environmental impact. There's also a growing focus on social sustainability within the industry, which resonates deeply with me. Consumers are increasingly curious about the origins of their clothes, and it's encouraging to see more transparency from brands. I'm also excited about the shift towards timeless and sustainable designs that promote longer garment use—a practical approach to reducing overconsumption. These trends reflect a positive direction in fashion, where both people and the planet are being prioritized—an area I'm genuinely passionate about.

    Can you share a memorable moment from your design career so far?
    My foremost memory was when I sold my first garment. It was enjoyable and a validation that people are willing to pay for what I create. There are so many creators in the fashion industry, and standing out is challenging. That's why I'm always particularly happy when people purchase products and place orders with me. I'm very humble about it.

    What do you enjoy doing in your free time when you’re not designing?
    When I'm not working on design, I love hanging out with friends and my boyfriend – I'm very social and enjoy being around people. Food is a big passion of mine; not to cook, just to eat, haha! I enjoy dining out, savoring wine, traveling, and being in the sun. I probably like most things that most people enjoy. I also enjoy organizing parties, something I used to do as a job and still cherish as a hobby. Actually, this summer I'll be DJing on Gotland, which should be really fun! I love having a good time and laughing. At the same time, I also enjoy relaxing and listening to true crime podcasts.

    photography & AD Amir Golzari

    fashion Daniel Darko

    makeup & hair Sandy Alfares

    model Ebba D / Stockholms Gruppen

    post production Thomas Wilke & Amir Golzari

    makeup assistant Karin Hanser

    photography assistant Fredrik Edling

    all clothing by Julia Weström

  • CHANEL BEAUTY BACKSTAGES FALL-WINTER 2024/25 HAUTE COUTURE

    Written by Fashion Tales

    MAKE-UP STEP BY STEP


    COMPLEXION
    Apply LES BEIGES WATER-FRESH COMPLEXION TOUCH with the
    2-IN-1 FOUNDATION BRUSH FLUID AND POWDER N°101.

    Correct the imperfections of the face using LE CORRECTEUR DE CHANEL with the RETRACTABLE DUAL-TIP CONCEALER BRUSH N°105 where needed.

    According to your skin tone, apply EXCLUSIVE CREATION DIAMOND DUST GOLD AND PEACH or LIGHT AND BERRY on your cheeks.

    According to your skin tone, add BAUME ESSENTIEL MOONLIGHT KISS or BAUME ESSENTIEL SOLAR GLOW on the apples of the cheeks using the PRECISION POWDER BRUSH N° 111.

    EYEBROWS
    Brush the brows with DUAL-ENDED BROW BRUSH N°207.  Fill in with the STYLO SOURCILS HAUTE PRECISION. Apply le GEL SOURCILS in TRANSPARENT to add depth to hairs for a strong result.

    EYES
    According to your skin tone, apply STYLO OMBRE & CONTOUR 42 CELESTIAL PINK or 52 ATTAYA directly on the mobile eyelid. Blend it with RETRACTABLE DUAL-ENDED EYESHADOW BRUSH N°200 all over the mobile eyelid.

    LIPS
    Apply a light touch of 31 LE ROUGE in ROUGE LION or ROUGE INTIMISTE (further the look) in the middle of your lips and smudge it all over the lips.

    NAILS
    Prepare with a coat of LA BASE CAMÉLIA. Set up with LE VERNIS DE CHANEL 111 BALLERINA, fix and add shine with LE GEL COAT.

  • CHANEL BACKSTAGES FALL-WINTER 2024/25 HAUTE COUTURE

    Written by Fashion Tales

    Presented by the Fashion Creation Studio, the CHANEL Fall-Winter 2024/25 Haute Couture collection pays tribute to the Palais Garnier, in Paris. Playing a key role ever since its creation, in both the history of fashion and the House, this hotspot of performance and elegance, where everything is about glances, gazes and putting oneself on display, is today hosting the CHANEL runway show. Sophisticated, luxurious, theatrical, the collection reveals itself in the outside corridors surrounding the auditorium, transformed for the occasion into red velvet opera boxes. Usual landmarks are modified, perceptions are reversed, the experience of the Palais Garnier is renewed. A set designed by the French director Christophe Honoré.

    Here, the worlds of Haute Couture and opera mingle. Feathers, tassels, cabochons and embroidered flowers, precious braids, lacquered jersey, supple tweeds, silky velvet, illusion tulle, taffeta and duchesse satin: opulent materials that delicately rustle. The volumes are diaphanous, the sleeves puffed, and the flounces pleated. Richly embroidered, the collection imbues the House codes with a romantic twist. A CHANEL suit with box pleats revisited in burgundy tweed trimmed with white satin, a black corduroy tuxedo and a white blouse with an embroidered plastron, a black suit with a long culotte and a short, fitted jacket with shoulders swathed in black feathers, dance among long coats, voluminous capes and evening gowns, evoking a modernised stage tradition and a certain science of pageantry.

    Matte, glossy, lacquered: light reigns supreme. A palette of black, gold, silver, ivory, fuchsia, pale pink, celadon hints at the most splendid of soirees. In this institution, we see, we are seen, we experience emotions. It's also a place for dance. As Major Patron of the Opéra national de Paris since 2023, Patron of the Ballet de l'Opéra since 2021 and Patron of the dance season’s Opening Gala since 2018, CHANEL is deeply involved. Its history, associated with that of the discipline, the avant-garde ballets of yesterday and today, and intimately linked, in its very creation, to that of movement, has attested to this for over a hundred years. With a tutu, Pierrot outfits, nods to the ballets Le Train Bleu (1924) and Apollon Musagète (1928) – for which Gabrielle Chanel created the revolutionary costumes – dresses for divas, princesses and brides, the Fall-Winter 2024/25 Haute Couture collection leads us into a world where clothes dress the space as much as they conquer it.

    Against this vibrant backdrop, the CHANEL Fall-Winter 2024/25 Haute Couture collection showcases the technical expertise, virtuosity and sensitivity of the CHANEL Haute Couture ateliers where some 150 people work in six ateliers at 31, rue Cambon, next to the CHANEL Fashion Creation Studio and close to the Palais Garnier.

    Discover more about the show at www.chanel.com

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